drag

Krisis covers RuPaul's Drag Race, international Drag Race, Dragula, and more in their incredibly in-depth essays and recaps on Drag.

Drag Race France Season 1 Episode 6 – Un Parfum de Drag: Review & Power Ranking

July 30, 2022 by krisis

Bonjour bonjour bonjour, mes chers lecteurs! Welcome to my review and power rankings of the sixth episode of Drag Race France Season 1 – Un Parfum de Drag, which revisits one of the all-time classic Drag Race branding challenges from Season 5.

(Now that All Stars Season 7 has concluded, Drag Race France will have the Saturday spot for its final three weeks to give me time to watch Drag Race Down Under! I’ll be back with my first Down Under post tomorrow, plus a special wrap-up for All Stars.)

Drag Race has many standard challenge formats that are guaranteed to show up in each season. This consistency allows queens to play a meta-game of expectations within the competition, where they are biding their time (or wracked with terror) about an upcoming Ball challenge or Snatch Game.

The remaining five queens were right to point this out at the top of the episode. They’d already been through a ball, acting, singing, and Snatch Game – all core Drag Race Challenges.

The one guaranteed challenge even on non-English season they had yet to face was personal branding, but it’s the challenge that takes the most varied forms.We’ve seen queens do everything from peddling their own autobiographies, to inventing their own flagship merch, to our recent All-Winners cast making up a TikTok dance.

Drag Race France decided to reference perhaps the best-remembered of all of the dozens of Drag Race branding challenges, Season 5‘s “Scent of a Drag Queen.” That was the challenge that spawned iconic ads for Coco Montrese’s nonsensical “Ru Animale,” Detox’s seductive “Heroine,” Roxxxy Andrews’ longstanding personal brand of “Thick & Juicy,” Alyssa Edward’s oft-referenced “Alyssa’s Secret,” Jinkx Monson’s Drag Race institution “Delusion,” and Alaska’s “Red” – which birthed her single “Your Make-Up Is Terrible” and nine years later inspired the name of her 2022 album!

Whew. Seriously, if you’ve never watched it, it’s one of the most memorable and meme-able episodes of all time.

This challenge was proof that we’ve wound up with the correct final five queens, because I can’t imagine any of the eliminated contestants creating such solid work when left to their own devices. All five artists succeeded at making commercials that were proficient and altogether ridiculous.

Even amongst their successes, the challenge showed the clear divide between the queens who understand the power of their brands versus the ones who are simply game to make a silly spoof.

That resulted in one of the most emotionally powerful lip syncs across all of the many Drag Race franchises over the past 14 years. This is ART, y’all. Both queens explored what it means to have regrets and to strip yourself not just of your clothes but down to your very soul. They showed us how you effectively de-drag in a lip sync without it being a sign of desperation. They showed us how ti interact with the other queen in a lip sync with consent and collaboration.

Wow. Nicky cried off an eyelash! If you love Raven and Jujubee doing “Dancing On My Own,” this is a must-watch.

Oh, and there were puppets!

If you want to watch Drag Race France you can sign up for WowPresentsPlus to watch the many worldwide Drag Race franchises for $4.99 a month or $50 a year. (Note that if you’re in the US you will need to use a VPN to “visit” another country to see the US Franchise.)

Now it’s time to rank our four remaining queens, analyze their commercials, and applaud their runways! Who is currently on the top of our well-matched Top 3? It’s not the same as last week’s Episode 5 power rankings…

Lecteurs, start your engines. Et, que la meilleure Drag Queen gagne!

Canada’s Drag Race Season 3 Episode 3 – Ruets: Review & Power Ranking

July 29, 2022 by krisis

Welcome to my review and power rankings of the third episode of Canada’s Drag Race Season 3 – Ruets, a two-queen team-up lip sync challenge.

This Canadian cast continued to shine as a memorable group of queens. This episode put the spotlight on some of the funniest ones in the bunch.

The mini-challenge to dress as drag kings so they could flirt with Brooke Lynn Hytes was hilarious enough that it could’ve merited an entire maxi-challenge. It also allowed a few of the quit-witted comedy queens to finally make their mark, including Vivian Vanderpuss playing an absolutely absurd character as an Australian tradie.

That gave Vivian the power to pair up queens for the “Ruets” challenge, where each pair had a day to choreograph a lip sync to one of RuPaul’s duets.

Once again, this subtle twist on a regular Drag Race challenge shows off the smarts of the Canada’s Drag Race production team. Fans love a head-to-head lip sync smackdown enough that they’re now being inserted as regular-season episodes to produce meme-able moments. Yet, lip syncing on the spot to a song for the first time isn’t actually a “real world” situation for a drag queen. Giving a pair of queens time to plan and present an act together is a surprisingly organic way to show off what the queens bring to a live show in real life.

