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off-topics

How to succeed at (the (video) game of) life.

November 1, 2010 by krisis

My life is a lot like a video game, and this blog is a lot like my life, because this blog talks about my life and thus resembles it.

(My musical other half Gina debates the topic of life being like a video game in a song, asserting that “there’s no extra lives, you don’t get big from a magic mushroom, and you don’t find coins in an underground room,” but let’s leave that argument aside for a moment.)

The timeless style of the Red Mage

I remember the first Final Fantasy, for Nintendo. It was my (and millions of others’) first exposure to the concept of an RPG. Sure, older kids had played some D&D by 1987, but that was the demonized (heh) occupation of confirmed nerd. FF brought that nerd-dom to the spoiled kids who already had their own NES.

(Nope, no bitterness there.)

In the original Final Fantasy each character was an archetype: Fighter, Thief, Black Belt, White Mage, and Black Mage. That meant you were good at that one thing, and mostly that one thing only.

The exception was the Red Mage. He could cast black and white magic, plus fight a little. Oh, and he was styling with a long coat and a pimp-hat.

This seemed like the perfect solution to six-year-old me (and probably a lot of other people, too) – why waste time with characters who are only good at one thing if you could have one that’s good at three? Why not just have a party full of Red Mages?

Of course, game developers realized this, and so the Red Mage wasn’t quite as kick-ass as we had hoped. He could fight, but not as well as the Fighter. He could cast spells, but not as advanced as the White and Black Mages. A party full of them would rock at the easy levels, but probably wouldn’t stand a chance in the end-game.

In effect, game developers rewarded specialization. The jack of all trades wound up the master of none. Also, he had a branding problem – we called him a “red” mage, but wasn’t he more like a grey mage that could also hit stuff?

(The myth of a character that’s good at fighting and hurling powers from a distance continues in video games to this day, called a “Tank Mage.”)

Maybe six-year-old me liked the Red Mage so much because I was a Red (Tank) Mage. I was good at science and math, strong at writing and social studies, and eventually on stage in plays. I’ve always delighted at being self-sufficient, which meant being good at everything.

A decade ago if asked to describe my strongest skill in one sentence, none of my friends would have answered with the same “Peter is/does [x].” I didn’t have a brand. I went on my merry way, doing everything, but I wasn’t the greatest at any of it.

That’s the story of my blog, too.

November is Na[tional] Blo[g] Po[sting] Mo[nth], a month which challenges us to blog daily. It sounds easy, but you have to maintain it through Thanksgiving! And, in some years, through getting engaged to your wife!

This year for NaBloPoMo I’m trying something a little different. I’m branding Crushing Krisis. Up above us my tagline reads:

The collected crushes of Philly singer-songwriter Peter Marinari
(The longest-running blog in Philadelphia, est. 2000)

I’m setting an expectation – this blog is not a Red Mage. It’s about the things I love the most, Philly, and being a musician.

So, this month it’s going to be exactly that. And, just like a video game, I get a new chance at it every day.

Take that, Gina.

Filed Under: childhood, games, Year 11 Tagged With: gina

The Mopping Fool

October 27, 2010 by krisis

I am not what you would call an active “cleaner.”

I’m a tidier. I’m an organizer. But, it takes a lot to move me into cleaning mode.

In my head I always look this adorable while I am cleaning. I may or may not also always wear that hat.

I have a certain fear of activating that particular urge, possibly because I come from a line of hard-core OCD scrubbers.  Much as Bruce Banner turns from nerd to Hulk, when my inner-cleaner is invoked I go from laid back dude to my grandmother. I become intent on vacuuming the floor every time someone leaves the room to get a drink – vacuuming it until it is safe to eat mashed potatoes right off that rug.

E has learned to let that particular sleeping OCD monster lie on most occasions, because getting me involved in day-to-day cleaning is the nuclear option. The one time I have been entrusted with cleaning a bathroom the result resembled a demolition project.

The one area where E is willing to deploy the nuclear strike that is my genetic heritage of clean-freak-ness is mopping. I like a floor to be so well-mopped, so gleaming with elbow-greased shine, that you dare not mar the surface with your shadow after the mopping is done. I don’t trust other people to mop for me, because they don’t employ the five key phases of mopping required for a truly gleaming floor.

To say that I was invested in our mop purchase for the new house would be an understatement. “Invested” implies a degree of detached evaluation. No, our mop purchase was a matter of life or death – life with gleaming floors, or the relative half-life of dull ones.

At one point I was reduced to near tears in the middle of an aisle in Home Depot, wracked with indecision and guilt. Couldn’t we buy a sampling of four or five mops to do our own comparative test across multiple surfaces?

The Rubbermaid Wavebrake® Dual-Water Combo with Sideward Pressure Wringer. Wavebreak? For real? It's a fucking mop cart, not a jet ski.

