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Shazam, the Captain Marvel of DC Comics – Definitive Collecting Guide and Reading Order

Updated Feb 20, 2025! The definitive issue-by-issue collecting guide and trade reading order for Shazam – Billy Batson & Mary Marvel as the Captain Marvel of DC Comics – comic books in omnibus, hardcover, and trade paperback collections. Part of Crushing Krisis’s Crushing Comics. Last updated February 2025 with titles scheduled for release through July 2025.

The Curious Comics History of DC’s Captain Marvel, AKA Shazam!

Captain Marvel and his family once were the top-selling comic heroes of the early 1940s, later became a DC copyright grab living on his own Earth, and later still has been incorporated into DC’s main universe three times over.

This guide uses the modern convention of referring to the character interchangeably as Captain Marvel and Shazam.

Billy Batson as Captain Marvel on the cover of Shazam (2023) #1

Captain Marvel was a Fawcett Comics character, created by Bill Parker C. C. Beck, though he would largely be written by Otto Binder starting in 1942. Orphan Billy Batson was recruited by the Wizard Shazam and given the power of six “immortal elders” whenever he uttered the acronym standing for Solomon, Hercules, Atlas, Zeus, Achilles, and Mercury

Always whimsical and often beautiful, these Golden Age comics mixed the standard blend of one-off capers and support for World War 2 with oddball flights of fancy. They soon introduced Mary Marvel and Captain Marvel Jr., as well as other recognizable characters like Black Adam and Tawny. The comes were even more wholesome and aimed at readers of all ages than the sometimes grim fantasies of comics like Captain America or Batman.

DC Comics interfered early on, suing Fawcett in 1941 to claim that Shazam was an infringement on their copyright on the similar-looking Superman. The case dragged on for over a decade and never reached a decisive conclusion. In short, the character of Captain Marvel wasn’t an infringement, but some elements of stories might have been. That situation lead the now-beleaguered Fawcett to settle out of court with DC, agreeing to never publish another Captain Marvel comics. They shuttered their comics line in 1953.

(This had the ripple effect of causing British publisher L. Miller and Son to abandon their Captain Marvel reprints and create their own nearly-infringing character, Marvelman – who would be the focus of his own decades of legal wrangling that would lead to him being renamed Miracleman and his rights eventually being sold to Marvel.)

During the early Bronze Age explosion of superhero popularity across all media, DC decided to bring back Captain Marvel, as licensed from Fawcett (who could not publish him themselves due to their settlement). Of course, now Marvel Comics was another big player in the industry, and they had launched their own Captain Marvel to snag the trademark in 1967. As a result, DC’s 1973 Captain Marvel relaunch and every subsequent relaunch was titled, “Shazam” – after Captain Marvel’s transformative word.

This version of Captain Marvel existed on Earth-S from 1973 to 1986 with his complete Fawcett Comics history intact, sometimes interacting with the World War 2 era heroes of Earth-Two.

That changed in 1985-1986 with Crisis on Infinite Earths, which wiped away all of DC’s many accumulated alternate earths in favor of a single unified continuity. In this new continuity, heavy hitters Superman and Wonder Woman were not founding members of the Justice League. Instead, the naive and optimistic Captain Marvel was recruited to serve alongside the likes of Guy Gardner and Doctor Fate.

However, his membership was short-lived, as he didn’t want to make the transition to serving internationally with the team in 1987 (since it might make it hard to keep up his civillian identity as Billy Batson). Billy’s problem with the International league was also DC’s problem: it was hard to focus on the life of a teenager in an ensemble book about adult superheroes.Shazam (2019) #1 Variant Textless

After his Post-Crisis DC debut, Captain Marvel received a pair of slightly conflicting origin stories – one in 1987 and a second in 1994. Both established him as an orphaned only child in Fawcett City gifted powers by the Wizard Shazam, but the 1994 version hinted at another orphan with connections to the wizard. This was the new version of Mary Marvel, who writer Jerry Ordway would introduce in his series The Power of Shazam in 1995. The series had surprising staying power for a 50-year-old brand in the X-TREME 1990s, lasting 47 issues and far into the comic industry downturn at the end of the decade. The series hewed closely to the Marvel Family’s Fawcett Comics roots, focusing on their lives as children as much as their lives as heroes.

After the 90s, Captain Marvel’s comic history grows murkier. Writer Geoff Johns co-opted the character to join his Golden Age revival title Justice Society of America, though in Post-Crisis comics Captain Marvel no longer has a connection to the Golden Age. While this kept Captain Marvel in the spotlight for another decade, it also made his story intertwined with the increasingly grim DC Universe – leading to some truly off-putting developments for him and his family.

Rather than take the opportunity to correct this in New 52, DC and Geoff Johns doubled down on a new Shazam origin (in back-ups in Justice League (2011)) that focused on a more adult and less whimsical take on his “kid playing adult” heroism. This landed him in the line-up of Justice League for the latter half of New 52. DC Rebirth continued the grounded take on Billy’s tough life as an orphan and how the power of Shazam extended to all of his foster siblings, taking things farther by infecting him with Joker-fueled evil for the grim “Year of the Villain” storytline.

