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Review: Wonder Woman – Earth One, Vol. 1, by Morrison, Paquette, & Fairbairn

June 5, 2016 by krisis

As a kid, I never wanted to be in a boys’ club and was always jealous of anything that was exclusively “girls only.”

I can recall many instances of this. Riding in the car, my mother tried to convince me that I might enjoy joining the Boy Scouts. “But, they’re all boys,” I replied, my rejection implicit. Later, when my female friends were allowed to sleep over together after parties while males went home, I rebelled. “Why shouldn’t I be allowed to stay over?” I raged. “They’re all of my best friends!”

It was hard for me to understand the power of either gendered space because, upon reflection, I did not feel strongly aligned to the idea of my maleness. There was nothing about it I particularly wanted – not the strength, or the camaraderie – because I did not have any evidence in my life that maleness could be good or worthwhile. I hated the idea of being a member of the boys’ club. If all you know about being a boy is bullying and irresponsibility – if the only masculinity you witness is toxic – then why would you want to access it?

That’s not to say I was desperate to be a girl. I liked to wear nail polish and own pink things because they were pretty, not out of a sense of gender dysphoria. Upon reflection, I think the idea of a gender continuum , or even simply a third gender, would have been powerful for me to be able to identify with at the time. (So would have a positive male influence, but I think the former would have been more accessible than the latter.)

Instead, I counteracted my boyness by idolizing female influences, none more than Wonder Woman – the only superhero that mattered to me even though Spider-Man shared my name.

Thirty years later, I can appreciate my ability to define my own maleness and that my gender role or expression does not define my gender identity. I also appreciate the power of single sex spaces in certain contexts. At RJ there was a recurring Ladies Night, were all the women would get together for dinner or drinks. Of course, I wanted to attend – these were all my friends out together! Yet, as women in tech, those friends shared an important, connected experience, and even as the most well-meaning male I might interrupt the ability to share that. Also, there may be women who don’t appreciate or benefit from that shared, female-only space.

Now this is a part of my story. Even when I’m accidentally or tacitly included in a boys’ club or male privilege, I don’t experience it in the same way as my peers.

I’m happy about that. I think it’s powerful to be able to access some piece of otherness to influence your viewpoint when you are in the majority. It doesn’t make you The Other, and you still have a lot of work to do to understand the experience of someone who prohibited from enjoying the club or the privilege, but it means you can see outside of your cave into the wider world of sunlight outside.

Oh, hey, and we’re here to review a comic book. [Read more…] about Review: Wonder Woman – Earth One, Vol. 1, by Morrison, Paquette, & Fairbairn

Filed Under: comic books, reviews, Year 16 Tagged With: Boys' Club, DC Comics, Earth One, Gender Identity, Grant Morrison, OGN, origin, William Moulton Marston, Wonder Woman, Yanick Paquette

Review: Wolf, Vol. 1 – Blood and magic, by Kot, Taylor, Loughridge, Cowles, & Muller

June 1, 2016 by krisis

I’m an increasing supporter of the idea of True Fans as Subscribed Patrons, a mass of individuals who band together to sponsor the work of an artist they trust rather than simply buying it after the fact.

That’s not only because of services like Kickstarter and Patreon taking root, but because it reflects how I actually consume art. Once I’ve decided your work speaks to me, I want it all. Don’t make me keep an eye on release calendars. Don’t let a middleman get a share of my dollar. Take my money whenever you’re feeling the artistic feels and I’ll gladly accept what you deliver as often as you’d like to deliver it.

The beauty (and, let it be said, gratification) of that concept has a single point of failure: editing. Artists who are free to deliver directly to their benefactors run the risk of no longer performing the “Will it float on its own?” evaluation of their artwork. That could lead to unbidden creativity, it could result in fan-pandering, or we could wind up with some half-baked dreck.

Which brings me to author Ales Kot. This is a guy whose brain I’d love to be permanently jacked into based on what I’ve read from him so far. Even if there have been a few duds along the way, the hits are very big hits with me. I’ve exchanged niceties with him on Twitter here and there and a huge part of me simply wants to say, “Look, would you like my $100-a-year up front, because I’m doubtlessly going to buy every damn thing you do.”

