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From The Beginning: WildStorm Universe – Stormwatch #14-16

November 18, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Today we’re back to Stormwatch, and if I wasn’t adhering to a reading schedule this month you better believe I would be holed up in a corner reading nothing but Stormwatch because the suspense of reaching #25 is killing me.

Thanks to a brief tag with the time-traveling Timespan on issue #16 that loops back to his prologue in issue #9, it seems we’re meant to read this post’s issues and the prior one’s in a single self-affirming swath of doom.

Ron Marz spends this trio of issues delivering two of the kind of globe-trotting adventures we expect from the team, but the international action will be the farthest thing from your mind. That’s because he not only turns up the pressure on Battalion’s impending doom, but takes the time to finally make the equally doomed Diva a more round character (albiet with a lame “I’ll make you a better person” romance with Cannon).

stormwatch_v1_014Penciller Mat Broome is joined by Joe Phillips on Stormwatch #14, and combined with a totally new crew on colors it has some awkward moments. It’s a fine issue to work out those kinks, since despite containing some action Ron Marz’s script mostly focused on relationships and mercy.

We quickly learn why Battalion was so eager to take a leave of absence in the last arc. It wasn’t for peace and quiet – it was so he could infiltrate Skywatch and murder his father in his cryo-sleep! As he lurks in the so-called “Ice Box,” we get a glimpse of past foes like Talos, future ones like Stricture, and even some non-threatening figures who must be more than meets the eye. However, he can’t bring himself to kill his father.

We also learn more about the Diva and Cannon romance that has apparently been bubbling under ever since Ron Marz first hinted at it in Stormwatch Special. Their private moment is interrupted when Synergy as Weatherman inserts Stormwatch One into Northern Rwanda to protect refugees from the country’s civil war with strict instructions to engage the enemy only in self defense.stormwatch_v1_014_23When the team (Cannon, leading Diva, the reconstituted Hellstrike, Fahrenheit, and Strafe) finds that all but one of the refugees have already been slaughtered, Cannon takes it upon himself to hunt down the perpetrators and only Diva can stop him (both with reason and ass-kicking) from killing them in revenge.

The issue ends with a brief stinger in Defiles sanctum, where he’s seemingly threatened by Warblade only to discover it’s a shapeshifter named White. Curiously, he plans to deploy White to disrupt the WildCATs, not Stormwatch.

stormwatch_v1_15Stormwatch #15 opens with us still in Defile’s lair, and here we learn what he has in store for Stormwatch – a massive genetically engineered creature incubating in a tank.

Synergy the Weatherman (whose hair is already grown out since last issue) has met with all of Stormwatch One to reprimand them for their actions in the last issue – they’re more of the sort of rogue decisions that got her an unwanted promotion. When she gets to Diva, she has only thanks for her leadership, which leads Diva to confront Cannon about his behavior.

Battalion is starting to lose his cool (and his mind?) about his impending death, but his quiet tinkering time in the workshop is interrupted by the always awful Flashpoint. The brash Stormwatch Prime member goals Battalion into a fight and gets thoroughly whupped.

Their confrontation is interrupted by an all-hands on deck notice from Weatherman. A massive humanoid bearing a device that looks like a bomb is in the process of King Kong-ing its way up Mauna Loa in Hawaii – the largest active volcano in the world. Stormwatch One heads in, lead by Battalion and comprised of everyone except the unstable trio of Stormwatch Prime.

stormwatch_v1_16Mat Broome and colorist Steve Firchow have settled in on Stormwatch #16, which makes for a crackling climactic issue. (Weirdly, there is a single page colored flatly without digital gradients, and it looks amazing. It goes to show that Broome’s talent isn’t all in the digital trickery of the coloring.)
The assembled Stormwatch One is unable to dent the massive purple creature sent by Defile despite multiple attacks. Battalion distracts it long enough to get in close and rip the bomb away from where it’s grafted on the creature’s back.

We’ve seen both Hellstrike and Winter contend with massive explosions in recent issues, but Battalion takes it upon himself to absorb this detonation within a bubble of psychic power. Timespan drops by to witness him doing the deed just long enough to stop Diva from interfering. Battalion contains the blast, but his body is left limp and lifeless in its wake.

Artist Trevor Scott stops by to render an epilogue in the past, as Timespan returns to to the unlikely 12th century Normandy for a breather. Despite his seemingly random choice, the fellow traveller we glimpsed back in Gen13 #1/2 catches up to him and says she’ll end his “tampering.”

Ah, is Timestream not as benevolent as he lead us to believe? He slips away after a punishing blast from Nadia to return to his Prologue scene from Stormwatch #9 – which means he whisked Battalion to the future straight from overseeing his death!