Along the way, that early whimsical magic of Shazam has been entirely lost. He transformed from an even more optimistic infringement on Superman to a kid goofing off in a cruel adult world. The point of his stories stopped being bright-eyed wonder and became about Billy’s continued loss of innocence in the adult world of superheroes.

In 2023, Shazam finally escaped from the reverberations of Geoff John’s two decade grip on his continuity to launch under the pen of Mark Waid, an author known for injecting youthful properties with a renewed sense of joy.

[Read more…] about Shazam, the Captain Marvel of DC Comics – Definitive Collecting Guide and Reading Order

Guide to Shazam, The Captain Marvel of DC Comics

February 20, 2023 by krisis

This week I’m back with my first new DC Comics collecting guide and reading order of 2023 for CK’s Plegeonaut Patrons on Patreon! This guide is for one of DC’s oldest characters, though really he has only been a DC character since the Bronze Age… or since Crisis, depending on how you count. I thought that would make for a confusing muddle of continuity. Instead, it turned out to be a delightful research project putting together this new Guide to Shazam, DC’s Captain Marvel!

Guide to Shazam, DC’s Captain Marvel
This guide is now available to all readers thanks to the magical support of Patrons of Crushing Krisis!

Guide to Shazam, DC's Captain Marvel

Here is what I knew about Shazam before researching his 83-year history for this guide: He’s really called Captain Marvel but we don’t call him that anymore (for reasons). He’s a Fawcett Comics character who DC (legally) stole. A wizard gave young Billy Batson the power to effectively become Superman (which is why DC stole him, legally), with the knowledge of Solomon and some other stuff that spells Shazam.

Oh, and: Geoff Johns is obsessed with him.

Honestly, that’s not a bad place to start with Shazam knowledge, but it turns out he’s both much simpler and much deeper than that. [Read more…] about Guide to Shazam, The Captain Marvel of DC Comics

Filed Under: comic books Tagged With: Black Adam, Captain Marvel, DC Comics, Fawcett Comics, Geoff Johns, Jerry Ordway, New Comic Book Guide, Shazam

Near Mint Condition: Marvel announces THREE new Volume 3 omnibuses out in late 2023

February 19, 2023 by krisis

As I was in the final pass of editing on that Drag Race Belgique post I got a notification about a new video on the Near Mint Condition channel, so I decided to take quick break from drag to catch up on Omar’s newest comics news.

OMG, I am so glad that I did! Omar’s Sunday morning Near Mint Condition video announces not one, not two, but THREE brand new Marvel omnibuses coming out later this year. Two of them are X-books, and all three of them are third volumes in their omnibus lines!

I’d never steal Omar’s thunder by spoiling his announcements within an hour of them being made, but here’s a hint: If you know what my favorite X-series of all time is, and if you have been following my recent guide updates and announcements about some young and new heroes, then you’ll know why I am so excited about these announcements.

I’ll react more to all three of them, including their delightful mapping, a little later in the week. It’s 2am here in New Zealand right now, and I have a comic guide to finish tomorrow (well, today, but you get my drift)!

Filed Under: comic books Tagged With: Comic Solicits, Marvel Comics, Near Mint Condition, Omnibus

Drag Race Belgique Season 1, Episode 1 – “Bonjour Iedereen” Talent Show Review & Power Ranking

February 19, 2023 by krisis

Welcome to my review, recap, and power rankings of the first episode of Drag Race Belgique Season 1 – “Bonjour Iedereen.” This episode introduces us to 10 queens, explains the Drag Race format to new viewers, and has the cast perform one-minute Talent Show segments and show off their “Belgicolours” on the runway.

Each new international Drag Race franchise brings its own flavor of production and judging, and especially of drag. Drag Race, Drag Race UK, Drag Race Canada, and Drag Race Down Under are all wildly different despite all being English-speaking franchises (and three of them being hosted by Ru).

As a result, I was not sure what to expect from Drag Race Belgique despite being obsessed with its neighboring (and language-sharing) Drag Race France when it aired last year (plus, loving the part-Francophone Drag Race Canada, which might be my favorite of the franchises).

My first impressios of Drag Race Belgique is that Belgian drag feels like it has much less to prove than French drag. Even the most austere and fashionable of these 10 queens were a little bit weird and goofy compared to the most competitive members of the French cast. This first episode may have felt the least cutthroat of all of the franchises, save perhaps Canada.

Also, I had no idea Belgian drag would be so humourous, or that the humour would be quite so surreal! I’d describe the majority of these Talent Show acts as deliberately comedic, and all of them had at least a slight edge of absurdity to them. Compare that to España, whose last Talent Show felt like queens were competing in an intergalactic tournament with their very lives at stake!