He’s doing the utter opposite of that – publishing his creator-owned work through Image, where there is little in the way of advances or guaranteed sales. Every issue he releases is in pure sink or swim mode; every new project must find its own fans until he has an army of auto-buyers like me.

Right now he’s swinging for the fences on every release. I get the impression he wouldn’t have it any other way.

Wolf, Vol. 1 – Blood and magic. 4 stars Amazon Logo

wolf-vol01-tpbCollects Wolf #1-4. Written by Ales Kot with art by Matt Taylor, color art by Lee Loughridge, lettering by Clayton Cowles, and design by Tom Muller.

#140char review: Wolf, v1: pure comics magic. @ales_kot knows the perfect amount of things not to say on the page. I re-read it one second after finishing.

CK Says: Buy it!

Wolf is a powerful work of low fantasy, casting supernatural elements like vampires, ghostly winds, and a tentacle-faced man alongside the stars on Mulholland Drive and the streetwalkers on La Brea Boulevard in Los Angeles. Kot and his collaborators have conjured a bit of true magic with this ouroboros of a tale that forced me to pick it up for a re-read just seconds after I finished.

The book opens with a gut-punch image of a man on fire. Not a superhero or an immolator, but a burning man on a stroll rendered all in reds and oranges. This is Antoine Wolfe, an immortal weary of life who’d prefer not to be set on fire as much as he’d like to stay out of both spooky plots and police investigations – and, especially anything that synchronizes all of those things together.

This is not his story and we’re left in relative darkness about his history and the exact nature of his powers. All we know is that he’s the kind of death-proof, magical guy you hire to look into things that require looking into in a Los Angeles that borders directly on Hell. (Kot is vague on whether that’s figurative, literal, or both.) He’s also a magnet for supernatural trouble, whether that’s his half-Lovecraftian buddy who is late on rent or a strangely-calm teenager in the midst of a murder investigation with an X-Files sort of twist. [Read more…] about Review: Wolf, Vol. 1 – Blood and magic, by Kot, Taylor, Loughridge, Cowles, & Muller

Filed Under: comic books, reviews, Year 16 Tagged With: Ales Kot, Clayton Cowles, Cthulhu, Image, Lee Loughridge, Magic, Matt Taylor, Tom Muller, vampires, Wolf

Music Monday: “Springsteen” – Eric Church

May 23, 2016 by krisis

I don’t hate Country music.

I don’t think that I ever did. In fact, I had not consciously formed much of an opinion of it at all given my scant signposts of Patsy Cline, Garth Brooks, and Shania Twain.

However, a thing I’ve learned about being an adult is that sometimes the unconscious – both your own and the collective – decides something on your behalf, and that determination lingers in your mind in the place of an actual decision until you realize you’ve started making other decisions based on it.

Case and point: Country music. I don’t hate it. Yet, from absorbing a “my truck” here and a “my woman” there from songs playing in the background of life, I was passively assuming I hated country music. People at Smash Fantastic shows would request country songs from time to time and I would selectively ignore them. When Ashley gently suggested that it was finally time for us to learn a few country songs for the band, my reflexive response was, “UGH, NOT COUNTRY MUSIC.”

Despite that, I love to please a crowd, so I looked up a few of the artists that had been shouted in our direction. One was Eric Church. I fired up iTunes and YouTube to see what his most popular song was and they came back with a resounding answer of “Springsteen,” from Church’s third album, Chief.

Fast forward six months and “Springsteen” is AKA my favorite cover song to sing and my toddler’s bedtime song and generally just a fucking masterclass in songwriting.

(Advance to :24 to get to the beginning of the song.)

To get to that realization I had to stop hearing the twang in Church’s voice, because it was activating that unconscious bias of “UGH, NOT COUNTRY MUSIC.” Honestly, it’s a tiresome affectation on any singer, especially when it’s obscuring wonderful pop songs or gatekeeping them from the wider consciousness. You just have to hear past it to get to the performance and the lyrics. Singing it yourself aids in that, if you are able.