Here’s the schedule for the rest of this month’s WildStorm re-read. It’s going to be another tortuous week before we’re back to Stormwatch to see what happens in the wake of Battalion’s death. Tomorrow we break ground on a new series, Backlash #1-4!

Need the issues? You’ll need to purchase single issues – try eBay (#14-16) or Amazon (#14, 15, 16). Since further series reached these same issue numbers, be sure to match your purchase to the cover images in this post.

Filed Under: comic books Tagged With: Battalion, From The Beginning, From The Beginning: WildStorm Universe, Image Comics, Mat Broome, Ron Marz, Stormwatch, Trevor Scott, Wildstorm

Krisis, Issue #1, Chapter Two: Unintended

November 18, 2016 by krisis

From last week…

krisis-chapter-01b-timothy-krause-flickrNathan put his hand on Ella’s shoulder and spun her body around towards his. “Ella, you have to calm down. What’s wrong? Just tell me what’s…”

Their eyes met and now he realized what seemed so strange about them on the couch. Ella’s gaze was fixed on his face, but her pupils were completed dilated – huge black discs with just a tiny ring of hazel around the outside. Nathan recoiled slightly at the sight. Both her hands were clenched tightly into fists, pressed close to her chest, knuckles white.

“Mom knew, Nathan, and now you know and he’s going to come. But I see now that you find her. You find her, you find her, but I can’t see…” She paused, gasping for air, as if she had ran down and back up her twisting stairwell.

“Ella, your eyes…” Nathan faltered for words. “Please, I don’t understand. Did you…did you do some kind of drugs? Just slow down and talk to me.”

He awkwardly held her, not knowing how close he should be. It was their first hug.

“You finally find her,” she breathed into his chest. He looked down at her face to see her pupils begin to contract, the hazel of her eyes expanding until the black was just a pin point in the middle of a sea of gray and green. She looked down at her hands as if they didn’t belong to her, still clenched tightly against her chest between them, still heaving as if she had ran a mile.

Krisis, Book 1

Issue #1: Girl Disappearing
Chapter Two: Unintended

“And you let her stay there by herself?”

Danny regarded Nathan incredulously and sunk his teeth deep into the skin of a bright red apple, snapping another crunchy mouthful out of the fruit.

“You don’t know how Ella gets. She’s so stubborn.” Nathan felt exasperated just thinking about it. “She insisted she was just freaking out about me saying Martina’s name, and the potatoes, and the potatoes maybe not being as good as Martina’s potatoes, or possibly being better than Martina’s potatoes, and not knowing which would be worse.”

Danny spoke through his mouthful of apple, “v’at es ucked up, ‘an.”

Nathan sat across an orange Formica-topped table from Danny in the bustling cafeteria at Khep Right Industrial’s Philadelphia campus.

The cafeteria was located in Nathan’s building, the taller of the two on campus. It was a cavernous, multi-level space furnished in an unfortunate pastiche of kitschy retro diner and corporate industrial. The result was something like eating dinner in a subway car – lots of cheerful, brightly colored plastic surfaces complemented by stainless steel. Utterly cacophonous and all very easy to hose down.

That was Khep Right Industrial to a tee: efficient, functional, and maybe slightly discomforting.

Danny finished chewing his bite of apple and set the fruit down on his plastic tray, reaching for a carton of milk. “Do you believe her?” Danny asked before taking a chug of his milk. “About the potato business, I mean.”

“I don’t know, Danny. It was scary. She was scary. It didn’t seem like she was in control of what she was doing or saying. One minute she was speaking gibberish, the next minute she was fine, munching on pizza.”

“And you don’t think she’s on drugs?” Danny asked, before taking another chug from his milk carton.

Nathan sighed. “I did think that, at first. Now I’m not sure. I mean, I went to college, I’ve seen people on just about everything. Nutmeg, even. But the whole episode only lasted for a minute or two, and I had been with her for a little while at that point. I guess she could have taken something before I got there…”

Nathan’s rambling was interrupted by Danny tossing his now-empty milk carton onto the table.

“You know what I think?”

“No, but I’m about to.” [Read more…] about Krisis, Issue #1, Chapter Two: Unintended

Filed Under: Fiction Tagged With: Krisis Novel

35-for-35: 2000 – “The Easy Way Out” by Juliana Hatfield

November 18, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Do you know what “slept on” means?

It’s a slang term for overlooked, forgotten, or ignored and I feel like it describes at least half of my record collection.

beautiful-creature-juliana-hatfieldJuliana Hatfield’s Beautiful Creature was slept on. Criminally. I almost slept through it, actually. I acquired it in the spring of 2000 from a basket of unreviewed promo records during a day apprenticing at Philly Weekly on assignment for my first journalism course. “Take whatever you want,” they said.

