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Krisis, Issue #1, Chapter One: April Tenth (pt. 1)

November 4, 2016 by krisis

Krisis, Book 1

Issue #1: Girl Disappearing
Chapter One: April Tenth (pt. 1)

 

Everything felt different on April tenth.

Though he never looked any different than he had on the ninth, on April tenth Nathan Padell felt more a man than on any other day – felt the weight of the world settling down upon him. It was a day to reflect, to shed a tear, and to have some small inkling of hope.

krisis-chapter-01aHe did not even consider himself a man, necessarily. He had boyish looks that refused to mature into something more credibly grown up and a boyish enthusiasm for everything – even utterly unexciting drudgery at the office. At least, that’s what he was told. He was slimmer than average, but not taller, and given the opportunity he would live his entire life in blue jeans and t-shirts. Even at twenty-seven years old with a corporate job and his own apartment he felt like he was still not quite an adult.

Except for on April tenth.

It was a day he visited Ella, without fail.

Nathan stood on a cracked slab of West Philadelphia sidewalk, prepared to mount the steps to the porch of Ella’s apartment building. Actually, it was a just a house – one of the booming, three-story, faux Victorians common in West Philly. This block of them had long since been carved into duplexes and triplexes to accommodate the swell of students from several nearby colleges, which earned the area the nickname “University City.”

The sagging porch roof smiled a lopsided grin at Nathan, the heavy molding on the trim like a set of scuffed wooden teeth. Ella’s side street was typically shrouded in quiet, broken by occasional blasts of noise – car stereos passing on the adjacent streets, distant dog barks, and the hollow sound of a basketball bouncing somewhere out of sight.

Nathan smiled back at the roof and took the stairs two at a time. He crossed the groaning floorboards of the porch and rang Ella’s buzzer with one hand as he jiggled the handle of the front door with the other. It popped open, as it always did. He let himself in to the dim vestibule, separated from the foyer beyond by a heavier metal door with double-paned security glass window. It screamed in dissonance against its warm wooden surroundings.

He felt annoyed with her, despite himself. I turned down a gig for this, he thought. A good one. As if he would miss this night, any more than she would.

Ella probably would have come to the gig, if he had asked. That was their arrangement with each other, unspoken these five years. They watched each other. Nathan watched over Ella, trying to navigate around the empty spaces in her life. Ella was Nathan’s audience, listening to his worries and validating him in times of doubt.

Neither of them truly made up for the thing they both lacked, but at least they found something to share in its absence.

Her absence. [Read more…] about Krisis, Issue #1, Chapter One: April Tenth (pt. 1)

Filed Under: Fiction, Year 17 Tagged With: Fiction, Krisis Novel

35-for-35: 1983 – “I’ll Tumble 4 Ya” by Culture Club

November 3, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]culture-club-kissing-to-be-clever1983 was an obscenely good year of the music I love. Seriously, check out this list of releases at the top of my personal iTunes charts:

David Bowie – Let’s Dance, Billy Joel – An Innocent Man, Cyndi Lauper – She’s So Unusual, Madonna s/t, The Police – Synchronicity, U2 – War, plus singles like “1999,” “Sweet Dreams,” and “Flashdance What A Feeling” – plus, the music video of “Thriller”!

(Sadly, they were all shut out at the Grammys by Thriller, which arrived on November 30, 1982, after the end of the 1982 Grammys eligibility period.)

How to choose? As much as my heart lies with Madonna when it comes to 1983, I’ve already done a lot of writing about her best songs. Cyndi Lauper’s album is an all-time classic, but I didn’t have ears for it until after I met Lindsay. I love the singles from An Innocent Man, but in 1983 we were still spinning Glass Houses.

After agonizing over the decision, I realize I was making the mistake of looking for songs that I love now, when really I should be searching my earliest memories for songs I loved then. And, after “Thriller,” the great love of my three-year-old life was “I’ll Tumble 4 Ya.”

Yes, by Culture Club. I was so addicted to that song as a kid. It was the earliest example of my childhood choreography, as I’d launch into a series of somersaults during the chorus.

