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Why I #blamedrewscancer, pt. 3

July 27, 2009 by krisis

(Read Part 2)

It is just past 2:30 on Saturday afternoon.

The bodies of Drew and his tandem partner are framed by stunning cerulean blue from the open hatch of the plane. Drew’s tiny, thickly-accented videographer has just tipped herself out of the plane.

Drew leans his head back against the shoulder of his partner.

“Three.”

“Two.”

I do not hear “one.” Their bodies arch out of the open side of the plane, dwindling quickly from view, as my tandem partner duck-waddles us closer to the hatch.

I jump next.

.

Drew accepted my pledge to get involved with Blame-a-Thon with zero hesitation, despite the fact that he didn’t know me from Adam. Actually, he had never met Britt in person before either, and hadn’t known Mikey for all that long. Only Chris, his co-host from Best Damn Tech Show, was a long-term friend.

His entire project team had been recruited via Twitter. A day later I found myself equipped with an official BlameDrewsCancer email address, pitching ideas and drafting documents.

So much for taking a break from event planning. That had lasted all of five weeks.

If the scope of Blame-a-Thon started big, then the ideas behind the scenes were gargantuan. We were reaching out to huge sponsors – businesses I’d never before dreamed of contacting as an individual. And, more and more events found their way onto the schedule – LiveStrong night at the Phillies, karaoke, bowling, sponsored evenings at National Mechanics and Buckhead Saloon, and maybe even a night at a local comedy club.

In any other organization I’d be wary of stretching too thin, but BlameDrewsCancer was the inverse. Every time we added another seemingly-insane item to our list, more resources and support emerged from the Twitter community. The pace of blaming and donations (all benefiting our partner LiveStrong) kept increasing.

Through our non-stop conversations I suddenly had a crew of best friends that I barely even knew. I even bought a new phone after a year of waffling just so I could stay in touch with all of their manic happenings.

My windfall of awesome new people is actually part of Drew’s end-game for the charity – he wants to use his experience with cancer to show people battling cancer (and their friends and families) that they can build their own dynamic systems of support through tools like Twitter, and then convert that system into the real world. In fact, Drew wants to help them do it.

Somewhere in there, we started to talk about skydiving. Chris and Mikey had done it before, and I mentioned wanting to tag along on their next trip. Britt said she was game. If Drew wanted to skydive, we could do it as a team, with our final member Amanda acting as ground control.

This is what impresses me the most about Drew, and about Blame Drews Cancer. Drew didn’t necessarily want to skydive. I at no point got the impression that it was something on his “bucket list” of things to do just in case cancer got the best of him. In fact, the idea of it occasionally seemed to send him into a panic attack.

Skydiving was an extreme, scary thing to do, and it seemed to me that Drew wanted to do it – fear and all – just to shove it in cancer’s face. He would pitch himself – cancer and all – out of a plane at an altitude of 15,000 feet to prove that Drew has cancer, but cancer doesn’t have Drew.

We picked a date. On Saturday, July 18 – a day after my six month wedding anniversary – I would leap out of a plane and hope to land all in one piece.

Filed Under: stories, Twitter Tagged With: blamedrewscancer

Monday Morning Remainders

July 27, 2009 by krisis

Some links I’ve been meaning to share for a while that don’t quite merit their own posts, but work well traveling as a pack.

Last week Ad Age ran a great article on Social Media taking cues from indie music. They highlight four artists taking the lead in connecting to their fans on the web, and the #1 example is my personal fav Amanda Palmer, about whom they gush, “[She is] more sophisticated than almost anyone on the internet — musician, brand or otherwise — when it comes to gathering her audience around her and keeping the conversation going.”

In a not-dissimilar topic, NYT ran an article highlighting how bands are increasingly eschewing labels in favor of self-releasing or seeking alternate funding. Fluffy on content, but features Metric, whose self-released Fantasies is killer. Metric is my Garbage replacement while Shirl and the boys chill out. Metric’s manager just detailed the funding behind the record in an open letter; dense, but a fascinating peek into the Canandian indie industry.

Nerd Boyfriend is a photo blog that posts modern and vintage photos of well-dressed nerds you’d probably like to date, and offers suggestions of how to match their look. Their Scott Walker post is one of my recent favorites, both for fashion and photography.

“How to decide if you have a good job” is a fantastic post about start-ups, stress, and loving your life. It also give a bit of background inside into Alice.com, a novel start-up that regularly delivers all of your household necessities to your home at a discount over big box stores.

On the flipside, big box corporations are co-opting the “buy local” movement, the same way they’ve all undertaken “green-washing” their businesses. Disappointing on the surface, but there is certain a local element to chains with e-tailing encouraging people to continue to hit their brick and mortar locations or customizing their sales to a regional audience. Neither are bad things.