I vaguely knew who Juliana Hatfield was because of one of her two breakthrough hits, the peculiar 5/4 ode to kissing in the closet, “Spin the Bottle.”

Somehow she had escaped my omnivorous appetite for 90s women in rock, which is a sad confirmation of how slept on she was already before releasing this LP. I saw the cardboard sleeve for Beautiful Creature (paired with her harder rock record, Total System Failure) in the review copies bin and thought it would be worth a listen.

A few months later, and it was an LP I was plugging in several of CK’s earliest posts. It’s a perfect blend of Hatfield’s 90s rock bonafides with a late-Beatles acoustic simplicity she had left behind to get increasingly grungy.

“Easy Way Out” is a song that’s more on the grungy side, a riff-heavy rock tune that betrays the heaviness that Hatfield tried to constrain to Total System Failure but keeps the focus on irresistible melody.

It also keeps up Hatfield’s habit of being just as ribald and rude as the boys of rock in her songs while still cutting to the bone. Her last effort, Bed, was all about sleeping around, and this disc is all about love and drugs. “And he cries like a girl,” she yells in the refrain. “And he lies to the world. And the hate and the guilt and the pills – it’s an easy way out.”

julianahatfieldtop13I kept lending Beautiful Creature and putting it on mix tapes for years. I tried to convince acappella groups to cover its songs as late as 2007. I kept on waiting for it to break through, for Hatfield’s unrecognized genius to be acknowledged by everyone I knew.

Fifteen years later and I guess it’s probably not going to happen for Beautiful Creature. I can’t even call it Hatfield’s best album, because the ones that came before and after it are equally amazing. Yet, it’s this one that remains one of my favorite LPs of all time, and since its release I have become convinced that Juliana Hatfield is one of the best performing songwriters working in America today.

If I get a day to linger in the year 2000, the year of Crushing Krisis’s birth, you can be sure I’m going to spend a portion of it lingering on Juliana Hatfield.

You don’t have to take my word for it – stream it for free right now if you have Amazon Prime.

Filed Under: Song of the Day Tagged With: 35-for-35, Juliana Hatfield

From The Beginning: WildStorm Universe – Savage Dragon #13 & WildCATs #14 (Image X Month)

November 17, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Stormwatch’s “Images of Tomorrow” wasn’t the only gimmick going around Image’s books in the summer of 1994. “Image X Month” saw all six image creators swapping flagship books with each other, with Jim Lee and Erik Larsen trading WildCATs #14 and Savage Dragon #13, respectively.

I couldn’t find another blogger who wanted to write you 100 posts this month, so I stuck with “Blog of Tomorrow” as the theme rather than “Blog X Month.” ;)

savage-dragon-013-leeThe trade offers a fascinating glimpse into the minds (and work ethics) of a third of Image’s founders.

Lee delivers a beautifully penciled issues at Image with Savage Dragon #13 even with an army of finishers, but it’s effectively a Grifter one-shot guest-starring Savage Dragon.

Larsen tries hard to single-handedly give the WildCATs a lumpy but fun one-off adventure that shows off their entire team but also promotes his hapless Freak Force book, and mostly succeeds.

(Larsen would also later release his own version of Savage Dragon #13, wanting to maintain his unbroken streak of penciled issues.)

Savage Dragon #13 comes first, and though it doesn’t say so you really have to have read Kindred to make heads or tails of it.

That’s because Grifter is suddenly hanging out in a Chicago restaurant with a romantic interest Alicia (who presumably has plenty of free time if this happens after Gen13, since Lynch is AWOL).

We learn that Grifter grew up in Chicago and that he worked for “The Syndicate” (a mob network) from the casual opening scene. Unfortunately, the pair of lovebirds happen to be in the same place as Savage Dragon’s sting operation. Everything quickly goes south as Grifter inserts himself into a massive shootout that leaves both him and Dragon’s partner wounded.

The rest of the issue unravels just how Grifter is connected with a mob that’s being investigated by Savage Dragon and infiltrated by I.O.. Plus, the mob has a super-powered baddie trying to usurp the business.

Altogether it’s a little bit too much coincidence piled on top of itself, especially when we discover a family connection for Grifter. All of the interweaving effectively makes Savage Dragon a guest star in his own story. He periodically shows up to threaten Grifter and then acts as his muscle in a final fight.I t could have easily been avoided without adding the I.O. element, which is meant to give Alicia some agency in the story but just renders her a damsel in distress.

I get the sense that Lee and Choi didn’t study up on Savage Dragon as much as Larsen did WildCATs, but I’ll be damned if Dragon doesn’t look utterly awesome in every panel he appears.

