Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

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Crushing On: WordPress Editorial Calendar plugin

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If CK frequently seems like bursts of organized, topical posts followed by droughts of randomness and silence … well, that’s because it is.

Not that it’s meant to be that. As CK has transitioned from a personal blog to a blog about my music, Philly, and other specific topics, I finally settled on the perfect mix of posts for the current incarnation. I even made myself an Editorial Calendar – basically, a forward-looking schedule of what content is in which stage of readiness for the weeks ahead. EdCal’s are traditionally a tool of newspapers and magazines, but in recent years they’ve become an important resource for bloggers.

The WordPress Editorial Calendar Plugin is a drag-and-drop calendar that lives in your "Posts" screen. It's also my communications-nerd dream come true.

Then I hit a barrier: how would I keep the editorial calendar updated?

It was a barrier I couldn’t overcome with blogging as a part-time exercise, fighting for time against my three musical incarnations and dealing with the new house. Paper EdCals were a chore and got lost. A Google Spreadsheet was great for planning, but I just kept planning and never wrote. Penciling drafts into WordPress was meaningless without some structure, and I wound up with endless lingering drafts since I couldn’t see an overview the lineup of an entire week or month.

I thought, maybe WordPress has an EdCal plugin! It seemed like the sort of plugin motivated bloggers would create. Alas, I searched and searched, to no avail.

I keep re-drafting my own EdCals, but they never lasted more than a few weeks as they were interrupted by actual work and my musicianship. Despite a myriad of ideas for CK, I just didn’t have the spare time to wrangle them, write them, schedule them, and post them.

Then, in an actual work meeting about WordPress during actual work hours, Mel & I were glibly showing off our personal blog plugins to the social team at the office. I showed some of my favorites (Yet Another Related Posts Plugin being primary among them), and the she whipped out WordPress Editorial Calendar.

Screenshot of the quick-draft screen in action, from the WordPress Editorial Calendar Plugin page.

WHAT IN THE WHAT NOW!?

(I may have actually screamed that in the middle of the meeting with our Director. Luckily, he is already well aware of my insanity.)

Yes, about 13 months ago someone came up with a fully-functioning EdCal plugin for WP. Set up a schedule of posts, start a draft right on the calendar, and drag and drop them to your heart’s content. When a post is ready, just move it over to “Publish” status via a dropdown – or, edit it the way you’d normally edit.

Ta-Da – instant blog organization.

Needless to say, the next time I logged into CK I immediately installed the plugin. I’ve been working with it all weekend, and for the first time ever I have a month of planned posts. That doesn’t mean I wrote them all today – it just means I finally have a living schedule of what I hope to talk about and when I hope to say it.

I’m positively aglow about it. I hope you dig my first week of EdCal content, starting tomorrow morning!

rock band sweaters

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Tonight we had a sweaty Filmstar rehearsal.

Sweat is one of those unglamorous parts of rock star life that I feel is not sufficiently advertised by bands to aspiring musicians and parlor-bound Rock Band addicts, along with writing lead sheets and receiving constant electric shocks to the face from your microphone if your instrument isn’t properly grounded.

(Seriously, do you want full, pouty, Jagger lips? Just play a shoddily grounded bass and sing right up on the mic.)

No matter what sort of sweater you are under typical life conditions, when you are flinging a sixteen pound bass around while also doing some form of the frug and singing backup vocals, you are going to develop more than a healthy sheen.

Add to that the heat generated by your equipment or a low-hanging stage light focused on your neck and rocking out for an hour is roughly equivalent to spending the same amount of time in a sauna. Which makes 2.5hr rehearsals a marathon of perspiration.

I think I was experiencing all four aspects of band sweat at this gig. What you can't see in this photo is the stage light positioned about eight inches from my face.

We’ve all seen bands sweat, right? So what am I bitching about? Here are some aspects of band-sweat you might not have previously considered:

Sweaty vision. Sweat can sting in your eyes to begin with, but if you are a perfectly coifed rocker you are gradually sweating all of your chic hair product into your eyes, causing a stinging temporary blindness.

This usually takes three or four songs to get underway, which means you’ll be struck blind just as your set is heating up, typically during the most intense and difficult-to-play section of a song.

Which leads us to…

Sweaty hands. Either your hands sweat, or you get sweat (and dissolved hair product) on them trying to restore your vision. Shockingly, neither holding on to a plastic pick nor plucking bass strings in a regular rhythm is made easier.

Which means…

Sweat accessories. You need them, and I don’t mean Olivia Newton John style headbands. When planning your killer stage outfit, some part of it has to double as a hand-towel – and, let me tell you, leather pants do not fit the bill. Now I understand why so many singers wrap boas and scarves around their microphone stands.

Of course, then there’s the problem of…

Sweaty clothes. Once your set is over you want to reap the rewards of being a rock star – namely, adoring fans, and possibly a cold beer. Except, you are soaked through to the skin as if you had been standing under a fire hydrant, and with the rush of performance and the baking stage lights behind you your body is suddenly cold and clammy.

(My father has for years pointed this out to me about strippers; I did not realize he was telling me a parable that would assist in my rock star life. Sorry, dad.)

