Creative

10 days, 3 bands, 1 brain

August 17, 2010 by krisis

It is 10 days until Crushing Krisis’s 10th birthday and I am having an editorial calendar failure. And a brain failure.

Really it’s kind of an overarching not being able to do anything except nap and read comic books failure, which as failures go is not such a bad one. It’s way better than the “so overstressed I can feel the ulcers growing” brand of failure I was experiencing two weeks ago.

Actually, I think the napping and the comic books had a lot to do with escaping that particular pit of despair. Napping, comic books, little purple pills, and not drinking a gallon of lemonade every single day.

Meanwhile, in news related to the brain failure, I have discovered that being in three separate musical acts each with their own set of unique arrangements is the functional limit of my brain capacity. The wherewithal to recall all of those songs seems to have jettisoned my ability to return phone calls or schedule home repairs.

I am now off book on seventeen bass arrangements for Filmstar. As long as someone yells out what key we’re in at the start of the song I am fine, except for the one song that only makes sense if I pretend we are playing a David Bowie song. Like, if we begin and I’m like, “Oh, it’s a Filmstar song,” then I am a hot mess and play about two correct notes. But, if I instead say, “This is the secret, unreleased B-Side to ‘Suffragette City,’” then I’m fine.

Meanwhile, as Arcati Crisis Gina and I are working on two new songs, which – per our modus operandi – are completely different in every possible way from anything we’ve done before. One is an acoustic dance song from me equally influenced by Gaga and Heart, which I just previewed on our Facebook page.

(The other is a Gina tune which could be referred to as “Message In a Bottle from an American Girl in Russia,” but is actually called the much more succinct “American Mikaela.” It’s chorus hook is so destructively catchy that I have successfully lobbied to sing it three times as much as Gina originally planned.)

There’s also the musical artist that is me, who I can sometimes forget about in all of the commotion between the other two and commuting to my actual, fully-paid, highly-beloved full time occupation. He’s rehearsing to support Mieka Pauley this weekend at our house concert shindig, where he is rumored to debut a brand new Madonna cover (and, when you rumor something to yourself, it’s pretty sad if it doesn’t come true, so I need to get on that).

Meanwhile, ten years minus ten days ago I was sitting in a dorm room with a broken collar bone, registered for a year of music courses totally outside of my major and wondering if I would have anywhere to live in a month.

Ten years. Wow. What were you doing ten years ago today?

Wednesday Morning Remainders

June 9, 2010 by krisis

I could write a post about each of these links, but in ten years would that be interesting to read? Maybe they need the context of each other to create a narrative beyond their end destinations.

Here we go.

1. Ever fantasized about being a globe-trotting musician headlining your own tour? Amanda Palmer does just that, and her no-holds-barred look at managing the business of her music while on tour via email will either thrill or terrify you.

2. On the way back from our aborted-by-clouds skydiving attempt Wes played a hilarious NPR show/podcast called Wait, Wait, Don’t Tell Me, an hour-long quiz show that’s part Daily Show part Whose Line Is It Anyway. As I’ve recently mentioned, I can be a humorless curmudgeon, but the show’s mix of news, puns, and grammatical humor struck a chord with me. Derek Powazek discusses how the Wait, Wait formula is crowd-sourcing done right.

3. Skydiving was my present to Wes for graduating from Temple Law. HuffPost interviewed Nikki Johnson-Huston, who went from homeless to college-dropout to award-winning graduate of Temple Law. (via JoeBeta)

4. My friend and fellow sky-diving companion Chris is the glassblowing apprentice at Old City’s Hudson Beach Glass, where they are having a design-your-own-pint-glasses special through this Sunday to commemorate Philly Beer Week. I’ve been remiss in not dropping by for one of their open-studio days – an issue to be amended soon. (via UWishUNu)

5. Reminiscent of my blog-buddy Unsolicited Analysis, You Are Not So Smart tackles common misconceptions with detailed take-downs. Their recent “Misinformation Effect” addresses a recurring theme of CK, the persistence and reliability of memory. (via Kottke; on a related note, see his post on “mesofacts”)

6. Also in the UnAnal vein, Flowing Data blogs data visualizations, like heat-mapping tourist routes based on the volume of photographs by location.

7. Are you a worry-wart about things like burglaries, shark attacks, and plane crashes? Meg’s Tumblr provides a handy graphic to divert your fears to identity thefts, dog bites, and automobile accidents. The greater, more probable danger is often in plainer sight than the more fearsome, relatively exotic danger.

8. Do you wield your iPhone or iPad outdoors and while mosquitoes enjoy your pale, savory flesh? Grab an anti-mosquito iApp that broadcasts high frequency noise that’s a total buzz-kill for the pests. (via MightyGirl)

9. Speaking of iPad, imagine if every seat at your longest meeting had one. Seth Godin did just that. Would meetings really become more efficient? Seems like it would apply favorably to political processes as well (and I know some congressional or parliamentary bodies use a similar system).

10. Last month Danny Brown presented a post of his 17 top WordPress plugins, many of which I’ve added to CK in the intervening weeks. Now that I see them in action, it turns out they’re as ubiquitous as they are ingenious, and thanks to them my quality of blogging-life has greatly increased – thanks Danny! I’ll add the suggestion ofAfter the Deadline – a proofreading plugin for both WP and your favorite browser.

