Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

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I am not a car guy, but this weekend i found myself catching my breath when I was first introduced to Ross’s gold 1967 Camaro in full daylight, its top just finishing its retreat to the back hood. We rode in the Camaro almost exclusively the entire time we were in New Hampshire. My favorite part was the looks… at gas stations and stop lights, wide eyed, covetous, keenly appraising the four of us in the car (five, after we were joined by Martha).

I had never been to New Hampshire before. The names and numbers of the highways that got us there were meaningless to me, made all the more alien by the day-early fireworks that exploded in the night all around us. The state itself was equally as foreign; different slang, different prices, a different way of driving. Vehicles on the Maine beach’s parking lot all open and empty, the Philadelphian in me feeling almost compelled to vandalize them for being so trusting.

It felt more real than Philadelphia, though, as if the commonality of an experience makes it less like reality. Like I was a trendy kid eschewing the new pop album to embrace indy critical darling, only with New Hampshire instead of something off of Barksuk records and irreverent, heathenish, treasonous wit rather than any kind of nationalistic spirit. I still wondering the same wonder: is it good because I like it, or because no one else I know does?

Friday morning I woke up at eight twenty seven, so that by the time I rubbed my eyes, stretched, and walked to the kitchen it was eight thirty. Time for work; not even alien surroundings can convince my brain that it is not time to communicate efficiently at half past eight. Saturday saw me rise at the same time, again unprovoked and exactly.

I resolved that over ninety percent of my liquid intake would be alcohol. I was that guy, the guy from the big city turning a peaceful sub-urban vacation into a bender. I was that guy, drink in hand at all times, but even while i went through the motions i knew that it wasn’t me; it felt exactly the same as playing a snooty New York writer trapped on a Pacific Island for my acting class: i knew the paces to go through, but I never felt connected to the character.

On Sunday morning, hung over and ready to head home at eight thirty on the nose, I finally felt like I understood the both of us; we were using a change in location to attempt to focus our image, but without any normal references to work from we were skewed, suddenly out of control and unlike the selves that we had grown accustomed to.

If New England can at once transform and fascinate me to such a degree, how would I react to Alabama or California, England or Denmark, India or Australia? How frightening to think that all of my weakness and confidence might stem from a place outside instead of a place inside, and that a simple change of scenery could alter or even invert it.

Not the sort of independence I had intending to be commemorating, but fitting nonetheless.

https://crushingkrisis.com/2003/07/105760143610820933/

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I couldn’t help but wonder: had she just bought it? She seemed unaccustomed to how to wield it, where to leave it — one of those extra-long black umbrellas with a crooked wooden handle, the sort that belong in brass umbrella stands. With all the rain we’ve been having, maybe she had enough of sodden hairdos and damp white blouses turning ever so translucent. Maybe her bumpershoot busted its spring one time too many. Maybe she enjoyed the way it doubled as a whimsical walking cane.

She could not decide whether or not it belonged on a coat hook, and it certainly wouldn’t fit under the table. Unwieldy, but aesthetically pleasing. One of the most elemental choices in life. Wound up hooked over the back of her chair, slightly swinging, pendulum-like as the waiters breezed by in their smart black slacks. Swinging, and I was half-hypnotized, tapping my fingers to the music and watching it, a third as tall as me, swinging.

Inevitable, when its swing swung too broad and found its hook sliding down off of the chair. As if in bullet time, i could almost hear the inaudible wood on wood scraping, scraping as it found its way slowly from the chair to the floor, now lying directly across the smart black waiters’ path.

Only five feet away, not so far; i could have easily leaned out of my chair to right it again. It wasn’t my place, though, to change how it had found its way to the floor, or what would happen next.

