Crushing Krisis

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Uncanny X-Men

Comic Book Review: X-Men Blue #1 by Bunn, Molina, Buffagni, Milla, & Caramagna – Nostalgia reigns supreme in this dull debut

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Nostalgia is a tricky thing.

When we’re young, nostalgia allows us to unlock something secret and cool that we missed out on. I remember being so excited about flare-legged jeans and crazy-patterned polyester shirts in the mid-90s when the late 60s and early 70s were cool again.

They spoke to me because I felt like a kid out of time. I was more interested in actually picking out clothing than ever before. And, that hippy-influenced fashion let me into my own interpretation of glam rock tinged with goth, full of vinyl, flowy black shirts, and body glitter.

I’m not sure that anyone who lived through those fashions the first time was as eager as I was to see their return. Nostalgia is different when we’re older. Some elements might recall warm, fuzzy, pleasant feelings of youth, but we don’t get to pick and choose what our collective culture decides to recycle. Other throwbacks bombard us with the awful trends and noise we winced and tried to avoid back in the day.

For every transformative piece of nostalgia that is filled with a fresh inspiration, there are a hundred old things re-inflated like ancient hot-air balloons. These husks totter up into the the cultural horizon for a second flight, tattered and looming over our shoulders. They crowd out the sky for the young and old alike, strangling new ideas. Sometimes it feels like they even blot out the sun.X-Men_Blue_2017_0001

Nostalgia can be dangerous to the young and old alike. It can crowd the horizon of new art, of fresh fashion and music. And, if you’re not careful, it becomes a self-sustaining feedback loop, constantly comforting you with copies of copies of copies of something that once made you feel something – or, worse, something that made other people feel a feeling that you’re eager to capture for your own.

Nostalgia is a tricky, dangerous thing. If you’re not careful, it can suffocate you.

X-Men Blue (2017) #1

Written by Cullen Bunn with line art by Jorge Molina (A-story) and Matteo Buffagni (B-story) with color art by Matt Milla and lettering by VC’s Joe Caramagna. Primary cover by Arthur Adams and Peter Steigerwald.

CK Says: Skip it! 

X-Men Blue #1 is part of Marvel’s relaunch of its full line of mutant books, but this one is not like the others. Rather than inject new life into a battered franchise, it seeks to hook readers through nostalgia for a group of tired characters that weren’t even that great the first time around.

(And, that’s before we get to the crushingly stupid back-up story.)

On the surface, X-Men Blue is a zippy, one-shot “high adventure on the high seas” story with a recognizable team of the five original X-Men tackling some familiar foes. That surface level is going to play out fine for a lot of readers. It will push some nostalgia buttons for some and “access to nostalgia” buttons for others.

Both sets of readers might be forgetting that these original mutants have never been the most interesting team. What was so special about them back in the 1960s (and in many flashbacks to the period) was using these every-teen archetypes to uncover a world filled with vivid villains paired with disarmingly plain everyday discrimination.

Why invite them to the present day, aside from nostalgia? It was the handiwork of Beast in 2013 to try to show Cyclops how far he had strayed from when they were as wide-eyed teens. That’s a great idea for a single story, but editorially no one seems sure why the characters are still around other than the fact that a few thousand people keep buying their book.

Author Cullen Bunn has little to say on the topic in this first issue. He’s been his best at Marvel writing Magneto for the past few years, but X-Men Blue doesn’t yet have the morally gray allure of those stories (though, it would be a brilliant way to re-contextualize these characters). [Read more…] about Comic Book Review: X-Men Blue #1 by Bunn, Molina, Buffagni, Milla, & Caramagna – Nostalgia reigns supreme in this dull debut

Marvel’s Most-Wanted Omnibuses of 2016 – #20 to 16

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Omnibus on ShelfA week into this countdown and accompanying annotation and we’ve finally reached the Top 20 Most-Wanted Marvel Omnibuses from the 2016 Secret Ballot by Tigereyes. I covered #25-21 in the last installment.

This installment includes two books of fan-favorite material, a long shot second volume to an orphaned first, the long-ignored origin of a hero who has two films to his name, and the highest-ranking vote from my own ballot! There’s a solid chance I would buy all five of these books.

If you have any extra information to add about the probable runs or opinions to share about the comics therein, please leave a comment! Even when it comes to X-Men, I don’t know (or remember!) everything about these books – and you might.

Do you own an oversized tome of your favorite character’s comic books? My Marvel Omnibus & Oversized Hardcover Guide is the most comprehensive tool on the web for tracking Marvel’s hugest releases – it features details on every oversize book, including a rundown of contents and if the volume is still readily available for purchase. [Read more…] about Marvel’s Most-Wanted Omnibuses of 2016 – #20 to 16

X-Men Titles (2010 – 2019) – The Definitive Collecting Guide & Reading Order

The definitive, chronological, and up-to-date guide on collecting X-Men flagship title comic books from 2010 to 2019, including Uncanny X-Men, X-Men, Extraordinary X-Men, X-Men Gold, and X-Men Red via omnibuses, hardcovers, and trade paperback graphic novels. A part of Crushing Comics – Guide to Marvel Comics. Last updated March 2025 with titles scheduled for release through October 2025.