11. Design blog NotCot presents a detailed look at the farcical Pre-Handshake Handshake Device from artist Dominc Wilcox. I need Dominic to design a body-suit in a similar style for me to wear on the El…

12. … and/or, when I am all hot post-hypothetical-triathlon, I can buying some Matrix-style gear from Ego-Assassin. (via Warren Ellis; I’ve been reading his Planetary)

Wow, they really did end up as a narrative … for me, anyway.

Extreme Best Memorial Day Weekend Ever Extreme Recap

June 1, 2010 by krisis

As it turns out, jumping out of a plane seems a lot more insane the second time.

That was the thought going through my head on Sunday morning around 9:30 a.m. as our tiny, 12-person plane ascended into a cloudless blue sky, prepared to dump Arcati Crisis and some of our core of friends out of its side.

The first time skydiving was a purely a concept – mysterious in its execution. This time the open door of the plane winked at me conspiratorially as I sat two inches from its maw. I was going to exit that door into nothing.

Why was I doing this again?

In fact, skydiving was not the most insane aspect of our extreme band weekend. That title is easily awarded to our tubing experience.

Or, really, the experience of trying to depart our tubing experience without being murdered, dragged to death behind a car, dying of exposure, or starting a forest fire.

The Human Calculator v. The Harmony Jukebox

May 24, 2010 by krisis

That would be a pretty dull superhero fight, huh?

Actually, the title refers to Friday’s post, which drew a quick comment from someone who built a straw-man of “The Human Spellchecker” to stand next to my snarky Human Calculator.

I’m so high-and-mighty about math, but do I use a spell-checker when I blog? Would I deny people a spellchecker too in my dedicated Ludditism?

The answers are, respectively, “occasionally” and “of course!” The existence of tools to assist us doesn’t replace the need to master skills or knowledge on our own.

Consider the source. I take for granted that I’m comfortable doing both of these things. I have to proofread words and numbers as part of both my jobs and my hobbies. It’s in my best interest to be a knowledgeable snob about both.

Maybe they aren’t the best examples for me.

I always say, “music is like calculus to me.” Yet, I’m a musician. I don’t have wonderful pitch, and I am not a natural singer. I can’t pluck perfectly in-tune harmony notes out of thin air like E or Gina, each of whom I refer to as “The Harmony Jukebox.”

When our band learns a new song I usually have to play along on piano at first, and when I sing harmony in the car E has to sing with me the first few times. And I have to pay careful attention to breath support, shaping, and phrasing to stay in tune.

At some point I have to sing the notes myself in an effortless way. If I never eliminated the piano, or E, or the careful attention to every note, I wouldn’t be much of a musician. I mean, yeah, they have auto-tune for that now, but what about performing live.

Bottom line: being a musician is hard work for me! Sometimes it isn’t any fun at all.

What if math was that hard for me? Would I sometimes just whip out the calculator? Probably. But just like music, I’d still want to know how to do it myself. I still want to possess that knowledge.

What about you? Forget grade-school antics like math and spelling. What is a difficult skill that you have to reproduce daily? Do you use a tool to assist you? And, can you still perform the same task without the tool?

Phillyist votes a qualified “NO” on Philly promoter bill (#100267)

May 21, 2010 by krisis

Short version: Phillyist used me a source for an article about the proposed Philly promoter bill! They agree with me that the bill is well-intentioned but misguided, and will likely do more harm than good to the city and its blossoming music scene.

Longer version:

Over the past two weeks Philly performers and promoters have been up in arms about a Philadelphia City Council bill (#100267) proposed on April 22 that would require local venues and promoters to be more closely licensed and monitored.

How closely? The following passage is drawing most of the ire:

A Promoter of an event must obtain a promoted event permit from the Police Commissioner for each such event. Application for such promoted event permit shall be made in writing to the captain of the police district in which the event is to take place at least thirty days prior to such event …

The application shall be deemed approved unless it is
denied at least ten days prior to such event.

…must include all of the following:
(i) The promoter’s business privilege license number;
(ii) A detailed security plan…
(iii) A copy of the written contract between the promoter and special assembly occupancy licensee.

Speaking anecdotally from personal experience, let’s just say that I’m not always booked 30 days in advance, the promoter is often me or a friend putting something together on a lunch break, that our shows don’t usually require private security, and that I very rarely have a written contract to refer to as an artist or a promoter!

I have a lot of other things to say about the bill, and how it would have completely altered my opportunities as a musician as well as a promoter for our festival and #blamedrewscancer. While that opinion continues to brew into a post, Joe Ross of Phillyist did a great job of distilling my rambling to two succinct soundbites:

Peter is in support of the petition to kill the bill because it appears to limit the opportunities available to the local music scene, saying that “to try to legislate every performance takes away a lot of those opportunities — not only for artists, but for indie venues and promoters.”

Peter also had doubts about the solution we suggested above. He told us “that might just encourage known promoters to charge new, indie artists and promoters to use them by proxy. The entire system invites abuse.”

For more background on the bill, the petition, and how the two can be reconciled, check out Phillyist’s entire article on the topic.

(Also, many thanks to Joe for the multiple-platform shoutout to both my musicianship and my blogging!)