Everything is a domino, i thought, as the waiter tripped over the elegant black umbrella, then righting himself with a cross look on his face. He picked the fallen accessory up from the floor and offered it back to his apologetic patron, who was still slightly puzzled as to where to place her prized new accessory.

https://crushingkrisis.com/2003/06/105646321957465314/

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Cradling my head in my hands at my desk, I inch my fingertips around to the temples, massaging. I sometimes wonder what would happen if i could open up my head, pressing my fingers tightly on either side and pushing up ever so slightly, swinging it up and back, tipping it back to rest on the hinges that would lie buried beneath my thick hair. Instead of a mess of flesh and blood I imagine inside a tangle of color and light, and of thoughts, packed in tightly and giving off sparks of electricity as they rub excitedly against each other. They would have no gravity of their own, their weight inferred by my body. Exposed to the outside air would they be like balloons, floating up in a parade of escaping color? Would I just helplessly grasp at their strings, not even knowing what I was trying to hold on to, but acutely aware that my insides were on display — not just one fleeting thought that would have never escaped through my lips, but the whole of all of my thoughts. All those parts that I would rather keep hidden or leave forgotten, just ascending up, up, up and away, leaving me empty and inexorably heavier without them because our gravity is reciprocal, lending them my weight in exchange for their ability to lift my head nearer to the clouds.

https://crushingkrisis.com/2003/06/200411847/

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No matter how badass you look with you new buzzed hair cut, scruffy visage, black wifebeater, and “don’t fuck with me” carriage, an entire exercise in acting can be ruined when you remind the dry cleaner not to forget your black shirt because it’s “part of today’s outfit.”

Up until that point i was doing really good character work, though.

But, really what do pissed off looking potential West Philly gang members usually say when the dry cleaner tries to steal their favorite shirt?

https://crushingkrisis.com/2003/05/200367588/

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The Philadelphia Academy of Fine Arts show was absolutely wonderful. “Are these people,” I reverently asked Melon, “really our age? ”

Maybe I could have believed it after looking at the odd-shaped photorealistic paintings of clouds, or the conference of nearly a dozen porcelain toilets in the middle of the room, or what looked like an drawing Shel Silverstein would have done while taking acid named something to the effect of “A Beautiful Woman Shaves Her Hairy Gums.”

What stunned me were the pieces of art that looked timeless, looked beyond my ability to conceive of. A canvas, as big as my bed, depicting an armored female set against a descending purple twilight. A classical sculpture, in wood and maybe bronze, of a man wearing a boar’s skull. Painting, sculpture, photography, mixed media, all from people who are a part of my generation. Did the student who painted the female warrior watch the same He-Man cartoons as I did? Or, have I lived in a world apart all of these years, separate from the dimension where these artists exist?

In the gift shop I became enamored with a sketching set, suited for the artist who is constantly sketching in the margins of her notebooks. It combined a simple book illustrating how lines form to create simple things like cats, people, and chairs with a neat black sketch book, three pre-sharpened pencils, three sticks of charcoal, and a black crayon of wax (I forget what those are called).

I was determined to buy it for someone – almost everyone I spend my spare time with is an artist of some degree. Any oft hem would appreciate it. But, as I held it in my hands longer, offering it to Erika and Mellon to examine, I realized that all of the people who I wanted to give it to had made it past the margins-of-a-notebook stage of art. I had seen their art, in their rooms, hanging from magnets on my refrigerator, and even decorating their furniture.

No, the set was not for them. It was for me.

So far I have drawn a paper bag, Erika springing from the ground like a tree, a page full of felines and rodents, and a sketch of a Waterson painting. All of the images are imitative, even Ent-Erika, all trying to achieve an image that I have accessed once before. Every time I turn my glance inward I am rewarded only with blank white space, which is mirrored by the empty page in front of me.

Do the artists have a verdant jungle of imagery inside of them, pressing against the backs of their eyes and the insides of their fingertips begging to be rendered into real time and space? Or, is it that they see the same world as I do, yet are inspired to capture the fleeting and intangible beauty of it so that it can always be seen?

I suppose you could ask me the same question about my songs, and my answer would be that it’s all of the above – sometimes they spring from within and sometimes I observe them outside of myself. Sometimes, though, they really do spring fully formed from the proverbial thin air, begging to be formed into something more.

I bought myself a sketch book so that I can learn where to see.

https://crushingkrisis.com/2003/05/200356828/