But, what is this monstrosity? It begins with mariachi horns and castanets, it briefly turns into a sort of lounge song, before turning into queer calypso elevator music on the chorus. And, check out the lyrics to the verse:

Downtown we’ll drown
We’re in our never splendour
Flowers, showers
Who’s got the new boy gender?
I’ll be your baby, I’ll be your score
I’ll run the gun for you and so much more

Holy crap, tiny Peter, was your first favorite song really an ode to blurred gender roles and sexual innuendo? And, also, how was Culture Club so deeply weird yet also so incredibly successful?

I cannot answer any of those questions, so I turned to the next closest source of information: my mother. Yes, my beloved readers, you about to witness a Crushing Krisis first: A BLOG POST FROM MOTHER OF KRISIS.

Take it away, Mom:

culture-club_ill-tumble-4-yaI first heard and saw Culture Club on MTV, which was new at the time. We didn’t have a big income, but we did have cable TV. There was something about their sound that grabbed me.

You were a music lover from a very early age. You definitely had your favorites and I can safely say “I’ll Tumble 4 Ya” was one of them. You would become a little animated dancer when it came on. You were a little young for a full fledged somersault, but you gave it your best try.

We lived in South Philly, and I used to take you to the playground off of 13th & Oregon and push you on the swings while I sang you my newest favorite song, like “Electric Avenue” and “I Can’t Go For That.” Through the process of elimination, perhaps I bought Kissing To Be Clever at a record store on East Passyunk Ave? Sometimes, when the weather was nice I would take you for a walk there. [Ed Note: See, my mom was a hipster before all of y’all were hipsters, okay?]

As far as the club music I was exposed to, the most important aspects of a song were:

Does it have a good beat? and
Can you dance to it?

Calypso, Caribbean, reggae, soul, funk, etc … they generally have a beat and you can dance to them. “I’ll Tumble 4 Ya” fit those parameters.

I suppose I noticed Boy George’s way of being different, but I didn’t care one way or another. I just liked the music. I guess different was ok with me. Bear in mind, I had spent a considerable part of my young life being a huge Bowie fan, so I wasn’t phased much by Boy George’s gender-bending feminine look (though, in no way did Boy George remind me of Bowie).

Not to blow my own horn, but I don’t think I was ever judgmental about how people looked or acted. Perhaps I developed a tolerant attitude as it relates to gender and sexual orientation. I mean, I was about 10 years old when my parents took me to visit my cousin D and her partner [a woman]. This was 1965. Also my cousin W was gay. The family just accepted it. Even my parents.

(I am the same person who bought you no less than two baby dolls, Care Bears, Jem, and both He-Man and She-Ra.)

That was… actually pretty awesome. Thanks, mom! Perhaps we can tempt her into another guest appearance as the month presses on. I love that last little aside, in case any of you ever doubt me saying I was all about inclusivity right down to the toys I played with as a toddler.

Filed Under: Crushing On, Song of the Day, Year 17 Tagged With: 35-for-35, Boy George, Culture Club, Gender, memories, Mother of Crisis, Sexual Orientation, South Philly

on Jeffrey Tambor, Transparent, and Transmisogyny

September 15, 2016 by krisis

This weekend the heavy favorite to take home the Emmy Award for Outstanding Lead Actor in a Comedy Series is Jeffrey Tambor, who plays a woman on Amazon’s show Transparent.

More accurately, Tambor plays a trans woman – a woman who has transitioned from being a man. It’s a stellar role on a series that spends a lot of time on voices we don’t traditionally hear from in sitcoms.

And I really, really dislike it.

Jamie Clayton and Freema Agyeman, stars of Netflix's Sense8.

Jamie Clayton and Freema Agyeman, stars of Netflix’s Sense8.

This isn’t my typical hyper-critical nature rearing its head. The show is fine. The thing I don’t like is Tambor himself in the role.

Having a cisgender man (i.e., “a person whose self-identity conforms with the gender that corresponds to their biological sex”) cast in the role of trans woman not only takes the role away from a trans actor, but also emphasizes the inherent maleness of the character. That’s a trait most trans woman characters are trying to leave behind as they live an external life aligned with their internal gender identity. If a trans actor wasn’t available for the part, a cisgender woman would be more appropriate since the truth of the character is as a woman, not a man.

