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stories

August 24, 2002 by krisis

Despite the veritable circus of animals i have lived with or adjacent to in my life, i have only once had a pet to call my own: a hamster, obtained from my sixth grade biology teacher. I remember that the event was quite a big to-do in my house at the time, although now i don’t see what was so incredibly unusual about keeping a rodent locked up in a tidy Habitrail cage. He wasn’t much of a pet, so much as i recall, except for that he had a hamster’s typical penchant for escape artistry, once sneaking out in the dead of night only to make a nest behind my door and another time squeezing out just to wait on my pillow for me to return home. I’m not sure why i didn’t play with him that often, other than that i was always afraid of being bitten and that i had a penchant for seeing him more as a proto-beanie-baby than a living breathing pet. An indeterminate time after i brought him home he died; one morning my gloved hand curled around his teddy-like body to find it stiff and unrecoiling.

Lindsay has a hamster downstairs, Mimi, who is either named after a character from Rent or Drew Carey depending on who you ask. To wit, she fits with both: loud, proud, and rather large. In fact, most visitors to the house estimate her to be much closer to guinea pig than hamster, and some even recommend that she has enough body mass to aspire to ferret size if properly stretched.


The most important thing about Mimi is that she is just about the best pet ever. She’s low-maintenance, eating only one full dish of food each week – which would seem to indicate that she has the most obscenely low metabolism known to man or mouse, as she has no trouble maintaining and increasing her near-free-roaming-pet size. She’s very docile, especially for a breed of animal who typically moves and sniffs as though its being electrically prodded from behind for even a moment of pause. She’s smart: smart enough to have outsmarted the typical hamster proofed roof of her cage as well as the lid to her ball. Her only fault, really, is the noise she makes at night; hamsters are, of course, nocturnal creatures, and she has a string of nightly exploits that include chewing on parts of her cage, running at a higher speed limit than her wheel is built to contend with, and generally moving things around in a rather noisy fashion.

I can admit that i was jealous of her, especially seeing as at the time i was the only housemate who didn’t own a pet. So, when Elise decided to take a day off for comparative snake-shopping, i half-heartedly began examining hamsters as we progressed from store to store. None of them were cute enough for me until our last store, hit upon as a bit of a lark, where after giving up on a rodent so belligerent that she couldn’t be picked up by an employee to a tiny scurrying doll that – after some contention – has become my pet hamster Stoli.

At night she has taken to gnawing on the tiny evergreen bars of the front hatch to her cage to fulfill her requisite noisemaking quota, and although it’s probably some animal escape-instinct at work on her part to me it is just the evil clicking-of-death at 4am. And 5am. Though, sometimes as early as 2:30am. I’ve learned that the only way to avoid these untimely wake-up calls is to engage her attention before i go to bed; i let her crawl around on my desk while i’m catching up on the day’s news, and then i find a nice clear surface for her to really run off some stream on before i head to bed. Tonight i took her out into my entirely bare sitting room and watched – bemused – as she careful sniffed across the entire space one square-hamster at a time. It seems to have worked, as she’s gone from recklessly leaping off the side of my chair three consecutive times thirty minutes ago to sitting quietly on the floor of her cage contemplating the hatch as i type.

Or maybe that has to do with the extra-whitening toothpaste i spread all over the front bars of her cage, the touching of which usually sends her scurrying back to her hidey-hole to wipe her hands off on stale food and cedar chips.

So, if you’ve been wondering why i haven’t been blogging all week despite having my classic AM timespot uncharacteristically freed up, now you know: i’ve been trying to wear out my hamster.

https://crushingkrisis.com/2002/08/85376687/

Filed Under: college, elise, stories Tagged With: lindsay

August 9, 2002 by krisis

Everybody has something that makes them feel real. Or, realer, if you already believe in yourself. Attention and applause generally fit the bill in the circles i move in, but sometimes the thing you really need is a little more tangible. Money. A nice place to live. Gourmet food.

Despite my obvious predilection for both applause and attention, there are some other things that i require to feel as though i am an actual and worthwhile corporeal entity that is actually meant to take up space and breath. Or something like that. Things that make me feel as though things are going well and i really ought not to go frolic in traffic anytime soon.

One of those things, for those of you who don’t pay much attention, is music. Whether i’m listening to it, making it, or just hearing it in my head, my life feels like nebulous between station static without a soundtrack to tune in on. I also need something to do … doing nothing or participating in something passively tends to make me stir crazy in a very short amount of time. Thus my general distaste for television, past the obvious Friends fixation and American Idol addiction. The list goes on and on, with varying assignations of importance, down to the little things: Jeans that make my ass look good, for example.


