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off-topics

Who are your people?

September 6, 2012 by krisis

With Jake exported to lovely Rochester, New York for  little while, Gina and I have retooled our mid-week rehearsal into a sort of combo rehearsal, business meeting, new material audition, and general goofing-off night.

Which, honestly, is not so different than what it was when Jake was around for it, but now it’s been officially christened as such.

One of the things we talked about last night was something that came up over impromptu dinner with Matthew Ebel and Nan at #140Conf in June.

Matthew is an indie musician who is totally on the path of 1000 True Fans – and he makes it work spectacularly with steady touring and releases combined with a subscription service and webcasts. He was also the first ever musical director of the conference. I’ve wanted to sit down and chat with him ever since a brief run-in with him at the 2010 conference, so I was psyched to catch up with him about touring, songwriting, and our shared love of Amanda Palmer.

Eventually, conversation turned to my own motley collection of musical acts. Matthew set down his drink, stared me down across the table, and said, “Who are your fans?”

Now, I’m not so delusional as to think I have a massive fan base across all of my acts, but we’ve accumulating our steady listeners over the years. I began to stammer about them, but Matthew cut me off.

“Look, you’ve got friends who dig you. Fine. That’s not what I asked. I said, ‘who are your fans?’ Your people?”

This is the rabbit hole that Gina and I headed down last night. Matthew’s point to me over that dinner was that it’s all well and good to have fans here and listeners there, but it pays to know who your true demographic is. Twenty-something 70s nostalgics? Steam punk enthusiasts? X-Men fans?

It’s basic marketing, and I do it at work all the time at the start of a new project. We produce ad campaigns towards a specific audience, so why not do the same thing for our music?

I guess some musicians might shy away from this whole concept because it’s not artistic, or some frilly bullshit like that. Whatever. In the old, “find a label to be your patron” model of music, there was some marketing person and their intern out there scrambling to figure out your target audience so you could focus on being an ARTISTE.

Well, now your target audience is your patron, as it should be – and it’s your job to know who they are. Figuring out who they are doesn’t mean you have to write songs just for them or anything like that. It’s just a matter of fishing where the fish are. If all the Star Trek fans dig your music, then you better be playing it somewhere where Star Trek fans congregate. Matthew’s point was that putting together that thousand-plus fans is a little easier to do if they aren’t all one-off transactions.

So, who are our people? I don’t know. People in Philadelphia and People on Twitter are apparently categories too large, and People With an Endless Fascination With the End Times But Not In a Morbid Way might be a little too specific.

We’ll figure it out.

(Thanks to Mr. Ebel for a delightful dinner, and for hopefully being gracious about all of the misquoting of him I just did above. Be sure to check out his Lives of Dexter Peterson.)

Filed Under: arcati crisis, marketing

Farewell, Vt.

September 3, 2012 by krisis

This was one of my favorite sights on Route 7 when we last visited Vermont. I made E pull a ridiculous turn in the middle of the highway so I could get a photo of it this time.

The business behind it has a FOR SALE sign up, so who knows if it will be there next time.

No, I did not inquire to see if the statue could be purchased a la cart.

Now for another eight hours of driving.

Filed Under: photos

back on the farm

September 2, 2012 by krisis

We are presently vacationing in utterly gorgeous Middlebury and Leicester, Vermont, where we’re visiting our friends Kat and Jeremy on their new old farm, complete with 200+ year old farm house and hilarious and adorable still-pretty-new baby.

When we last visited in 2009 there was no new-old farm or pretty-new baby, and I became obsessed with the local donuts and unexpectedly played a concert.

The barn.

 

The tomatoes.

Broccoli as far as the eye can see.

Also of note, apparently every town in Vermont includes at least one life-changingly amazing ice cream shop. I don’t even want to talk about the quantity that I devoured.

I didn’t get any good shots of the baby, but the bit where she was standing up on the back of a motorcycle was one of the highlights of the trip.