No matter how much Tambor transforms into the role, we will still see him at awards ceremonies as a man. His next role will likely be as a man. Tambor is sensitive and supportive in every media appearance for the show – a true ally – but all the accolades he’s won and will continue to win for Transparent will be about how bravery and honesty of his portrayal of a woman in transition.

It would be more brave and honest to have an trans artist like the Jamie Clayton on Sense8 or Laverne Cox in Orange Is The New Black (two shows with their own set of other representational challenges).

I’ve had trouble articulating this discomfort to friends in conversation, especially as a cisgender white dude who doesn’t really have a stake in this discussion. Why do Transparent and The Dutch Girl bother me so deeply when I’m fine with the way Drag Race and Hedwig and The Angry Inch dissect gender roles with men portraying women?

Then, a few weeks ago, I came across a powerful series of tweets from writer and actress Jen Richards. Richards articulates my objections concisely and crystallizes them with additional detail. I present them here, unedited, in their entirety. [Read more…] about on Jeffrey Tambor, Transparent, and Transmisogyny

Filed Under: teevee, Year 17 Tagged With: Civil Rights

on unsolicited compliments, and how little girls should respond to them

September 4, 2016 by krisis

I’ve written about the difference between me getting an unsolicited compliment and EV getting one, and about how she is not a princess.

What those two situations – and posts – have in common is me responding on EV’s behalf, which has been my habit since she was pre-verbal continuing through the typical two-year-old stranger-danger shyness. If someone reduced her to a pretty girl or a princess, I got the claws out.

Now I’m the parent of a three-year-old who is much more attentive to the sorts of responses I dole out, and who sometimes wants to respond (or, emphatically not respond) on her own … and I’m not sure what to do. It’s one of the few situations where I find that the difference in EV and my genders is making me unsure of my parenting decisions.

2016-08-17 12.17.26That’s a big deal for me. E and I were just discussing how relatively neutral our parenting style is when it comes to gender. Aside from wearing a bathing top at the pool and some undefinable level of unconscious bias, I don’t think EV has experiencing a remarkable different toddlerdom in this household than a boy would.

We restrict certain tough play and violence, just as we would from a boy. Aside from screening out toxic princess culture, it’s not as though we’re hiding anything coded explicitly for girls from her. E and I even present a relatively similar role to EV – she’s seen both of us do most chores and caretaking tasks. We both have fancy colored hair.

I’d say the big differences are that E will put her in dresses more often and is better at painting nails than I am.

Yet, this little issue of how (if at all) EV ought to respond to unsolicited compliments has stopped me in my tracks, while E has no hesitation contending with it.

I generally respond to any remark directed my way from a stranger so long as they aren’t physically threatening, whether it’s meant positively or negatively. That’s a hard-won ease for me, rather than a chauvinistic obliviousness. I went a long time assuming any comment I received would be a mocking one. I’ve been harassed from passing cars just for walking down the street and threatened with violence because I “talk gay.” I was a strident teen, but it took two more decades for me to own my self-image enough to withstand that. Luckily, society changed a bit, too. Now I look and talk however the hell I want with no apology.

However, none of my experiences compare to the near-constant sexualization every woman fields from every comment, whether its complimentary or mocking, no matter the gender of the commenter. And, while I’ve been threatened with physical violence, I’ve rarely if ever had to walk down the street with the specter of sexual violence haunting my steps.

That’s what I find myself up against when EV receives a comment from a stranger.

The first few times, I encouraged her to say “hi” in return or “thank you.” I immediately sensed the dissonance there and the bad precedent I was setting. No one deserves EV’s attention just for talking to her. She might develop a social contract that dictates reciprocity with someone she sees frequently, but she owes nothing to strangers.

Yet, I also don’t want to encourage EV to simply passively absorb these opinions. If one of them makes her feel positive or negative, she should be vocal about that. If she doesn’t care, she should ignore them.

Last week presented a pair of examples in a span of hours.