There was one thing that was missing from the assemblage that makes up the difference between my current glib happiness and the droll existence i lived late last year; one especially tangible item that my life seemed to beg, nay, yearn for. I was certain that having it would make me happier and increase my quality of life.


Elise bought me the blender about two weeks ago.


For two weeks it just sat on my kitchen shelf, looming like a Northern Star over my blended-drink-less life. It was an invitation to smoothies and daiquiris, health shakes and margaritas … in effect, an invitation to increase my happiness and well-being in the area of semi-liquids. And it was still snuggly nestled in its cradle of Styrofoam and cardboard … until Tuesday night. That night i gathered girlfriends, roommates, and our general partner-in-crime SL and her beau. All of us were ostensibly assembled to watch the aforementioned American Idol program, but we had the secondary purpose of breaking in my blender with a jumbo-sized TGI Friday‘s premixed Mudslide. And break we did.

Three days later, and i am noticeable a more chipper person than i was before i slit the tape on the top of the blender-box open. It isn’t that having a blender is about getting really sloshed, though – as we found out yesterday – getting a few drinks into me makes mopping the kitchen a lot more fun. It’s just one of those appliances i’ve always felt as though a real person might own. I mean, how can you be real without the capability to make milkshakes? Eventually i’ll need an entire kitchen full of widgets and whatsits to make me happy, but for now i’m happy to have a ten-speed jumbo-pitchered blender to brighten my days.

Anyway, point being, i have moved on step closer to my materialistic and self-centered version of Nirvana. Now all i need is a gold record and abs of steel.

What about you?

https://crushingkrisis.com/2002/08/85330678/

Filed Under: alchohol, elise, identity, stories, teevee, vanity, Year 02 Tagged With: lindsay

June 28, 2002 by krisis

Tiny blonde girl, six or seven maybe. The mic stand was as low as it would go and she kept twisting it back and forth trying to get it even lower, her eyes crossing every time it centered in her field of vision. On every chorus her father would glance at her and nod, and she would grab the microphone and softly sigh into it – recoiling after each phrase with her hand over her mouth, giggling. Half babbling child’s nonsense but half assured harmony, after three songs she was done and she crossed her eyes at us a final time.


Every open mic i’ve ever played has been a little different from the one before it, and this was no exception. Northeast Philadelphia has an eerie quality that it lends to its residents, world worn and weary as they are, so that you can read their lives off of their faces without even needed to hear the songs they had chosen for that purpose exactly. One man, in a faded blue shirt with strong biceps and a cracked and weathered guitar channeled Tom Waits with his slow gravelly delivery, not a surprise at all. A woman, her long blonde hair trailing her and a half apologetic smile on her face, playing self-consciously narrative songs on her full size piano. A thirteen year old girl dressed like a gypsy, holding herself as though she was twice her age until she took the stage behind another piano, this time to play swirling piano compositions she meekly announced that she had “written when she was eleven.” Not so long ago for her, the MC reminded us.

Gina and I must have presented them a conundrum, not betraying our world in our faces. First Gina, shocking them as she revealed her range note by note, first tickling the very highest and then descending to a nearly bass hum as she slowly circled the most basic chords in Bb. And me, i suppose, energetically bounding up and back from the microphone with each line, sticking out my tongue when i missed my riff, and making steady eye contact with anyone who was bobbing their head along. I can’t imagine that we telegraphed our moves, our voices, our emotions as well as the regulars, because our faces just don’t have that quality. Even the tiny blonde girl in her staring cross-eyed at the microphone in front of her face told me all i needed to know before she ever opened her mouth.

I don’t know if i can go back.

https://crushingkrisis.com/2002/06/85206127/

Filed Under: performance, stories Tagged With: gina

June 18, 2002 by krisis

What do you think an eBusiness’s worst nightmare would be? Actually, i’ve been involved in two over the course of the last 24 hours so, by all means, let me share. First, you should know your worst nightmares by type. There’s the illusionary worst nightmares, which paralyze you in fear but have no bearing on your business. Then, there’s the Sisyphean nightmares that totally cripple a single aspect of your operation by rendering it useless. And, finally, a global nightmare – which is basically like living in some sort of eTwilight-Zone.

Yesterday was my first post-tonsil day back at work, and when i arrived i was greeted by a daunting task: someone had ordered over $2,000 of rock records, and it was my job to swiftly pull them and prepare them for shipping. Of course, swiftly is a relative concept when you have to individually track down over two hundred records, but i attacked the task with as much enthusiasm as i could muster. Meanwhile, my supervisors were at once ecstatic and suspicious of the fortuitous turn of events. But, everything checked out: the billing address matched the credit card, the shipping address matched the billing address, the credit card company enthusiastically approved the charge, and we even spoke to a real live person at the contact number provided with the order. How could it possibly be bogus?