This guide follows the main, “flagship” titles in the X-Men line from after “Second Coming” in the Heroic Age in 2010 through Marvel Fresh Start in 2019, just prior to Jonathan Hickman’s takeover of the entire line.

X-Men Disassembled in Uncanny X-Men (2019) #1 Pacheco Variant

X-Men titles had been distinctly separate from the rest of the Marvel Universe for years even before they headed into two years of tightly coordinated stories and crossovers from 2008 to 2010.

It had been since Onslaught in 1996 that the X-Men interacted significantly with other Marvel heroes – or even wider Marvel Universe storylines! – in their own books. They also didn’t get out much. Aside from House of M’s ramifications in Decimation, you’d be hard-pressed to find a non-mutant Marvel hero in any X-Title other than Wolverine!

While that made for thrilling in-continuity stories for big X-Fans, it didn’t help bring new readers into the fold – or to share the wealth of X-Readers with other Marvel titles.

Marvel’s solution began with X-Men (2010). As with Astonishing X-Men before it, this title occurred relatively free of the convoluted continuity of other X-Titles, even though it made reference to outside events. And, unlike the self-contained Astonishing, X-Men, this title frequently featured guests-stars from throughout the Marvel Universe.

In 2011, Marvel ended their longest-running and highest-numbered title when they cancelled Uncanny X-Men, Vol. 1 with #544 to make way for a split in the X-Men between Cyclops and Wolverine explored in Schism. The subsequent Uncanny X-Men (2011) was still written by author Kieron Gillen with a similar tone and cast – just less Wolverine and Kitty Pryde. It was by many accounts (including mine) one of the best runs of X-Men ever written.

This, too, was in the service of steering the X-Men toward more interaction with the wider Marvel Universe – this time in the form of the major event, Avengers vs. X-Men.

In the wake of Avengers vs. X-Men, Marvel relaunched their entire line with nearly every creator shuffled onto a new book. In the shake-up, Brian Bendis hopped from the Avengers franchise to the X-Men franchise, taking over Uncanny X-Men (2013) (as well as a team of time-displaced teen X-Men in All-New X-Men).

Meanwhile, the adjectiveless X-Men volume relaunched a few months later with a primary cast entirely composed of X-Woman! It didn’t feel like a gimmick at all thanks to the X-Men’s legendary roster of women – including Storm, Psylocke, Jubilee, Kitty Pryde, Rogue, and Omega Sentinel, and more. Unfortunately, the title was quickly sent askew by the “Battle of the Atom” crossover and launch writer Brian Wood never quite recovered. Two later arcs by Marc Guggenheim (of TV’s Arrow) and G. Willow Wilson (creator of Ms. Marvel) were well-steeped in X-history, but not terribly exciting.

Bendis promised a lengthy run on X-Men, but another creator shuffle after Secret Wars in 2015 saw him depart the franchise for Iron Man in the All-New, All-Different Marvel.

In his place, Cullen Bunn took over Uncanny X-Men (2016). After a long streak of wrapping up soon-to-be-cancelled series for other writers, Bunn improbably struck gold on a menacing take on Magneto (2014) in his first ongoing series. He brought that villainous tone to his ongoing.

Alongside that, a more-heroic new title – Extraordinary X-Men – launched under the pen of Jeff Lemire and tied in closely to the wider Marvel Universe plot of the Inhumans and their Terrigen Bomb being poisonous to mutants.

After the resolution of the Inhumans thread in Inhumans vs. X-Men, Marvel relaunched the entire X-Men line in “ResurrXion.” This marked the first time since 2013 that there was no ongoing “Uncanny” title serving as one of the flagship books of the line. However, X-Men Gold was effectively “Uncanny,” with a Claremont-esque classic team of Kitty, Storm, Nightcrawler, Colossus, and Rachel Grey, among others. Meanwhile, Cullen Bunn continued his Magneto thread into the All-New X-Men cast with X-Men Blue. Nearly a year later, Phoenix Resurrection returned Jean Grey to the cast of X-Men, and she launched a third flagship with X-Men Red. And, finally, the period wrapped up with five X-Men Black one-shots focusing on major X-Men villains.

Then, in November 2018, Uncanny X-Men returned with a bang – as a 10-part weekly story arc called “X-Men Disassembled.” That story branched out into “Age of X-Man” – an alternate reality event – while writer Matthew Rosenberg continued the storylines of his past year of X-Men mini-series into a disturbing final run on the title that killed off many beloved characters… only for them to return in Jonathan Hickman’s relaunched Age of Krakoa!