WildCATs #14 follows (maybe directly – I’m not sure that any other WildCATs adventure fits between them, though it’s a handy gap for anything that includes this full original team.)

wildcats-v01-014Larsen gives the WildCATs one thing they haven’t yet encountered – some frivolous fun. His lightweight tale has no big life or death stakes, but it shows the team confidently cutting loose both in battle and (briefly) in relaxation.

Larsen’s WildCATs are a rough-looking bunch in battle, although he does them the credit of showing them defeating a Daemonite right on the first page of the book – Void is even conscious, and Spartan in one piece! However, Voodoo has had enough of the constant Daemonite-hunting, and demands a break.

Larsen’s casual team is a much better-looking bunch as they prepare to hit the beach (with Larsen mocking Choi’s tendency to use every possible adjective and explain them all with editorial boxes). Just before their departure, Maul hears a news report about an old friend injured in a super-human rampage (one side of which was Freak Force member Mighty Man) and puts a hole in the wall of his room in his eagerness to check on her.

The teams clash until Savage Dragon arrives to break things up, and Larsen playfully teases the tropes of the book, affirming some (Maul being big and dumb, Spartan getting ripped to shreds, Warblade basically being John Patrick’s character from Terminator 2) and mocking or reversing others (Void actually being effective, Zealot getting sucker punched while monologuing about her training).

The art on WildCATs #14 is beneath the typical Jim Lee par, but no one at the time compare with Lee’s slickness outside of his WildStorm protegés. Larsen’s rubbery action-figure fights and plain, expressive faces are effective, especially in the plain clothes scenes. It only goes to show how reliant WildCATs has been on the Lee factor to keep it moving, which should make the next arc a fascinating read.

Need the issues? 

WildCATs #14 by Larsen is collected in The Savage Dragon, Vol. 4: Possessed (ISBN 978-1582400310) along with Larsen’s own version of Savage Dragon #13 (Amazon / eBay).

Savage Dragon #13 issue by Lee and Choi is collected in the 1998 trade paperback Savage Dragon: Team-Ups, ISBN 978-1582400471 (Amazon / eBay), but is not included in the later Savage Dragon Archives line, which includes’s Larsen’s #13 instead.

For single issues, Try eBay (WildCATs #14 / Savage Dragon #13) or Amazon (WildCATs #14 (alt link) / Savage Dragon #13). Since further WildCATs series reached #14, be on the lookout for this Larsen cover to make sure you get the right issue. And, remember, Larsen released his own, totally-different Savage Dragon #13 – and both versions are referred to as “#13a” in different places.

Here’s the schedule for the rest of this month’s WildStorm re-read – tomorrow we’re already back to Stormwatch with #14-16 as they edge inexorably closer to their grim end!

Filed Under: comic books Tagged With: Brandon Choi, Erik Larsen, Grifter, Jim Lee, Savage Dragon, WildCATs

Live @ Rehearsal Video Concert – November 15th, 2016

November 17, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]This week’s concert was slightly abbreviated, as a certain tiny spectator was getting a bit rowdy towards the end.

Setlist: Saving Grace (original tuning), Shake It Off, Picture Window, Wilted, Ugly Americans

Performance Notes:

I originally wrote “Saving Grace” at the piano (it was pretty much the first thing I did when we walked in the door from our honeymoon), and when I finally translated it to guitar it was in the peculiar tuning of CADGCC. I still prefer the chord voicings there, but when we brought it to Arcati Crisis it didn’t make sense for me to always retune for just one song, so I figured out the equivalent chords in standard tuning.

One of the many downfalls of constant returning – especially retuning with such slack strings, is that even if your guitar sounds find on an open strum that the intonation might go a little sour higher on the next. If you see me wincing through “Saving Grace” and “Shake It Off” here, it’s because somewhere in the 7-9th fret neighborhood I heard something a little wonky.

(Also, as I mention in the stream, this is my first time ever hearing a soundboard quality “Shake It Off” played back not just through monitors, which is pretty crazy considering I wrote it back in 2009.)

“Picture Window” is another song I wrote first on piano and then translated, although I think the guitar version has nearly replaced the original for me at this point. “Wilted” is an older tune that’s a particular favorite of E’s – I was a little confused about the placement of the slides up the neck for about halfway through the song. Such is rehearsal.

That brings us to my current wrestling match, “Ugly Americans.” On day eight of its life in public it’s getting nearer to a final state, though there are still a few too many words crowding some of the triplets. It’s literally been over a decade since I’ve worked out a new song in public like this, and while it’s terrifying it also feels good to be back to my roots. The fear will fade.

I intended to follow that with an oldie, “Hold On Me,” and then some grand finalé – which I intended to be “Better” (which, crazily, I’ve never recorded solo!) but would probably result in EV yelling for “Status Quo” and me acquiescing.

Filed Under: rehearsal Tagged With: Live@Rehearsal, Video

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