And, now, for another episode of Writer’s Block Theatre.
When we last left our hero, he was awaiting a response to his record reviews with bated breath. Would he finally get to write for an honest to goodness newspaper? We pick up shortly after Peter receives the paper’s reply as we fade up from black. Though he was initially joyous at their friendly invitation of “Welcome Aboard,” over the course of the day he realizes that the congratulatory email has delivered him the worst possible news – his new editor is more interested in what he feels about records than what he thinks, and is hopeful that he will revise his reviews to this effect.
Peter stammers as he recoils in fright from this newly transformed message. “But… but… feelings are the root of all bad record reviews!,” he exclaims as he slowly backs away from the screen. “I’ve spent years detaching myself from new records so i can offer tidy unbiased opinions of them. Saying that any record i own by someone other than Ani or Tori makes me feel anything is an utter lie! I’ve reduced reviewing music to science!”
“Is that so?”
A voice rises from behind him; Peter whirls as though he’s being confronted by another of his worst fears only to find Amy sitting on his guitar amp nonchalantly leafing through a Rolling Stone. He opens his mouth to speak, but she silences him with a wilting glance.
“How you feel will influence anything you write, Peter, so you can just come down from the damned pedestal and write with some feeling for the benefit of all of us people who don’t consider each cd purchase a new child.”
Temporarily ignoring the implication that he would feel the need to be scientifically detached from all of his children so that none would feel more liked than the next, Peter madly gestures back towards the screen. “But, Aim, feelings? Why should someone buy a record based on how i feel? They don’t even know me!.”
Amy fixes Peter with a cool glare from over a two-page spread of Ewan McGregor. “Peter, are they really compromising your journalistic morals here, or is it a possibility that you’re so excited about this job that you just have cold feet.”
Peter’s only reply is silence.
“Well?”
“Erm… possibly mildly chilled feet.”
Amy nods to herself. “Just as i thought,” her face is buried in the magazine before the next sentence escapes her lips, “now get to writing.”
His moral quandary solved by the quick wit of his friend, Peter is again faced with the computer screen — now sinisterly blank white as it awaits his feelings about the Wilco record. Slowly, he approaches the keyboard.
(Cut to black, commercial airs while Peter frantically tries to decide if he honestly feels anything about Yankee Foxtrot Hotel)