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#MusicMonday: “Electric Love” – Victoria Spaeth & The Spaeth Cadets

September 12, 2011 by krisis

One of the amazing things about discovering a local music scene is that you realize that your next most-favorite song in the world could be walking around on the streets of your city, waiting for you to discover it.

Over the past few years my ratio of beloved favorite tunes has tipped in favor of local, with the incredible songwriters in Philly’s scene lodging melodies in my head again and again. On Friday I was a terrible delinquent friend and fan and fell asleep on my futon before I could drive to Old City to see three of those songwriters – Dante Bucci, Andrea Nardello, and Victoria Spaeth – play a show at the Tin Angel that I had been looking forward to for months.

Seriously, I should never be allowed to sit by myself on that futon after dark without a guitar in my hands. Nothing but narcolepsy can come of it.

Luckily, technology has saved the day – there’s a video playlist of Victoria Spaeth’s entire set from the show, which includes her breath-taking tune “Electric Love.”


(Watch Victoria Spaeth & The Spaeth Cadets play “Electric Love” on YouTube.)

I remember the first time I saw Vicky play “Electric Love” song, as well as “Breath and Release,” which is on her debut CD. It was as if she sucked all of the air and light out of the whole room and surrounded herself with it, so that you couldn’t survive in the vacuum unless you were right there with her in the moment. Both songs are instant classics – they sound like lost Joni Mitchell tunes with their sighing vocals, string-slapping rhythms, and easy sensuality.

It has been amazing to watch Victoria grow from a girl who played Jewel songs at open mics to a serious artist with crazy guitar chops who is penning some of my favorite songs. I’m so very proud of her progress, especially because it means I have even more favorite songs to fill my ears with.

Filed Under: Crushing On, philly music

Awake and Asleep with Taxicab Racers, and other stories

September 11, 2011 by krisis


By the time I went to sleep on Thursday night I had been awake for over 24-hours, found a fellow academically-minded songwriter slash comic nerd, invited a rock band from Tennessee back to our place to sleep with us, and nearly fell off a stage due to momentary blindness.

My life, it’s strange.

I. Wide Awake
Thursday night brought E and I to Northstar Bar to play a Filmstar a show, coincidentally two years less a day after our big Blame-a-Thon bash that I helped to organize and Filmstar rocked.

In a similar state of affairs to Blame-a-Thon, I was on my way towards 24 hours of wakefulness and running nearly empty. The freak storm on Thursday early morning woke me up at 2am, and I could go back to sleep (partially because I was freaked out about my friend Kris being trapped on I-76 overnight for four hours).

Our load-in was posted for 6pm. You never really know what load-in means. It could mean, “that’s when we’ll unlock the door,” or it could mean, “be on stage and ready to soundcheck 15 minutes later.” E and I being E and I, we were freaking out that we wouldn’t arrive until 6:20pm. Filmstar being Filmstar, the other half of the band managed to beat us there. [Read more…] about Awake and Asleep with Taxicab Racers, and other stories

Filed Under: Filmstar, performance

DC New 52 Review: Men of War #1

September 10, 2011 by krisis

When I was a kid, I was obsessed with G.I. Joes. A lot of kids were. They were three dollars each with a seemingly infinite amount of new line-ups to collect.

Except, my obsession was slightly different – my G.I. Joes were superheroes. Each one of them had a special power, and they formed teams and went on missions just like comic book superheroes. In fact, I even kept a binder outlining all of their story exploits, including issue summaries, origins, and deaths.

(Yes, I was an intense kid.)

Since my playtime was more about building narrative than mashing pieces of plastic against each other, I wasn’t shy about playing with G.I. Joe’s straight into high school. The toys allowed me to be a sort of writer/director, visualizing plots that found their way out of my imagination and later into short stories.

All that is to say, though I loved G.I. Joes, I never particularly cared for G.I. Joe as a concept. I don’t love war stories and gun violence. That put DC’s new war anthology on shaky ground with me, unless they managed to power it up, a la my erstwhile 3 3/4″ friends.