Allow me to enlighten you to the fact that fans are way less interested in fawning over you and hugging you when your entire ensemble is a massive sweat stain. And, despite what your Almost Famous dream fantasy looks like, until you are past local levels of fame most green rooms do not include fully appointed bathrooms with showers so you can make a quick change. I’ve played exactly one gig that has had one.

There you have it: my band sweat exposé. Maybe next I’ll address the practical issues of selecting attractive footwear that does not hinder your pedal-stomping.

For all my rocker friends: what other unexposed pitfalls of band life should the aspiring rocker be aware of before turning up to 11?

sing

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“Do you want to sing?”

Is my answer ever not “yes”?

I’ve heard people say that your willingness to sing has a reciprocal relationship to how good you are, and that the best singers will be the first to gracefully retire from the room when the topic is broached.

On that I call bullshit, and not just because it implies that I am a crap singer.

If you love to sing, you love to sing. Gina sings her way through life. E is singing beneath her breath at all times. Whether it was yowling teen in my high school hallways or increasingly lithe rocker of today, I sing on any occasion, so why would I decline to open my mouth and emit a joyous noise when someone specifically wants to hear it?

.

“Do you want to sing?”

I fielded that query at two o’clock on Saturday, and my relative skill as a vocalist aside it was a rare moment when I clearly did not want to sing.

I was in weekend bum mode, unshaven and in a t-shirt from my drawer of t-shirts that are explicitly set aside to never be seen outside of the house. The night before Gina and I had one of our longest rehearsals ever in that very living room with our new aider and abettor Jake, and we sang our voices right down to the quick until at the end my harmony on “Real End” was a mere squeak.

No, I did not want to sing.

This askance came from our little brother – not mine, actually, but E’s, except he is for all intents mine, for half his life and a third of mine. He was in our living room, moving out the next day, with his friend in tow, her first time in our grown up kids house, and if I was going to be in unimpressive weekend bum mode for her instead of lounging around the living room in rock star mode wearing nothing but sunglasses and vinyl pants drinking champagne from the bottle at least I could do some singing.

(Please note that the reality is more often than not me lounging around in low-rise jeans and drinking lemonade from a tumbler, but let’s not disabuse anyone of their glamorous illusions of your author.)

Of course I said yes. Is my answer ever not “yes”?

I said yes and hollered out Weezer and Lady Gaga and sang harmony on Maroon 5 until I was singing on fumes, and I know enough about myself to know when graceful retirement is the best option, so I finally excused myself from the room to wallow in the air conditioning upstairs.

.

“Do you want to sing?”

The night before E and I moved in together I wrote a song rather than pack – a song with the line, “I’m a little bit sick and tired of getting put on display,” though afterwards I quickly counter the sentiment by confessing, “I guess I shouldn’t have listed that skill on my resume.”

It’s funny how little that describes my relationship to E – we’re never putting on a show for each other’s benefit. If anything, we are the show. The line was never meant to describe us – it was more about being thrust onto the stage in every social and occupational situation because I’m the only person in a room who’s both a consummate professional and a professional ham (a skillset shared entirely by Gina – but I digress, that’s another post entirely).

Bro and I both have that skill on our resume, and it’s become a big part of our relationship to each other. I brag to people about how he got upgraded from sometimes extra to general ensemble understudy at the oldest theatre in the country. He brags to his friends about living in my recording studio. I show my friends how he can hit Freddy Mercury’s soprano A in “Under Pressure.” He shows his friends how I can sing “Love Game” with no hint of hipster irony.

Is this what siblings do – a constant gladiatorial battle that is half one-upmanship and half hero worship? I have no frame of reference, having promised at an early age to smother any suddenly appearing siblings in the cradle.

(I was an intense child.)

So I sang, because it’s on my resume, because it’s what I do. Bro sang too, and just like with E or Gina we weren’t putting a spectacle on for each other – we were simply being the spectacle that is us.

.

“Do you want to sing?”

Yesterday bro moved out, bound for yet another theatre production and then his first apartment.

We never hug, not out of some unspoken bro code but because neither of us ever seem to have the urge to hug the other one when instead we can whoop and sing in harmony, but he gave me a hug before he got in the car and drove away to be the spectacle in some other show while I go on starring in my own.

I will not deny the presence of a tear in my eye as I returned to our suddenly quiet house and opened my mouth.

In the list of things E, bro, and Gina and I all have in common, at the top of that list is that even on our worst day our answer is secretly: “yes.”

Gina’s Bachelorette Adventure, Pt. 1

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This weekend was Gina’s (she of Arcati Crisis, high school, and many madcap adventures in between) bachelorette party.

In 2008, my bachelor party (planned by Gina and four of my other closest friends) was an 80s Prom entitled “Like a Virgin.” It came complete with DJ, decorations, catering, and friends dressed in period fashions – with hair to match. Plus, the DJ was actually a karaoke emcee, and all of the 80s tunes were sung by my friends and I.

Now, I am more than a little competitive. Not in the playing sports, head-to-head, high score kinda of way. I could care less, but not by much.