I see a potential downside of this franchise being that when the humor misses the mark things may seem underwhelming. That could be because the queens simply aren’t funny, or because their humour is are low key and it doesn’t translate well out of the Belgian idiom. Some of these Talent Show performances felt like they may have required us to be in on the joke as viewers, and I can’t tell if that was a Belgian thing or just down to the intensely unique perspectives of each queen.

I’m impressed with Rita Baga on her first Drag Race hosting outing. She’s not trying to be something she’s not by coming off as austere and full of glamour. Rita is our beloved Quebecois alien actress and a dedicated weirdo, but she’s also always authentic. I think she balanced her silly side with clear, incisive commentary as the head judge on the panel. She also showed a fair amount of sympathy for the queens as competitors.

If you came into “Bonjour Iedereen” looking for American-style haute couture and back-breaking stunts, it’s likely you only found one or two opportunities to TOOT along the way.

However, if you treat watching this franchise in an education about how drag can be different all over the world, it was a charming introduction with a strong cast of characters.

How did the performances from this strong cast stack up against my Pre-Season Power Rankings, based only on Meet Queens Interviews and social media? I think I nailed the bottom of the pack, but there were many surprises in store at the top of the ranking to shake things up heading into this season.

(Want to watch Drag Race Belgique outside of Belgium? For most of the world, it’s available as part with a Wow Presents Plus subscription as soon as the episode is done airing.)

Lecteurs, start your engines. Et, que la meilleure Drag Queen gagne!

[Read more…] about Drag Race Belgique Season 1, Episode 1 – “Bonjour Iedereen” Talent Show Review & Power Ranking

Filed Under: teevee Tagged With: drag, Drag Race, Drag Race Belgique, Drag Race Belgique Season 1, Talent Show

RuPaul’s Drag Race Season 15, Episode 8 – “LipSync Lalaparuza Smackdown” Review & Power Ranking

February 18, 2023 by krisis

Welcome to my review, recap, and power rankings of the eighth episode of RuPaul’s Drag Race Season 15 – “LipSync Lalaparuza Smackdown.” This is a new tradition on the show where we get to see all of the mid-season contenders lip sync to keep their place in the competition.

If I can be incredibly vulnerable with you for a moment (in a way that will bite me in the ass if I ever perform in drag later), I have a confession to make: I don’t care about lip syncing.RuPaul's Drag Race Season 15 Episode 08 - LipSync Lalaparuza Smackdown RuPaul introduces the song choices.

I’ll pause while some readers close their browser tabs in frustration. Not you. I know you’re a real one.

Sure, I dig lip syncs on Drag Race as the ultimate test of whether a queen sashays or shantés. And, I know that lip syncing is a cherished part of drag culture that partly stems from a history of performing celebrity illusions.

But, out in the wild? You watch someone move their body to another person’s song for four minutes. And I’m supposed to TIP THEM?!

Girl, I wouldn’t pay to go see Janet Jackson lip syncing back in the day, why would I care about a drag queen doing it? Especially when that drag queen might only fit in a few numbers in a night when Ms. Jackson is performing a whole damn show?

I’ve seen a few conceptual lip sync numbers live that have stuck with me, but for me every one of them was beaten beaten hands down by a queen singing live on the mic or performing an unusual talent. (I saw Ivy Winters do a costume quick-change number that was phenomenal!) Granted, queens who make their own custom mixes are giving us more of a perspective than someone who just says, “cue track X from YouTube,” but give me live singing. Give me a comedy act. Give me a circus performance.

Don’t give me a trio of four-minute lip sync spots and pretend that you performed a whole show.

(Keep in mind that I am someone who, when given the chance to take over a bar for a night, would play a FIVE HOUR SET from 9pm to 2am with only two 10 minute breaks. I have a more-is-more approach to entertainment that is reflected in my approach to making blog content.)RuPaul's Drag Race Season 15 Episode 08 - Lipsync Lalaparuza Smackdown Runway

I know this opinion puts me at odds with essentially the entirety of the international drag industrial complex. (Except Charlie Hides, she always sings live.) Honestly, between this and not drinking, it’s why I’ve never been too interested in local drag shows. I’ve even considered performing in drag, but the idea of lip syncing just bores me too much.

Does that mean I was bored by this episode? Hell no! I think the Lalaparuza is a welcome addition to the show’s canon. It prevents any queen from sailing through the entire season without a lip sync. Plus, it’s a good way to feature everyone equally at the mid-season point to allow every queen to make a case for why she should be a finalist.

That means the Lalaparuza can really shake up my Power Rankings! There are some extremely unexpected rises and falls in the rankings compared to last week, including a new pair of challengers for what seemed like a completely locked-in Final Five.

Readers, start your engines. And, may the best drag queen win! [Read more…] about RuPaul’s Drag Race Season 15, Episode 8 – “LipSync Lalaparuza Smackdown” Review & Power Ranking

Filed Under: teevee Tagged With: drag, Drag Race, Lalaparuza, Lip Sync, RuPaul's Drag Race, RuPaul's Drag Race Season 15

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