Um, the melting arctic has released a torrent of “biological goo” on the Alaskan coast and we are not alarmed why? Sounds like the beginning of a terrifying episode of X-Files to me. (via Cecily of Uppercase Woman).

September is a month dedicated to raising awareness of cancer in children. I’ll be busy planning Blame-a-Thon, followed by my corporate charity campaign. If your month isn’t so insane, you could host your own Alex’s Lemonade stand. If you don’t know much about Alex’s history, check out how Alex’s little stand can teach big marketing lessons.

That should be enough to keep you occupied on your lunch break.

Filed Under: charity, linkylove, Making Music Work, weblinks Tagged With: dresden dolls

Whuffaoke or Bust

July 27, 2009 by krisis

I don’t have it in me to articulate today’s adventures quite yet, but:

20090726170552

2009-07-26 17.06.58

2009-07-26 19.21.37

Whuffaoke is a country-spanning karaoke tour based out of one amazing winnebago. They are also some of the sweetest people I have ever met. Over the course of seven hours I sang “Video Killed the Radio Star,” “Since U Been Gone,” “Semi-Charmed Life,” “Time Is Running Out,” “Don’t You Want Me,” and – amazingly, as I’ve never performed it before – “Here We Go Again” by Whitesnake.

In addition to not having it in me to articulate, I think I may have also lost the power of speech.

Whuffaoke continues on Monday at 13th and Sansom at 5pm sharp. Be there.

Filed Under: linkylove, memories, performance, Philly, photos, singing, stories, thoughts, Twitter, weblinks Tagged With: blamedrewscancer, kelly clarkson

What I Tweeted, 2009-07-26 Edition

July 26, 2009 by krisis

My best and most-interesting tweets of the last week.

Quotes of the week:

People go rote w/pitches so easily. You have to think like a musician – the song has to have a hook every time. #journchat in reply to PRtini #

Would I rather keep watching this movie, or gnaw off my own leg to escape a bear trap? #

This day looked easy, but it totally wasn't. It's like an evil Decepticon disguised as something innocuous, like a trash can or a calculator #

"Ah, yes. I remember that summer. He was a roadie for WhiteSnake, I was a back-up singer for Boyz II Men."-Veronica Mars (That one kills me) #

Highlighted topics/conversations: broken model of record industry / cryingwolf & bad attitude on social networks / hating Benjamin Button / urinal dreams and murderous gay neighbors / songwriting and Whuffaoke

You should follow me on Twitter so you can read my tweet action as it happens.

[Read more…] about What I Tweeted, 2009-07-26 Edition

Filed Under: Twitter

Man In the Mirror

July 25, 2009 by krisis

Now a month after he passed, the MJ hoopla continues.

Rolling Stone finally got around to shipping an issue with him on the cover, with a solid accompanying article tracking his whereabouts over the last two years. Still has its lurid bits – prosthetic nose and Latoya trolling through Neverland looking for bags of cash – but it’s more of a portrait than most of the continuing coverage.

The thing that gets me about all the coverage is that people still don’t seem to know all that much about Michael Jackson as a musician. Like anything else, it’s just an echo chamber of the same small handful of facts on spin cycle.

For example, “Man in the Mirror” – a fantastically constructed song that has leapfrogged all of his freaky-video hits to become his official theme and lament. So very Michael, right? Definitive?

It may have been definitive, but it was one of the few big hits of MJ’s solo career that he didn’t have a songwriting credit on. It was penned by Siedah Garrett – an 80s pop artist, songwriter, and killer backing vocalist (frequently with Madonna), and arranged with Glen Ballard, best know as the co-writer and producer of Jagged Little Pill (as well as the debut of Wilson Phillips).

Rolling Stone‘s fantastic Smoking Section just interviewed Ballard about how “Mirror” got onto Bad at the last second.

Siedah and I wrote it for him directly. It was near the end of the recording for Bad — it was the last weekend before they wrapped up Bad — and think I had written something for the album but it didn’t get accepted. Quincy [Jones, Bad‘s producer] called me and said, “Don’t you have anything else for us?” He thought we were idiots not to try again, and Siedah had an idea, and we got together on a Saturday night, met at my house in Encino, and we just wrote it on the spot. It was really simple, we just wrote it on a Fender Rhodes, and did a quick demo with Siedah singing. It felt really good, but you never know. And we didn’t have time to dress it up, so I didn’t feel like it had a chance.

As for Siedah, at a recent service she briefly eulogized Jackson and then delivered an unbelievable solo turn on the song, backed by the tremendous Agape International Choir.

I started working on my cover of “Man in the Mirror” sometime last fall, and it only started coming together a week or two before Michael died. I love playing it, but I might need to wait a few months before doing it at open mics feels something other than opportunistic.

I’m sorry that Michael Jackson coverage has reached a point of backlash. Honestly, I would listen to him all day and cry two months ago, so I don’t see why I can’t keep doing it now.

Filed Under: current events, music, rollingstone

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