A test should not have been required. What I wanted was a rag mop with a solid wooden handle, and a bucket to wring it with and in. Rubbermaid G780-04 Pva Roller Mop was the ultimate mop because of its heavy metal handle, thick sponge, and heavy-duty wringer. Then I discovered that tiny screws hold said sponge onto the mop, and they get pretty rusty – to the tune of an hour or two to change the head. That was the end of that particular love affair.) –>

Home Depot has a wide, pleasing selection of wooden handled mops. What they had zero of were wringing buckets. They had one massive $100+ dollar custodian cart that came with its own “Caution: Wet Floors” sign in dual languages. I am a serious mopper, so the concept intrigued me, but I didn’t think the cart cornered well enough to get around the island in our kitchen.

Is it just me, or could this easily double as some sort of implement of torture?

Apparently wringing buckets are a rare item, which puzzles me seeing as non-wringing mops are pretty damned common. How do they get dry? Some Amazon shopping yielded the Behrens 412W Galvanized Mop Wringer Pail, but with shipping it totaled almost $40. Seriously? For a mop bucket?

As a result, I committed the cardinal sin of a committed mopper – I bought a plastic handled mop with a built-in wringer. I figured it could last me through three or four moppings – long enough to find a permanent solution.

This is the Quickie Home-Pro Twist Mop with Spot Scrubber. It is the devil.

I was wrong. Super wrong. I popped the wringer out of its plastic threading on my first wring. I began to wring six or seven times to get it dry during phases two and four, which caused the mop head to age six or seven times as fast, which resulted in a busted mop head on its second outing.

$20 dollars for two moppings. I know MY mopping skills are worth $10 a go (hello – I have FIVE PHASES), but I don’t know if the mop quality was equally as worthy.

This all came to a head on Sunday night. I had avoided mopping our kitchen since the mop gave up the ghost, but I caused a bottle of ginger salad dressing to explode across our entire kitchen. Spot-cleaning was not an option – this required mopping.

I dealt with the frustration of my devil mop for all of five minutes. So do you know what I did? Scrubbed the damn floor on my hands and knees. And dried it that way too.

I know I’m my grandmother’s child when I comes to clean floors, but is scrubbing by hand seriously my best recourse with all of the cleaning products in a Home Depot and across the internet at my disposal?

Should I really be having in-store panic attacks and 1000-word blog posts both on the topic of mops?

Am I missing some incredibly simple explanation about how mops get wrung? Do people wring with their bare hands (eewwwww)?

More importantly, what simple home cleaning or repair task drives you similarly up a wall? Please tell me I’m not alone in my insanity.

Filed Under: elise, house, ocd Tagged With: cleaning

Things To Do In Philly, 10/26 Edition

October 26, 2010 by krisis

Things to Do In Philly is back for good (or, as for good as any feature is around here), thanks to all of your positive feedback about my trial run in September.

As before, this isn’t a definitive list of what’s happening in Philly in the next week. Instead, it’s just stuff that I can personally endorse as sounding or being cool happening in the next week or so.

My fav photo of Grace Potter

Thursday, October 28
Who: Grace Potter & The Nocturnals
Details: 8:00pm, TLA, $29
Why? The scorching hot power of Grace’s set at Bonnaroo 2006 is still emblazoned on my brain and iPod. She dropped a middling poppy LP earlier this year, but surely her live fusion of alt-country and jam band could have only improved in the meantime? Do you have $29 that wants to know the answer?

Thursday, October 28
What: Pumpkin Tasting @ Hudson Beach Glass
Details: 6:30-8:30pm, 26 S. Strawberry Street, $40
Why? Do you live for seasonal brews and/or do you love the micros at Triumph Brewery? If either or both are a yes, hit this event. Yes, the $40 tag seems high, but you get a custom-blown pint glass and as many beer and appetizer samples as you can consume in two hours.

Friday, October 29
Who: Victoria Spaeth & The Spaeth Cadets / Cris Valkyria & The Opponents
Details: 10:00pm, Tin Angel, 22 S. 2nd Street, $10
Why? Vicky and Cris are two of my favorite female bandleaders in Philadelphia, and both of their last shows at the Tin were fantastic. Their bands unspool the pop side of alt-rock that’s coming back to radio, with the Opponents more electrified and the Cadets more harmony-laden. The chance to see them together at the Tin Angel late show for $10 is unbeatable.

Saturday, October 30
What: Cover band benefit for Mariposa Co-op
Details: 5:30pm, sliding scale donation from $5 (see invite for details)
Why? Want to party to rough-hewn covers of a ton of bands you love? This Halloween show dresses up local musicians as PJ Harvey, Dead Kennedys, Neutral Milk Hotel, Lady GaGa, and David Bowie, plus a lot more.