First, at the library, a pair of young black women were sitting across from us at the library while EV carefully fussed over a book and I filled out our card applications. After observing us for a minute and laughing to themselves, they both complimented EV – one to me, and the other to EV directly. I thanked and chatted the woman who spoke to me. EV didn’t respond to the other one. She seemed for a moment as if she might press it with EV, but then let it go.

That felt fine to me. The second example didn’t. We were at a home improvement store, coincidentally being helped by another young black woman. She had been with us for several minutes, and had chatted with EV about the projects we were doing without making any comments about her appearance. When we hit a snag in my shopping, she asked an older, white, male co-worker. He answered her in an annoyed, condescending way, and then turned his eye to EV.

“Aren’t you a cutie?” he said to her.

She ignored him.

“Aww, are you a little shy?”

I was only halfway absorbing this, as I was having my own conversation with the woman, who seemed slightly cowed by her coworker’s rude response. I don’t think EV was being especially shy. She was doing a silly dance in the middle of the plumbing aisle. It seemed obvious that she simply wasn’t interesting in engaging.

Yet, the man kept talking to her in an insistent, insincerely cloying way, pressing her from all angles to respond with increasing annoyance. At this point, I was tuned in.

“What did you do this summer? Did you go to the beach? Did you make castles? Did you bury dad in the sand? Huh, did you?”

I spent an agonizing hour on post-game analysis with E last week. Why didn’t I say anything? Why didn’t I indicate to EV she shouldn’t feel the need to answer?

I know what a sincere interest in my kid looks like from a speaker of any gender presentation. Not only have I learned to see it, but whether or not EV responds she always remembers the sincere people and brings them up later. This was not that. Maybe this guy was a father of daughters of his own, but he was also probably going to make a comment about the ass of the next women who walked down the aisle as soon as she was out of earshot. I could just feel it. (And, it’s borne itself out in the following days with no remarks from EV about the conversation.)

EV’s instincts were better than mine in that moment: she was absolutely right to keep on doing her silly dance and completely ignore this guy. But the point is she shouldn’t have had to.

That doesn’t just apply to leering older gentlemen. It’s for kind young women at the library, doting teens at the pool, and every other human being who wants to ascribe value to EV’s appearance and then tell her about it and then stand there expecting something in return.

She owes them nothing, and while she seems to already sense that on her own, it’s one good choice I’m not sure how to model and reinforce.

Filed Under: thoughts, Year 17 Tagged With: parenting

happy birthday to this

August 26, 2016 by krisis

2015-09-16 19.03.59

On a walk with EV last September.

I – Zina

I am playing a show with my cover band tonight in a bar that is just up the road from my house.

This is not an unusual event. We’ve maintained a steady flow of roughly bi-monthly shows for several years now, and with them we’ve developed a rehearsed rhythm of preparation, load-in, set-up, and breakdown.

The remarkable part of tonight is that it will be my last regular appearance alongside our brilliant drummer Zina for the foreseeable future. I’ve been in three different bands with her since 2010. I’ve reached the point that it’s fait accompli for me to assume any new song I write or learn will make its way to her sticks.

In the days before I met Zina, my guitar playing frequently lacked a tangible rhythm. You couldn’t feel the emphasized beats within my strumming. There was no pulse. At my best, I was writing syncopated song with room for more arrangement within. At my worst (much of which is still creeping around in old posts here), it sounded like I was playing in free time because I never quite complete a measure, so hurried was I to move from each chord to the next.

Zina helped me define the space in my playing – space filled with rhythm, but also space filled with silence. Now I can even find that space when I’m playing on my own.

2015-10-01 16.02.44

Hosting RJ’s client event in SF in October.

I am not sad about the show or about Zina leaving the way I was last year when she first broached the subject of her eventual departure. I’m thrilled for her to move on to a new city and new opportunities, but that’s not the only reason I’m not despairing. I’ve learned to accept and adapt to change in this past year like never before. I know that nothing good ever lasts forever, but now I understand that some other good always follows.

In fact, compared to one, five, or ten years ago, the only aspects of my life that have remained constant throughout are playing music, being in a relationship with E, and writing here at Crushing Krisis – as I have been for the past sixteen years as of today, its anniversary. [Read more…] about happy birthday to this

Filed Under: august 26th, Year 16

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