Filed Under: photos

Happy Birthday To This

August 26, 2012 by krisis

On my 30th Birthday

Day before 30th Birthday

I.

There are few things in our lives that are truly finite.

Of course, that’s patently untrue. For example, there are a specific, quantifiable number of people on Earth.

Go ahead, count them.

Arcati Crisis at the Tin Angel, September 2011

Full band debut at the Tin Angel

If that’s too tall a task, we can limit the scope. What about the number of cars in America? Still too large? Let’s think local – how many stores and carts in Philadelphia sell soft pretzels?

From the perspective of a single person’s experience, those finite numbers are unknowable. We can rely on estimations, aggregate data, and computer projections, but in our lives we’ll likely never know the answers. We’ll never know all of the facts or have all of the money.

The finite will remain infinite.

E and I at Chris’s birthday

II.

Two important things happened yesterday.

Around noon, E and I collected her two siblings and one nearly sibling-in-law into our car and drove to New Jersey to attend her step-sister’s wedding. There we met up with my extended clan of in-laws, which includes a pair each of step-aunts and -uncles, all beaming at a storybook beautiful bride.

On stage with Filmstar

(We also tailgated with them in the parking lot of a church, but that’s another story entirely.)

About halfway through the reception I was idly texting best-and-worst wedding stories of all time with Nan between speeches when a peek at Twitter revealed that Neil Armstrong had passed away.

I didn’t mention it to our table – I didn’t want to be that guy, reading the news off his phone at the wedding (even if I already was) (sorry, Tal). Later, outside in the parking lot in the fading daylight, I glanced upward to see a slivered moon hanging low across the sky, ready for the sun to cede its place in their nightly ritual.

I wish I could make the moment seem more poetic by saying I thought of Neil, but I didn’t. I was mostly thinking about how days pass so quickly while you’re living them, just like months and years. You live your life and then suddenly the moon is glowing above you and you are almost done being thirty, and you aren’t sure how you got there.

Okay, not you. Me. How I got there. Here.

Sometimes I’m not so certain, but that’s what Crushing Krisis is all about – all twelve years of it, as of today.

My retro-punk haircut

III.

Year twelve of CK has been a huge year of my life.

Ridiculous at the Shubin Theatre Holiday Revue

I turned 30. I was featured in Jump Philly magazine. I fronted a full, four-piece rock band for the first time. I was promoted to being the most senior individual contributor in my department. E and I were interviewed for CBS Philly. I visited Las Vegas. I began editing my first novel as a member of an Author’s Club. I became a regular contributor to another blog.

I went on my first road trip to celebrate Gina’s birthday. I managed the communications for one of the biggest events in Philly for its biggest year of all time. I found myself the leader of a wedding band. I completed my collection of every X-Men comic, ever.

I crashed our car into the house. I ran my first 5k. We recorded the rhythm tracks for our first Arcati Crisis studio album. I was named Geekadelphia’s Geek of the Week.

E in Las Vegas

Not every notable moment was a big one. We survived Hurricane Irene, mostly unscratched. I interviewed Philly art star Britt Miller. I delivered a dramatic reading about the morning after.

I reviewed a slew of DC’s New 52 debut comics, part of a rare “post every day” month at CK. I recorded songs from the first third of my lifetime, including a cover of Vogue with an emotional essay attached. E and I took home a band for the night. I attended a funeraland then visited bro in his first apartment.

I explained how bigots should not be allowed to like X-Men. We bought a firm new bed. I wrestled with the monsters in my life. I recorded a video confession about my obsession with coasters. E got drunk at The Muppets and could not help me identify a lost song. I shared my OCD issues with dirty feet. I mused on how Taylor Swift is like (and unlike) The Beatles. I reviewed the best of X-Men from 2011.