Andra Taylor at play

Saturday, October 30
Who: Andra Taylor / Andrea Nardello
Details: 10:00pm, Tin Angel, 22 S. 2nd Street, $10
Why? Andra Taylor is Arcati Crisis’s longterm folk girlfriend, merging articulate lyrics about lost film stars and dreams of a perfect country with chunky barre chords subverted for folk purposes. Andrea Nardello is a longtime friend whose songs alternate between heartfelt and funky. She’s reached a new peak of acoustic rock powers while touring behind her 2010 LP.

Sunday, October 31
Who: Matt Duke does Peter Gabriel
Details: 7:30 @ World Cafe Life, $14-20
Why? I’m going out on a limb to say this will be awesome. MadDragon Record’s artist Matt Duke has a voice the size of a house and knows when to deploy it as such (and when not to). Combine that with a one-time-only take on classic record (Gabriel’s So) and you have a show worth seeing.

##

I want to make a showing at all of these, but rehearsal and El Night Owl buses stand in the way of some of them. Oh, and my tickets to the Dresden Dolls’ 10-Year Anniversary Show. (!!!!!)

As always, if you know about an upcoming kick-ass event in Philly, leave a comment to let me know!

Filed Under: Philly, philly music

In Review: Phoenix, Jenny and Johnny, & Wavves @ The Tower

October 25, 2010 by krisis

Saturday night E and I were excited to score a pair of tickets to see Phoenix at The Tower from awesome XPN local music blog The Key. The seats were prime – slightly forward of the soundboard, just off the left aisle.

Unfortunately, the concert was less than prime. Way less. (For a more positive spin, check out the review @ Phrequency, which includes some killer photos.)

The Tower, as shot on my phone this June when we saw Conan there.

[Read more…] about In Review: Phoenix, Jenny and Johnny, & Wavves @ The Tower

Filed Under: concerts, reviews

Philly Music Monday: Joshua Popejoy

October 25, 2010 by krisis

A few weeks ago I had the chance to write a guide to Philly’s best songwriters for the new CBS Local website.

One of the songwriters on my list was Joshua Popejoy, an acoustic rocker who emerged from the Dave Matthews mold but no longer fits within it.

I wouldn’t bring Dave up, except the quickest way to orient you to what Joshua is is to explain what he isn’t. Yes, he’s got the acoustic aerobics, the big wailing chorus vocals, and even a full time string player in cellist Andrea Weber. He even plays some Dave covers. But his music gets to a place that a jam mentality usually doesn’t touch. It’s personal. It can be succinct. It’s cutting – sometimes scathing.

And it’s freaking catchy. Sample Till Then I”ll Wait (Live at Buckets).

From the moment I pitched my article I struggled with including Josh on the list. Josh is a friend of mine. That alone wouldn’t be a disqualifier, since I’m friends with a ton of local musicians, but I’ve also played shows with him and written promo material for him.

Probably not kosher I thought, so I went on compiling my list without him.

Joshua didn’t start out a friend, bill-sharer, or client. I originally met him as the host of the open mic at Buckets in East Falls. We weren’t fast friends in the bar environment, too busy drinking and banging out songs to try to catch the attention of the crowd.

It wasn’t until later, when I was hosting an open mic in a cafe, that I truly became a fan of Joshua’s. With the drown-out-the-crowd mentality by the wayside I was actually listening to his songs for the first time, and realizing just how many of them I was a fan of. Suddenly I was the one yelling out requests and singing harmony from the crowd.

Which brings me back to my list. Every time I tried to find another radio-ready singer-songwriter playing acoustic rock with aggressive acoustic guitars, carefully crafted lyrics, killer hooks, and fierce full band arrangements I came up empty. Why? Because in Philly Songwriter Jeopardy “Who is Joshua Popejoy?” is the definitive question to that answer.

After discarding three other potential acoustic rockers to fill that spot I called my contact at CBS to make sure including him was on the up and up, and then Joshua went on the list.

After the Ash

After the Ash, released 10/16/2010.

Last weekend E and I attended the CD release for Joshua’s After the Ash. He and his band were fantastic and surprisingly funky with bassist Gene Orlando and guitar from Jon Glaubitz – witness their shocking cover of Lady Gaga’s “Paparazzi” (that’s my trademark yelp at :54).

While the show was rock, the accompanying disc is stripped-down. Ash presents a cycle of songs in the order they were written, solo and acoustic – arranged and recorded DIY-style by Josh with the exception of some of the vocals, plus one track each of mandolin and cello.

I’ve grown accustomed to the band versions of this octet of tunes, but the stripped down acoustic takes on Ash destroy me. They are the Joshua Popejoy I fell in love with in a coffee shop. I’ll still love him when he is filling a room with sound playing with his amazing band, but when it comes to turning on a new listener I’ll play a song from After the Ash, every time.

Both After the Ash and Joshua’s debut EP Runway Lights are available from JoshuaPopejoy.com. You can Like Joshua on FB, but the best way to keep up with him is his mailing list – which offers occasional pithy messages and free downloads. For tons of free music from Joshua, check out his archive of live shows on Archive.org.

Filed Under: philly music

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