That means we should have seen drag excellence from any of these queens who can turn it out live in a club! But, that came with the extra challenge of teamwork. Everyone did their best to join forces, but some of their efforts were much more successful than others.

Oh, and Vanessa “Miss Vanjie” Mateo was a guest judge, for some reason.

(The reason mostly being that the “duets” theme played on her showmance with Brooke, as well as her appearance being an unspoken promo for her 24 Hours of Love reality show and her upcoming run on All Star Shore without mentioning either by name.)

It felt like several of the less-visible queens got plot development, including Vivian and Giséle. The runway was universally strong, with some stunning looks. And, the lip sync was a solid, emotional performance. I really love this cast of artists and the eliminations are already getting difficult.

That leaves us with nine deserving queens with a few break-out stars and a tight middle of the pack, which includes a few big shifts from my Episode Two power rankings!

If you want to watch Canada’s Drag Race Season 3 outside of Canada and the UK you can sign up for WowPresentsPlus to watch the many worldwide Drag Race franchises for $4.99 a month or $50 a year. (Note that if you’re in the US you will need to use a VPN to “visit” another country to see the US Franchise.)

Readers, start your engines! And, may the best Queen (of the North) win!

RuPaul’s Drag Race Down Under Season 2 – Pre-Season “Meet The Queens” Power Rankings

July 27, 2022 by krisis

It’s time, y’all – Drag Race has circled the globe and crossed the equator to make it to my stomping grounds with RuPaul’s Drag Race Down Under Season 2, featuring 10 queens from Australia and Aotearoa New Zealand! That means it’s time for a new pre-season Power Ranking!

I won’t beat around the bush: anyone who watched Drag Race Down Under Season 1 knows it was a rough spot for the franchise. The queens were delightful (except for the unrepentant racist), but the production quality was wobbly and the elimination order was wonky. A production favorite came back only to be completely ignored and another was carried to the finale despite flatlining in the back half of the competition.

Luckily, totally awesome Kiwi queen Kita Mean brought the crown home to our shores (or, more accurately, kept it here, since due to pandemic restrictions in Australia the show was shot in Auckland while NZ was COVID-free). That helped to make up for all of the intended guest stars who were trapped in Australia as well as Ru and Michelle not getting many(/any?) Down Under jokes.

All of that is behind us now. We’re back with another season of Down Under queens starting this weekend (again, shot in NZ!). While we won’t know if this production will be a shit-show or “sweet as,” today we can dig into the cast of 10 amazing drag performers to rank their chances at walking away with a crown.

I’d insert some appropriate Kiwi slang in here, but I’ve been locked in my house for half the time I’ve lived here so I don’t know any.

Now, let’s get to ranking the queens!

My rank is not a comment on their quality as drag artists, but on how far I see them making it on Drag Race based on the trends and tropes of the show as witnessed from over 25 Ru-hosted seasons. These are all outstanding performers, but being a great drag artist doesn’t always translate to doing well on Drag Race.

I have deliberately stayed away from any spoilers about this season, so my ranking is purely off of the vibe I get from queens from their two-minute “Meet The Queens” videos and their social media.

Finally, I’ll disclaim ahead of time that, while I haven’t met any of them or seen them perform, I am obviously going to be biased toward the Kiwi queens. I’ll try not to let it affect my rankings, but let’s face it: this is as close as I’ll ever come to participating in a NZ-vs-AUS rugby rivalry.

If you want to watch RuPaul’s Drag Race Down Under Season 2 outside of Australia, New Zealand, and Canada you can sign up for WowPresentsPlus to watch the many worldwide Drag Race franchises for $4.99 a month or $50 a year. (Note that if you’re in the home country of a franchise you will need to use a VPN to “visit” another country to see that content.)

Readers, start your engines! And, may the best (antipodean) drag queen win! [Read more…] about RuPaul’s Drag Race Down Under Season 2 – Pre-Season “Meet The Queens” Power Rankings

Music Monday: “Feeling So” – Shea Coulée

July 25, 2022 by krisis

I am a sucker for any song that uses layers of instrumental riffs to emphasize an insistent, galloping, every-quarter-note rhythm, and Shea Coulée’s “Feeling So” does that in the best possible way.

