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Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

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krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

November 23, 2008 by krisis

That didn’t turn out quite how I meant it to.

I didn’t even mention the Swamps of Sadness and how Artax dying is the saddest thing ever and how I’m wrapped up in my desk chair reliving all of these old emotions and that at first it was so hard to understand why I was writing the things I wrote but now I’ve been reading for so many days in a row that they make just as much sense as the present day and that I’m afraid that if I keep at it for much longer I will be nineteen again with all of the desperation and uncertainty that came with the territory.

Well, maybe it’s better off the way it is. More coherent, anyhow.

https://crushingkrisis.com/2008/11/3412/

Filed Under: bloggish, flicks, thoughts

“In the beginning, it is always dark.”

November 22, 2008 by krisis

Have you ever watched The NeverEnding Story? You know how the book seems to bleed into Sebastian’s life, with him running afoul of frightening taxidermy during an encounter with G’mork.

Today my life is something like that.

Ever since I I first transferred from Blogger to WordPress in the midst of the first NaBloPoMo (a feat I still can’t believe I engineered), I’ve also been moving backwards though the almost 3000 posts that came before, categorizing them into tidy chunks that tell the stories of my life.

I’m determined to at least categorize back into the year 2000 by the end of the month, and in my surge of personal excavation I’ve become firmly entrenched in the “Behind the Music” portion of my life – recording a seminal album while going through a horrific breakup and a nearly deadly illness. Flirting with potential entanglements Oh, and drinking a lot.

That old, unhappy, unsure me seems so alien in the present day. To catch all of the themes in those old posts I’ve had to do more than read them – I’ve had to put myself in their place. How else to remember that I hatched my plot to break up with Selina as an allegory of why I shouldn’t pull an all-nighter?

In the process of getting into character I feel like those old posts have been slowly transforming my present day life. I Trio “Will It Ever Come,” telling the story of how it was written, and then find myself re-reading the post about recording it in the studio. Yesterday I re-read one lamenting that it was hard to tell if you have a fever when you’re under a spotlight, and last night I replayed the experience at our benefit show – half sick and half in-the-moment.

This evening I have a tickle in my chest that’s scarily reminiscent of the beginnings of my legendary bout of bronchitis and pneumonia that I’m about to be rereading.

The coincidence is starting to become frightening, if only because I’ve now crossed the threshold into the worst month of my life – the torturous rehearsal process for Good Woman of Setzuan, nearly failing classes, the depths of my relationship, deaths in the family.

If this was really The NeverEnding Story I would be able to reach back into the plot to shake me out of the stupor. I remember being five and jumping up and down on the bed in my father’s hotel room, screaming unintelligibly along with Bastian as he inserted himself into Fantasia, first interrupting Atreyu’s conversation with Morla, and later by naming the princess “Moon Child.”

Or, maybe I already have – without knowing it – and the only reason that younger me broke free of his darkness was because I am sitting here, happy and healthy, willing him to get on with his life.

Filed Under: betterment, flicks, health, memories, thoughts, Year 09

November 21, 2008 by krisis

The state of me at the moment is outstandingly tired.

Last weekend was our trip to NJ, and the weekend before a crazy deadline for Trio and arranging. Just now Elise was whisked away by our darling Mary in top secrecy for her bachelorette party … which you would think is a recipe for a restful, sleepy weekend.

But, hello, this is Crushing Krisis. Either we’re crushed or we’re having a crisis.

So, with a spare thirty minutes after Elise’s departure I am due at the Dark Horse South Street with Gina to play a benefit for Stand Up For Kids alongside plenty of our favorite musical friends: Joshua Popejoy, Bill Butler, Dante Bucci, Jon Glaubitz, and Andra Taylor.

(I was actually just mentioning to a co-worker that I’ve played more spots this year as Arcati Crisis or individually than I had played combined as either in my life to date. That kindof blows my mind.)

And, um, i was going to write more but Dante is in my living room to pick me up and I haven’t packed a bag yet for the second half of the odessey: staying over in East Falls to help Kate and Lindsay MOVE INTO THEIR NEW HOUSE tomorrow before escaping for the Amanda Palmer concert oh my god do i even have any clean socks okay now i am going to hit publish

https://crushingkrisis.com/2008/11/3410/

Filed Under: arcati crisis, Engagement, Philly, thoughts Tagged With: mess

Gimme Gimme Gimme

November 20, 2008 by krisis

Ten toys, of which I can presently afford to purchase one, roughly in order of how badly I am pining for them.

  • A Digital Audio Workstation from Woot Computers. Price: ~$2200 (My computer is now 5+ years old and, though it works as well as the day I bought it, its age makes me increasingly uneasy. Also, I’d like to record a proper demo CD rather than just four-track exercises.)
  • A 16- or 24-channel mixer, powered or unpowered, with inline or accompanying reverb and compressesion. Price: ~$1000 (I am so fucking sick of using other people’s PAs. Seriously. Never again.)
  • A mid-range vocal condenser mic and an XY pair of directional instrument mics. Price: $850 (For solo recording awesomeness.)
  • A light-weight laptop w/at least two gigs of ram. Price: ~$800 (I would be so much more productive, and so much more willing to go places.)
  • An Android Phone. Price: ~$200 + $360 additional services fees in a year. (I love it, but not really, because I don’t like T-Mobile. Hopefully Sprint comes through with their 1st gen in the nick of time before the wedding.)
  • A 160-Gig iPod. Price: ~$320. (I can’t add any more audio to mine; on the flipside, this endeavor probably requires a larger hard-drive to be of full use.)
  • Something that is a pedometer AND has GPS. Price: $150. (I’ve just wanted this for so long. Possibly the above phone would take care of this?)
  • An auto-feeding CD-Duplicator. Price: ~$800 (Seriously, burning 100 Brown Bag CDs is a major chore. Note that the Woot Computer would two lightscribe drives for duping, which would knock this off the list.)
  • A flat-panel monitor with a 19″ wide viewable area. Price: ~$250. (Work has spoiled me, a bit.)
  • New computer speakers. Price: ~$150. (I’m still using the ones I bought from Lindsay’s Digital Media teacher, and my reference monitors aren’t really appropriate for general listening.)
  • So, if anyone feels like giving me a $7k Amazon.com shopping spree…

    Filed Under: gear, shopping, thoughts Tagged With: lindsay

    Spike Jonze knows Where the Wild Things Are

    November 19, 2008 by krisis

    Ain’t It Cool News posted a monstrous, wide-ranging interview with director Spike Jonze, mostly focusing on his unusually organic approach to filming the Maurice Sendak classic Where the Wild Things Are.

    If you’ve kept up with the gossip on this flick you know it was originally scheduled for release this holiday season, but its debut is now slated for next year. Was there any truth to the story floated that early test footage was flat and lifeless? The interview says “maybe,” but qualifies that by divulging intriguing details about the process of editing the performance of their child star and creating individual personalities for each of the Wild Things.

    Jonze is a master craftsman, and each of the stories that unravel during the interview are fascinating – from his holistic approach to special effects to taking turns with Katherine Keener standing-in as an 8-year-old boy, and his idea to promote the film by having kids talk about their feelings (rather than hawking toys at Burger King).

    Fantastic long-form journalism.

    Filed Under: childhood, flicks, journalism

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