No, my style of competitive is “anything you can do I can do better.” Like, my blog is the longest running in Philadelphia, or I have the most expansive guide to collecting X-Men on the internet, or when Bruno Mars tracks came out for Rock Band 3 I wouldn’t let bro go to bed until we had 100% and were ranked in the top 30 internationally of all harmony vocalists.

Thus, when I was charged with planning Gina’s bachelorette party along with her best friends Kelly (a chemist in Belgium) and Mikki (an architecht & non-profit organizer in Seattle), I had something to prove. I had to conceive of the most memorable, most epic, and most fitting Bachelorette Adventure possible without actually having Gina go on tour with Crosby, Stills, Nash, & Young.

My first impulse was to plan something with music and the 80s, but… surprise! Gina had already won the “Best Party Ever” designation in that category.

As Kelly, Mikki, and I talked about it over the course of several months, we kept coming back to a “this is your life” tour through Philadelphia landmarks. It was a cool idea, but didn’t sound fun. There’s your house! There’s your high school! Isn’t this awesome!?

No.

We kept talking. What if it was a City Chase version, with special clues and teams racing the city? Cooler, but not the best format for celebrating around a single person. But, what if each location held a special challenge for the team – half Amazing Race, half Double Dare?

Now we were getting somewhere. We picked some locations and made up a few challenges. It was sounding somewhat entertaining, but not EPIC. It was lacking a grand scale and a clear theme, other than walking around Philly for eight hours.

Then, I had a not-rare-but-not-nearly-common-enough stroke of mad genius while idly humming one of Gina’s Arcati Crisis songs, “Fisher Price,” which goes a bit like this…

There comes a time when you realize
That you don’t get anymore chances
There’s no extra lives
You don’t get big from a magic mushroom
And you don’t find coins in an underground room.

My epiphany? Gina’s Bachelorette Adventure would be a video game. A real life video game that was part Super Mario Brothers, part Grand Theft Auto, and part live-action role playing game – all with Gina’s favorite parts of Philadelphia as its world map.

It sounded suitably epic, but would it make any sense to Kelly and Mikki… or to Gina and the 20 friends she asked us to invite?

Tune in for the next installment to hear how our motley trio planned to turn Philadelphia into a massive game board, and how having crafty and artist co-conspirators elevated my insanity to a whole new level.

http://arcaticrisis.bandcamp.com/track/fisher-price

Filmstar’s Sugartown Dance Party

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On Saturday night Filmstar (the band fronted by E, with me on bass) played the Sugartown concert series at Tritone, and had a lot of sweaty fun doing it.

Elise rocking the mic at Sugartown (in one of her fav concert action shots) on June 25, 2011. Photo courtesy of Tritone.

I’ve now played a handful of festivals and sold-out shows, but I don’t have a lot of experience with converting a crowd – that moment where an unknown band turns the tide of chatter to become the focus of the room.

On Saturday I watched from my vantage point on the stage – and felt in my gut – as Filmstar did just that. We had the help of a handful of boosters in the crowd, but for a moment during our second song I could feel the attention of the room focus on us. Suddenly we weren’t playing to the sides and backs of heads – we were playing to ears and eyes.

Part of what’s awesome about Sugartown is how common that conversion can be. Sugartown is a monthly show featuring (really good) all female-fronted or majority-female bands.

If you know me well, you know I’m not usually into reverse discrimination programming, but Sugartown isn’t about excluding boys. It’s about creating a haven for fans of female rockers to find four new bands to love every month.

And, as we know, I’m a fan of female rockers. As are all of the other Sugartown attendees. Thus the frequent conversion, and typical friendly vibe.

E and I quickly made friends with the first band, Yumi Sekai. Lead singer Salena Kress said she had tried to start up a failed math rock act before settling on the Yumi Sekai sound, but I felt like I could still feel the lineage. YS was like mathless math rock – all the crazy instrumental breakdowns and killer riffs with none of the “we’re counting really hard now” compound changes and screwed-up faces.

Dance party in-progress at Sugartown on June 25, 2011. Photo courtesy of Tritone.

Salena and Jackie Wechsler trade lead guitar duties while Salena delivers intensely pretty vocals. Even when she rises up to her topmost rock belt she sounds less like a screaming rock banshee and more like a Disney princess out for revenge.

I mentioned that to her after the set, and she totally got it. “I like melodic music,” Salena told me, “it can rock, but the singing has to be good.”

If that sounds familiar, it’s because that’s my policy too. Needless to say, Salena and I hit it off. We did some booty-shaking together during the closing set from Girls Dresses as Girls.

It’s so different for me being a bassist instead of a band-leader. My job of holding down the low end and supporting the rhythm leaves me more open to experience what’s happening in the room. When a dance party sprung up during our set, I did what came naturally – I danced, kicked, smiled, and laughed.

We converted the room, and the room converted me.

It was a good night.

I know I look like the band nerd here, but in my defense, based on Glenn's capo position I think this might have been the exact moment the dance party began to break out. So I was probably using my measure of an open E-string as an opportunity to execute a killer dance move, which is hard to depict accurately in a photograph. Or, I am the band nerd. Photo courtesy of Tritone.