Every time I listened to “Feeling So,” the first thought that pops into my head is “wow, this is like an update of ‘Everybody Wants to Rule the World’ by Tears For Fears.” Every single time I think it is a new thought, and I am impressed with myself for noticing the reference, and then after a minute I think, “Hold on, surely this has occurred to me before…”

I think the the thing the two songs have in common is how they layer different instruments with slightly differing rhythms to achieve the net effect of emphasizing every beat. In “Rule The World,” it’s the way the insistent bassline marries to the back-and-forth step of the synth, later topped with the peal of of guitar picking from the intro.

“Feeling So” is built the same way. It has an opening synth riff that continues burbling in the background like a melodic fountain. It has the same driving gallop of bass. And, it has that same step-and-repeat of passing synth chords.

The difference is how “Feeling So” later breaks that that rhythm. When the staccato chords of the pre-chorus interrupt the bassline it feels like a change in temperature – as if we’re on the verge of a shock. But, the song eases us back into the familiar gallop with the reintroduction of the bubbling synth in the background of the next section.

I think it’s the continuous rhythm, break, and return that has encoded this song into my brain so deeply, tempering my neural pathways with every repeat of the cycle.

Also that it really does song like an update of “Everybody Wants to Rule the World,” with a hint of the sunny disposition of Madonna’s “Cherish” – and that’s a sonic lineage that I cannot resist.

Drag Race France Season 1 Episode 5 – Popstars & Night of 1,000 Mylène Farmers: Review & Power Ranking

July 24, 2022 by krisis

Welcome to my review and power rankings of the fifth episode of Drag Race France Season 1 – Popstars, the Drag Race France girl group challenge accompanied by a “Night of 1000 Mylène Farmers” runway celebrating one of France’s biggest pop stars.

Often, the biggest challenges of a pop music theme on Drag Race aren’t for the queens but for production. It’s not easy to effectively parody pop music without seeming too silly, and harder still to fabricate a credible pop song on demand for a reality show.

The American Drag Race franchise often absolves itself of this duty altogether by repurposing RuPaul songs for its many musical challenges. Ru produces a slew of charming dance music, but it doesn’t often line up with trends in pop.

I feel as though the success of “Break Up (Bye Bye)” for Drag Race UK in 2019 finally shook up this habit, showing that producing real, current pop music for the show could pay off in increased attention in other media. That worked in part because the UK has a voracious music market that celebrates TV pop stars more than America does, but it didn’t hurt that the song was damn good.

Since then, Drag Race has stepped up its musical game for its so-called “girl group” challenges – and, I’d say the two versions of “Boom Boom” on this episode are near the top of that staircase. This song songs exactly like the sort of high-tempo disco-influenced pop delivered by European girl groups (and even some K-pop).

Not only was the song good, but Drag Race France completely avoided the trope of having any artist singled out for her intense struggle as a newfound singer/songwriter and dancing queen. Even though Paloma did poorly in the challenge, at no point did the edit lean into a “I can’t sing at all” self-confidence spiral or a “I think I can sing, but I can’t” fit of delusion. While the queens had different levels of success in the challenge, none of them were an abject failure. The same is true for the “Night of 1000 Mylène Farmers” runway.

The strong performance from the queens this episode exposed that this season’s single weakness may be in its mercurial judging. We are now at the point of the season where all six of the queens are well-round professionals with an eye for detail. Yet, the judges are still finding minor – and often invisible – elements about them to critique. Nicky Doll seems to be giving the most practical and even-handed advice, but her companions Daphné Bürki and Kiddy Smile often seem to be critiquing a different competition entirely.

It can be hard to understand the nuance of Drag Race judging in a different language. Imagine trying to understand Michelle Visage’s pop culture references and promiscuity jokes in translation! Would we still understand that there is a layer of motherly warmth beneath her bitchy exterior if we were relying only on subtitles?

That’s the question I have about Daphné Bürki and Kiddy Smile. Daphné has given incisive critiques, but sometimes it feels as though she is expecting fashion modeling instead of drag. And, it is hard to tell if Kiddy Smile is naturally laconic or if he is holding back to make up for the extreme conflict of interest of La Grande Dame being his own drag daughter.

The inconsistent judging would be dragging this season down more if there wasn’t such a clear divide in the field of queens between the Top 3 and everyone else that has been evident since week one. Elips’ deep run into the competition might be the only true surprise of the season if things continue to play out as they have, which somewhat forgives the judges since the outcome will be the same regardless of what they say.

Now it’s time to rank the queens, dissect their performances, and discuss their runways! This results in a shuffle of the top three from last week’s Episode 4 power rankings, as well as a continued joust for 4th place.

Lecteurs, start your engines. Et, que la meilleure Drag Queen gagne!