Yoga at work (long story)

E dreamt about zombies. I speculated about dead aliens being removed from our plane from Vegas to Philly. I re-watched the X-Files. I reviewed Madonna’s new LP, track-by-track. Gina taught me an Iron Maiden song. I broke the first comprehensive news about Marvel’s non-reboot. We spent time with our new old friends Chris and Courtney. I saw Fiona Apple, as I have once after each of her albums. I was on vocal rest for two weeks.

Lounging with my fellow Authors

IV.

There are well over a million words on CK. To you they might seem infinite – more than you’ll ever read. They’re infinite to me too, but in a different way – I’m never certain how many more of them I have in me.

As always, I struggled with wanting to post more – constrained both by privacy and time. Week after week I planned seven days of posts, but I rarely wrote past a Wednesday.

Before Filmstar at Dobbs

As a result, I missed recording many details of my life. I did not write about every Arcati Crisis rehearsal and show. I did not share every new thing I am crushing on. I did not describe the excitement of talking to E about her new career as a Software Engineer at a local start-up. I never finished a post about my first photo shoot as a member of Filmstar.

I never made the post about how I wore a hood for weeks after Trayvon Martin’s murder. I did not blog about a brief depression this spring. I forgot to detail E’s riotous birthday party, and the amazing new friends we have in our lives. I didn’t discuss joining the board of Social Media Club Philly.

I have yet to write the first post of my epic re-read of every X-Men comic in the order they were written. I didn’t talk about the zeal of seeing my favorite band, Garbage, back on stage. I totally skipped out on recording my exploits with Nan at the 140 Conference in New York.

Hooded for Trayvon Martin

Why didn’t I record all of those moments and feelings? Because, if there is one thing in our lives that is finite, it’s time. We might waste it – pass it with idle distractions – but it’s the one thing that lies plainly charted and steadily consumed. There is no more of it to discover, and none of it truly lost. There are only moments forgotten, unrecorded and unremembered.

Refereeing FourSquare Day

V.

Back to the wedding, and the moon.

The distance from where you sit reading this right now to the surface of the moon is finite – and not finite like the people in the world or the soft pretzels in Philadelphia. It’s knowable. Measurable down to the very centimeter.

April show at Tin Angel

Except, it seems pretty infinite to you, doesn’t it? I know it does to me. It’s not a distance I can use anything in my life to define or describe. It’s not a place I’ll likely ever go. Yet, some people on this planet understand the distance perfectly, because they have not only measured it, but traversed it to stand on the surface of that sphere that looms above our heads every night.

One less person now.

Then there is the wedding. Not exactly a harbinger of the infinite. I’ve been to a lot of weddings – I had even at the point I started writing this blog twelve years ago.

As a wedding band

What I didn’t have back then was siblings. I was still a year away from from moving in with Erika and Lindsay, and further from meeting E’s sister and brother. I had Gina, but we had yet to truly explore the depth of our connection to each other through life and music.

I was alone, and that solitude seemed infinite. The idea of marriage, and later of knowing a fraternal and sororal love so deep that I would beam back at them on their wedding day, was a concept so remote at to seem infinitesimal – just like the surface of the moon seems to me today.

Nan at #140Conf

VI.

There is so much in life we’ll never never know or do that it’s easy to define ourselves with that negative space. I will never know everything. I will never have all of the money. I will never play my songs for every person living in Philadelphia

Stained at the Color Run

That list of nevers stretched even further twelve years ago, and if I didn’t have a blog it would not be so easy to understand how I have expanded to know and do so much more than I ever thought possible.

No one should aspire to simply be an outline of the space that contains them. Better to wish to expand your life in every direction to find new knowledge, experiences, and family. New objects in space. Because the one thing we know we will run out of – the only thing that truly contains us – is time.

At the Geek Awards

Thank you for being a part of my journey through time and space, and for reading about it again and again. You are part of the infinity I once thought untouchable that is now tangible. Every word that you read expands the boundaries of my life a little further.

Thank you, and happy birthday to this.