X-Men Disassembled in Uncanny X-Men (2018) #1 David Marquez variant wraparound textless

[Read more…] about X-Men Titles (2010 – 2019) – The Definitive Collecting Guide & Reading Order

Uncanny X-Men in the 00s – Definitive Collecting Guide to Uncanny X-Men #394-545

The definitive issue-by-issue comic book collecting guide and trade reading order for the 2000s trade paperback era of Uncanny X-Men comic books from 2001 to 2011 in omnibus, hardcover, and trade paperback collections – including runs by Chuck Austen, Chris Claremont, Ed Brubaker, Matt Fraction, & Kieron Gillen and events like House of M, Messiah Complex, Second Coming, & Fear Itself! Part of Crushing Krisis’s Crushing Comics. Last updated November 2024 with titles scheduled for release through March 2025.

Uncanny X-Men (1963) #394 – 545: The Trade Paperback Era (1991 – 2001)

The X-Men franchise reached a crossroads in 2001 that would forever alter its direction, but also usher in a decade of substantial runs penned by just five authors – all of which was collected upon initial release starting with issue #410!

That’s why I think of this final decade of Uncanny X-Men as “The Trade Paperback Era.” It was the beginning of the idea of X-Men being “written for trade,” with tidy 4-6 issue story arcs rather than bursts of shorter stories and one-shot issues.

Uncanny X-Men (1963) #500

The slick, black leather costumes of the first Fox X-Men film existed in the public consciousness in 2001, but X-Men comics of the period were a hard-to-parse mess of neon spandex. Not only that, but Marvel’s newly-launched Ultimate Spider-Man reimagining of Spider-Man for the modern day was proving to be massively popular. An Ultimate X-Men followed at the beginning of 2001 that felt closer in style and tone to the films.

Together, these two changes allowed Marvel to experiment with the core of the X-Men franchise. Writer and actual psychedelic warlock Grant Morrison reimagined X-Men (1991) as the sci-fi, leather-clad, and frequently absurd New X-Men. Meanwhile, X-Force metamorphosed into X-Statix under the guidance of Peter Milligan and Mike Allred.

What’s often forgotten is that Uncanny X-Men also relaunched at the same time. Twice, actually! First, Joe Casey took the reins for a similarly leather-bound and slightly-absurdist take on X-Men. Then, midway through Morrison’s run, Uncanny swapped to author Chuck Austen.

Austen’s run is often reviled for its soap opera elements, as well as for deeply unpopular moments for Nightcrawler and Angel. Despite that, it remains very much in the Claremontian tradition of constantly-churning conflict and romance. It often introducing wild concepts from far outside the X-Men’s typical range of influences.

Chris Claremont himself would return as Austen’s replacement with The New Age in 2004. While opinions remain split on this run, it’s certainly more popular than his prior return on “Revolution.” The New Age finds Claremont intermingling new toys and old favorites, writing a team that includes Storm and Rachel Summers, but also playing with Bishop and X-23. His run crossed the House of M event that would decimate Marvel’s mutant population, though he did not deal with the fallout – instead, choosing to focus more on Rachel and the return of Psylocke.

Ed Brubaker took over from Claremont with an audacious change in direction. Brubaker followed up on his Deadly Genesis mini-series by taking a core of X-Men to space for Rise and Fall of the Shi’ar Empire. The cosmic plot lasted for an entire year of comics and lead into the massive War of Kings event. It eschewed many popular mainstays of the team for a cast of Xavier, Havok, Polaris, Nightcrawler, Rachel Summers, and Warpath – along with the Starjammers. Afterward, Brubaker refocused on Earth, steering the flagship towards a rebirth from the ashes of Messiah Complex.

Though Brubaker wrote for an arc following Messiah Complex, the following era of the X-Men in San Francisco mostly belongs to Matt Fraction. Fraction reimagines Uncanny X-Men less as a team and more as a society of mutants, with nearly every heroic mutant passing through the background panels of the book at some point in his run. He writes through Dark Reign to the considerable crescendo of Second Coming, a resolution of the remaining threads of House of M.

Finally, Kieron Gillen gradually transitions onto the title over the course of the following year, graduating from Matt Fraction’s secret co-plotter to Fraction’s credited co-writer before finally taking over the reigns with issue #534.1. Gillen slims down Fraction’s massive cast to one foreboding “Extinction Team” lead by the increasingly revolutionary Cyclops and featuring Emma Frost, Wolverine, Magneto, Namor, Storm, Kitty Pryde, Colossus, and Hope. His run continues past the punctuation of Schism through to the following run of Uncanny X-Men, Volume 2.

For a complete X-Men reading order for this period, start with The Definitive X-Men Reading Order: New X-Men.

[Read more…] about Uncanny X-Men in the 00s – Definitive Collecting Guide to Uncanny X-Men #394-545