Men of War #1

“Joseph Rock,” written by Ivan Brandon, art by Tom Derenick
“Navy Seals, Human Shields,” written by Jonathan Vankin, art by Phil Winslade

Rating: 3 of 5 – Good

In a Line: “Anyway, I got out of the Peace Corps ‘cuz it made me realize – if you want to do good, it helps to have an assault rifle.”

140char Review Men of War #1, hard-bitten war anthology w/slightest twist of super. Not my kind of comic but I can’t deny it was well-done, esp terminology

Plot & Script

The scripts of both stories are beautiful things, in their way. Word balloons are stuffed with armed forces acronyms and special ops lingo, and they help to transport you into the world these characters inhabit without much prior knowledge.

The plot of first story about Sgt. Rock is solid but strangely unfilling. We’re treated to the grimly stubborn infantryman Rock, promoted to a special ops squad thanks to countless acts of unspecified badassness. Then he heads into an unnamed region filled with unseen insurgents, witnesses an unidentifiable super-being
wreak havoc, and watches his team die an ignominious death (not really a spoiler, since we see it in the first panel)

While all the dialog is ace, I feel as though the vaguely-detailed story depends on some foreknowledge or affection for Sgt. Rock. Without that, it’s a one-and-done tale about a brave soldier being decimated by a superior force. I don’t see much point in a second issue.

I liked the Navy Seals tale much better. We get the personalities of a core cast of characters in short order as they deal with a high pressure situation. Vankin does a great job differentiating the team in limited panel time, giving each man a smattering of personality to go with his call name.

Despite not caring for army comics too much, I found myself investing in the outcome of their story. I cared if the wounded guy died, was frustrated by the impulsive actions of Tracker, and was genuinely shocked and sickened by the story’s climax.

Artwork

The problem with army books is that everyone starts looking the same.

In the Sgt. Rock story this is a major problem for me – not so much because of the pencils, but the colors. It was like military-grade sepia tone. In a series of lowly-lit situations all of the shadowed faces begins to blend together.

While I liked the line art and colors in the second story much better, the lack of differentiation was actually worse. For white army dudes in the same uniform, and you only give one of them facial hair to help us tell them apart? The dialog does a decent job, but I wouldn’t have minded a minor visual differentiation, even if it slightly shattered the perfect adherence to real-life army code.

I love the fuzzy cover with its subtle phoenix image in the blood and gunfire – I missed that detail on the small preview image.

CK Says: Consider it.

Men of War is an anthology collection that delivers 100% on the promise of its title, with an ever-so-slight superhero skew of existing in the DC Universe.

Fans of old Sgt. Fury comics and The Hurt Locker alike will probably enjoy the on-the-ground glimpse of infantry and Navy SEALS.

For superhero junkies, the outcome is more hazy. While this is well-written and full of action, it’s less Captain America and more G.I. Joe.

Filed Under: comic books, memories, only childness, reviews Tagged With: DC New 52, GI Joe, Men of War

Things To Do In Philly, 9/7/11 Edition

September 7, 2011 by krisis

Dante Bucci, as shot by E!

Are there many things to do in Philly this week? Hell yes. Have you seen the Fringe Guide, or perhaps the City Paper’s capsule reviews of shows?

Well, I’m not here to talk about all of that. Unlike my comic book coverage, when it comes to Philly I only mention shows I’d consider attending myself – and, in the case of this lineup, I’m really going to try to attend them all!

Let’s go!

Thursday, 9/8
Who: Filmstar, featuring your author and the lovely E
Details: 8p, $10, North Star Bar, 2639 Poplar St., Philly
Why? We are fresh off of two killer rehearsals, and our set features a brand new song and a slew of fan favorites. Northstar Bar is one of the biggest local venues in the city, and comes equipped with great beer and food. Also, we’re sharing the bill with Mean, Secret Music, and Kyle Andrews – a Chicago-based artist whose music has been featured on Grey’s Anatomy and national commercial campaigns. Expect us to hit the stage 10pm or later.