Well, it was, and i can’t even explain it because no one’s taken the time to explain it to me, but after spending almost a solid eight-hour day getting this order together i’ll be spending another day tomorrow integrating it back into our inventory. And, while everyone’s pretty pissed about someone trying to scam us, no one actually spent more than a few minutes working on the actual order other than me, so i’m really pissed. Thus, the Sisyphean nightmare.


The specific nightmare was more dramatic, and even more annoying. Lindsay and i got to work this morning a whole twenty minutes before 9AM, hoping to spend a short day in the office. However, when i flicked the light switch in our room nothing happened. I found this to be especially strange because our lighting is florescent and copious … not the sort of thing that burns out. We chalked it up to random strangeness and headed into the warehouse, only to find it similarly cloaked in darkness. Just then, one of the owners grumped down the hallway and muttered to us “power’s out, working on it.”

Yes, the power. Out. Not in the whole building, mind you. Not in the hallways, or the kitchen, or in the office of our webdesign unit. Oh no. Just in our offices. Which meant no light for shelving, no orders being printed, no fans to blow cool air on the network servers, and no servers to be blown at. Our webpage is served externally, so we weren’t totally out of commission, but the eight of us that eventually turned up for work could only drink coffee and alphabetize in the hallway for four hours before our electrician glibly informed us that he fixed the problem (before being reamed out by the IT person in charge of our in-house servers).

So, if you thought internet outages and being out of ink were the worst of eBusiness’s worries, think again. And don’t think that anything that happens is easily fixed by specialized problem solvers like the ones in that never-ending IBM ad campaign, either. No multinational fortune 500 company can protect you from your electrician randomly flipping breakers, and no amount of fraud protection can protect you from bogus orders that aren’t really fraud.


And now, back to enjoying the ceiling lights.

https://crushingkrisis.com/2002/06/85180314/

Filed Under: rk.com, stories Tagged With: lindsay

June 16, 2002 by krisis

And, now, for another episode of Writer’s Block Theatre.

When we last left our hero, he was awaiting a response to his record reviews with bated breath. Would he finally get to write for an honest to goodness newspaper? We pick up shortly after Peter receives the paper’s reply as we fade up from black. Though he was initially joyous at their friendly invitation of “Welcome Aboard,” over the course of the day he realizes that the congratulatory email has delivered him the worst possible news – his new editor is more interested in what he feels about records than what he thinks, and is hopeful that he will revise his reviews to this effect.

Peter stammers as he recoils in fright from this newly transformed message. “But… but… feelings are the root of all bad record reviews!,” he exclaims as he slowly backs away from the screen. “I’ve spent years detaching myself from new records so i can offer tidy unbiased opinions of them. Saying that any record i own by someone other than Ani or Tori makes me feel anything is an utter lie! I’ve reduced reviewing music to science!”

“Is that so?”

A voice rises from behind him; Peter whirls as though he’s being confronted by another of his worst fears only to find Amy sitting on his guitar amp nonchalantly leafing through a Rolling Stone. He opens his mouth to speak, but she silences him with a wilting glance.

“How you feel will influence anything you write, Peter, so you can just come down from the damned pedestal and write with some feeling for the benefit of all of us people who don’t consider each cd purchase a new child.”

Temporarily ignoring the implication that he would feel the need to be scientifically detached from all of his children so that none would feel more liked than the next, Peter madly gestures back towards the screen. “But, Aim, feelings? Why should someone buy a record based on how i feel? They don’t even know me!.”

Amy fixes Peter with a cool glare from over a two-page spread of Ewan McGregor. “Peter, are they really compromising your journalistic morals here, or is it a possibility that you’re so excited about this job that you just have cold feet.”

Peter’s only reply is silence.

“Well?”

“Erm… possibly mildly chilled feet.”

Amy nods to herself. “Just as i thought,” her face is buried in the magazine before the next sentence escapes her lips, “now get to writing.”

His moral quandary solved by the quick wit of his friend, Peter is again faced with the computer screen — now sinisterly blank white as it awaits his feelings about the Wilco record. Slowly, he approaches the keyboard.

(Cut to black, commercial airs while Peter frantically tries to decide if he honestly feels anything about Yankee Foxtrot Hotel)

https://crushingkrisis.com/2002/06/85175275/

Filed Under: critique, journalism, rollingstone, stories, Year 02 Tagged With: aim

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