Filed Under: august 26th, Year 12

Does the past matter after a reboot?

July 10, 2012 by krisis

To be fair, I don’t know if any of us really wanted to see a fourth film of Maguire’s puffy prematurely-balding version of Peter Parker.

We are living in the age of the reboot.

Last week, Amazing Spider-Man relaunched the webhead’s cinematic universe while the body of the old Tobey Maguire series was still warm. There’s a new Dallas series on TV. Sherlock Holmes revisionist history movies are being released alongside a present-day version of the detective on BBC TV.

So do those older, original versions matter?

Alternate Future History

Think about your favorite TV show or series of books. It’s a serialized, ongoing story that builds with every installment and references its past. You love it. You watch every episode and buy every volume. You are a super-fan.

What if there was some prior series with the same characters and concepts, but it was not a part of the current story you love? Would you buy it? This is increasingly common in our age of reboots. If you loved the new JJ Abrams Star Trek movie – which departs from the traditional Trek timeline post-Enterprise – are the other TV series and films automatically a must-watch? What about past Spider-Man movies, original Dallas, Sherlock Holmes books, Charlie’s Angels, G.I. Joe, Inspector Gadget, or Battlestar Galactica?

To me, Garfield is the perfect embodiment of Peter Parker – thin, gangly, awkward, and genuine.

Probably not. All those past series are just an alternate reality to the present ones. You don’t need to watch both.

Case Study: DC’s Crisis of Collected Editions

DC Comics  is one year into their successful line-wide New 52 reboot. Now they’re faced with a major crisis: they have a huge back catalog of trade paperbacks and hardcovers that might not matter.

DC’s rich history of iconic characters stretches back to 1938. Superman, Batman, Wonder Woman – these heroes emerged as pure archetypes and over many decades evolved into the rounder, more dynamic characters they are today. There are many hundreds of older issues of their exploits available to reprint and press into the hands of eager young fans of today.

Action Comics #1, 1938

Except, today’s characters are not the same people – and I don’t just mean their personalities. DC’s Crisis On Infinite Earths rebooted everyone back in 1984, making post-1984 books the equivalent of new-Trek. Some of the characters beneath the masks of Flash and Green Lantern weren’t even the same as before! Then, after many years of tweaking, DC rebooted again last fall – creating a new-new-Trek.

What wasn’t immediately evident from those #1 issues was that some characters survived more intact than others. Batman’s corner of the DC Universe? Seemingly mostly the same, even if Bruce is younger than before. Superman? Origin retold from scratch, parents now dead, never in a relationship with Lois. Wonder Woman? Major changes in the Amazonian status quo, right down to her parentage.

Which brings me to my titular question: do DC Comics Collections matter? Yes, there are the Watchmen and the Killing Joke, the indisputable evergreen classics of the comics medium that will move units regardless of if their stories still count for anything.

But what about DC Archives, their premium hardcover reprints of Golden and Silver Age comics? What about Wonder Woman #205? Action Comics #527? The 70s Green Arrow / Green Lantern series?

Action Comics #1, 2011

None of it counts in continuity, so does it matter anymore? These classic stories have little to nothing to do with the current state of my favorite heroine. They aren’t all prohibitive classics. So, is there any point in reprinting them?

(Marvel doesn’t have this problem. Aside from some isolated soft reboots of certain characters, everything still counts, all the way back to the 40s. Every issue of X-Men is acknowledged and in continuity.)

Does the alternate past matter? You decide.

I want to know what you think. Do older stories still have a place post-reboot? If you loved JJ Abrams’s Star Trek did you immediately jump back to rewatch the original series?

And, on our case study: Should DC even bother to reprint non-seminal stories of characters other than Batman if they don’t matter in current continuity?

What do you think?

Filed Under: comic books, essays, flicks, ocd Tagged With: Continuity, DC Comics, DC New 52, Marvel Comics, Reboot, Retcon, Spider-Man, Superman, Wonder Woman

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