Friday, 9/9
Who: Dante Bucci, Victoria Spaeth, and Andrea Nardello
Details: 10p, $10, Tin Angel, 20 S. 2nd St., Philly
Why? This is more of a “why not,” as I am madly in love with all three of these artists. Dante is the most notable hang drummer in the country, luring millions of YouTube viewers with his entrancing melodies. Victoria Spaeth is a fiercely independent songwriter who graduated from playing covers to open mics to fronting her own rock band, unspooling her fantastic and increasingly-muscular urban folk. Andrea Nardello straddles rowdy barroom acoustic-rock and twinkling folk in every set, and is on-the-record as liking the way I shake my ass when I play “Hyperbole” ;)

Gina and a monochromatic Wes in The Gray Area. This is a real photo - no digital trickery involved! Photo by Jason Colflesh.

Friday 9/9 through Sunday 9/11
What: The Gray Area, an original Fringe play produced by Gina!
Details: 8pm F/S & 3pm S/S, $15, The Rotunda, 4014 Walnut, Philly
Why? Ocelot on a Leash presents a second run of their original Fringe production Gray Area, featuring short Twilight Zone inspired plays produced completely in monochrome.

Wednesday 9/7 through Sunday 9/11
What: Checkers, an original one-man Fringe show
Details: various times, $15, The Fleisher Art Memorial Sanctuary, 719 Catharine Street, Philly
Why? A peculiar one-man show that liberates a single moony romantic from his original absurdist play to start in his own farce. See my write-up from last week for the fuller details.

Monday 9/12 through Friday 9/16
What: Water Bears in Space
Details: 7pm, $10, Circle of Hope, Broad & Washington, 1125 South Broad Street, Philly
Why? You know how you sometimes miss a show and then hear such ridiculously over-the-top fantastic things about it that you wish you could be Cher and turn back time? For me, that show was Rails, a collaboratively created show from PuppeTyranny featuring half a cast of humans and half of puppets. The company and concept are back for Water Bears in Space, along with outstanding reviews and the absolutely magnetic local starlet Kate Black-Reagan, who I guarantee you will fall in love with immediately. Don’t miss this – I definitely won’t!

Tuesday, 9/13
What: Notorious F.O.L.K.
Details: 8-11p, FREE, Triumph Brewery, 117 Chestnut , Philly
Why? Enjoy the beers at my favorite Philly micro-brewery while an impressive array of Philly acoustic artists cover Notorious B.I.G. songs, folkstyle. Seriously.

.

That’s my lineup for the next week, and if I have to miss more than one I will spend all subsequent nights crying myself to sleep. What are your hot picks for things to do in the City of Brotherly love in the next nine days?

Filed Under: Philly, philly music, theatre

30 for 30 Project, 1987: “Alone” – Heart

September 7, 2011 by krisis

Allow me to explain how Heart’s 80’s power-ballad “Alone” is the best possible illustration of why this project is such a positive endeavor for me.

Heart is the combination of Ann and Nancy Wilson, and their first two LPs – Dreamboat Annie and Little Queen – are solid gold in my book. Yet, in the early 80s the group faltered with two poorly-received albums, and seemed to be headed for a fade out.

Then they released their biggest hit to date – 1985’s self-titled Heart, and followed it up with the strong Bad Animals in 1987.

What changed? A quick look at the liner notes will tell you. The two lesser successes were written entirely by the Wilsons. The two hits include more outside co-writers, and some songs not written by the band.

Case and point: “Alone” is Heart’s biggest hit, and it was written by Tom Kelly & Billy Steinberg – the major songwriting guns responsible for “Like a Virgin,” “True Colors,” “So Emotional,” and “Eternal Flame,” among other hits.


(Watch me cover “Alone” on YouTube. For more info on my 30 for 30 Project, visit my intro post or view the 30for30 tag.)

(Today’s video features special guest-star E, who can be heard elsewhere as the lead singer of Filmstar, because I could not bear to play this song sans its signature harmony. You can see us both play as Filmstar on Thursday night at North Star Bar around 9:45p, or for free on October 15 at Fergies @ 10pm).  [Read more…] about 30 for 30 Project, 1987: “Alone” – Heart

Filed Under: demos, elise Tagged With: 30for30

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