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Creative

August 19, 2001 by krisis

With me there are intake phases, and output phases. They connect to everything. With writing music i will have a strong output stage where i’m not listening or learning anything unless i’m using it to directly focus back into my output of new songs and covers and things. The same goes for writing on the internet, or working on my webpage, or anything that could be construed as creative work. However, usually they don’t all line up. When i was busy writing new songs i wasn’t really in webdesign output-mode because i wouldn’t have the time to do both. But, somehow last month it all lined up over the course of the two or three days around the BlogAThon, which means now i’m all switched over to input and can hardly create anything. No designs, no new music, and it’s like pulling teeth to get me to blog something.


The more interesting switch that had been flicked somewhere along the way is the one where i used to be able to blog about anything, or nothing… especially nothing, but now i need some sort of inspiration or subject or hard kick in the pants to get me into this tiny white box. That switch was a gradual thing, and you can watch it happen if you read any length of the archives. The only thing is… it wasn’t really intentional, and i don’t think this spareness really represents what i meant to be doing, but neither did the constant rush of new post after new post with no respect for the ones that were scrolling off of the bottom of the page. Of course, my spareness obviously connects a little bit to my lack of output, but it makes me wonder where in the middle of my fifty three archived weeks i reached equilibrium, and how far back i have to track to get back to it.

Yeah, fifty three, i just counted. Because of weird archive-week math that doesn’t mean that i’ve really been here for an entire year, but we are six days away. Wow.

https://crushingkrisis.com/2001/08/5174847/

Filed Under: blogathon, bloggish, songwriting

August 16, 2001 by krisis

Of course, becoming someone is a two way street. When someone gets famous and says “some school rejected me and it changed my life” to some random interviewer, ten different thoughts shoot out in ten different directions depending on who the reader is. The most basic reaction is probably something akin to “wow, they got rejected by school. I’m shocked!”

What follows is the part that matters… is it more important that the school is that much more prestigious for turning down your favourite actor or singer, or is the school pathetic and shallow for not seeing their potential when it had been so obvious?

The thing with me was that nothing was obvious. I somehow had the idea that i could trump everyone else’s comparable scores with a slew of activities like acting and writing and volunteering, and while schools do claim to care a lot about all of that but they honestly don’t really seem to mind either way. Unless you’re submitting a portfolio, they like to hear about competing, and winning – not showcasing and performing … unless you were winning while doing that.

I was a special challenge because i was undecided about my academic major when i was applying to colleges, which was surely one of the biggest strikes against me. At Drexel, we invite undecided students to apply. We encourage it. We can help them work it out. But, some schools have no use for the indecisive, and would only take them if they’ve proved themself to be a potential nobel prize winner no matter what they major in. So, honestly, i would have had a shot at splitting my rejections in half if i had just arbitrarily picked English or Literature as my major. But, i didn’t. Oops.

The thing with me is, i’m inconsistent. I mean, i have 10 simultaneous projects up in the air at any given time, none of which are ever really getting finished or resolved. In high school, this translated into a hodge-podge of activities and B+’s instead of A’s. In retrospect, i don’t think i did anything before the age of 13 or 14 that had any definitive effect on my academic future. What it comes down to is that i need something to light a fire under me before i can be excited about anything, and back then the only things i had really were comic books and video games and reading books and nothing serious and enjoyable. As it is now I need PuppetMaster or 25/24 or taking the minutes at a big admissions meeting to light a fire under me. to keep me motivated.

However, now i have the weak excuse of passing these fires off as my continuing exploits in DIY journalism. If i didn’t have this to refer to as my way of honing my writing skills and narrative voice, what the hell would i be doing with my free time? I’m very jealous of you science types that can quantify what they’re learning and their goals so clearly. I just need to have an enthusiasm for something, and at the beginning of this Summer i said i’d ditch my guitar if i didn’t start playing this summer – for people in places other than my apartment – and i played a few times. But, it took up no effort on my part, so the guitar is getting tossed in the backseat. I have songs and voice and image but i have no drive or fire, and i don’t have anyone else to light one for me because hardly anyone else has heard these songs because i never play them because i obviously don’t have enough attention to pay to it unless i combine it with things on the internet. 25/24 was a rousing success for me even if i find the singing hideous and unlistenable; even if i somehow still haven’t finished the Best-Of CD because i keep pulling “bad” songs off of it and putting “good” songs on. But, i have failed my guitar and i feel like suddenly our little interlude has ended, and so now it is just another tool … a weapon if i hold it right.

https://crushingkrisis.com/2001/08/5119833/

Filed Under: admissions, college, essays, high school, over-achievement, performance, self-critique

August 2, 2001 by krisis

Wow. I’m of the mind that your first kiss should be set in celluloid in your head to be replayed and replayed until all of the hiss and hum of the wear on the tape overcomes the memory, and you’re just left with a memory of a memory. At the same time, i detest those horrid contrived situations and wish they could all be forgotten about. Of course, if the two intersect…? I don’t know. This whole storytelling binge over at Benjy’s has got me paying rapt attention; and to think he was the one i didn’t like in the first week.

https://crushingkrisis.com/2001/08/4877628/

Filed Under: linkylove, under my skin

July 30, 2001 by admin

i… i will wait past the fuss and the hustle that keeps me awake but it comes right down to faith you’ve got it in your eyes there are no surprises in store for you – until you awake

and i can see the good in all people except for in me but i never could be satisfied without someone like you to point these things out to me – until you awake

just another simple melody my hands wrung out of me but if it’s just the same i’d like to give it your name that is – until you awake

so you’ve got this guy who’d spend eternity with you right by your side but you’ve got to put up a fight to hold on night to night he will be waiting – until you awake

this is just another simple melody my hands wrung out of me but if it’s just the same to him i’d like to give it your name that is – until you awake

i had this bright idea to sit here and play until my voice wore thin but i don’t say the words that i really meant and it take you to get the page and the pen all syunced up again and i promise to stop thinking of you – when you awake

but i’ll keep playing this tune – until you awake

and i’d to finish soon – so please won’t you wake.

https://crushingkrisis.com/2001/07/4798661/

Filed Under: bthon'01, lyrics

July 30, 2001 by admin

This is a double a-side… like when the Beatles would release a single and both songs on it would go to #1. Only, not quite like that. “Until You Awake” is a song that i very specifically set out to write to have it be the last song of this, and i only just barely finished arranging it on Thursday in time to record it before going to bed. It’s a plain little waltz, but I believe in it more than anything else i’ve ever written, so please have some faith in what i’m singing. “Necessary Evil” was previewed to the notify list as far back as when i announced that i had intentions of doing this, and i keep on recording it but it’s beyond my current abilities… all i have to go on is this sparkling near-perfect original demo that i rehearsed for hours to record. This is the beginning and the end of 25/24, which turned out as 52/24 if i’m counting correctly.

Enjoy & Goodnight.

https://crushingkrisis.com/2001/07/4798495/

Filed Under: bthon'01, songwriting Tagged With: beatles

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