Somewhere between that setting sun, “I’m On Fire” and “Born to Run”
You looked at me and I was done. We were just getting started.

Beneath the twang and beyond the minimal band arrangement is the wonderful device of singing about how to find a person who doesn’t exist anymore. Not his long lost high school lover – she’s still walking around in the same town, skirting the edges of his life.

No, the person that no longer exists is his long lost high school self, and the only way to find him for a moment is to hear Bruce’s ragged baritone. [Read more…] about Music Monday: “Springsteen” – Eric Church

Filed Under: Crushing On, Year 16 Tagged With: Eric Church, songwriting, Springsteen

the new gig

May 22, 2016 by krisis

Tomorrow will mark the start of my fourth week spent at home with EV, which will be the longest consecutive amount of time I have not worked since I was seventeen.

2016-01-03 11.04.07

In January, headed to our post-X-Mas celebration with Drexel friends.

I am not on a vacation. Spending time at home with EV is currently my full-time gig.

It could have been a vacation. A sabbatical, if you prefer. I could have asked the execs at RJMetrics if I could take time off from leading the Customer Success team to hang out with my toddler and they would have said yes – not only because of the unlimited vacation policy but because it’s the sort of thing they all value and respect.

I considered that option for an agonizingly long while, because it would be insane to leave a job I enjoyed with a technology that delighted me and a team I personally recruited and loved dearly.

Right? [Read more…] about the new gig

Filed Under: thoughts, Year 16

bad breakfast of hallucinatory champions

January 13, 2016 by krisis

I close my eyes and drift into the hallucination like a piece of flotsam being carried upward by the wave of music flowing in my ears. It lasts for a second, maybe five, but it feels like I’ve glimpsed a whole day of some alternate earth where an arbitrary detail of the laws of physics or nature has been altered.

The trolley lurches to a halt. I lose the alternate earth. It disappears in a wink, along with any memory of it. We are two stops before mine – enough time for two, maybe three, alternate days before I absolutely must pull the ripcord and bobble my way to the front of the vehicle.

Does this happen to you? I always assumed it was universal – that adding music to a state of half-awakeness yielded a kaleidoscope of unknown realities. Maybe it’s not. Maybe it is a form of synesthesia that I’ve always had, which might explain why I am and have always been so obsessed with music, and also with the literature of psychedelia.

This week at work we discussed Breakfast of Champions.  We have a book club at work, that’s a thing I should probably tell you. I hated it, a little. The book that is, not the club. I love the club, partially because it inspires me to do things like read my first Vonnegut novel despite mostly hating it while I read. (Later, other members of the club confessed they thought it was a terrible idea to read Breakfast of Champions as a first exploration of Vonnegut, but they did not want to intercede in our plan.)

I didn’t like the book for a few different reasons. Primarily, it was basically the worst in medias res ever. It says what will happen at the end, spends an entire book describing the rather dull steps leading to that point, and then the thing that happens turns out to be relatively inconsequential. It’s an entire book of prologue to some interesting thing of which we only catch a glimpse.

Despite hating it a little, I’m very happy that I discussed the book with other humans(/robots). It helped me to pull out the things I loved about it. One was the synopses of the bizarre sci-fi stories of author Kilgore Trout, our of our protagonists (sort of). He invents stories of alien worlds that would fit perfectly in Hitchhiker’s Guide to the Galaxy. Our club debated which otherworldly tale was our favorite. The world of eating petroleum where real food is considered pornography. The world where all art is assigned an arbitrary value and venerated appropriately. The world where language is as beautiful and distracting as a song, so anything serious like a law must sound deliberately ugly.

As I popped out of the final micro-hallucination of my commute, it occurred to me that my fractional alternate dimensions were a lot like Kilgore Trout’s stories. Each one of them change just one or two fundamental things about reality, all seemingly droll in summary but potentially dull if explored at length.

Maybe having a form of synesthesia is just a way to know you are a robot programmed to ingest music and output the fantastic.

Filed Under: thoughts, Year 16 Tagged With: Vonnegut

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