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From The Beginning: WildStorm Universe – Gen13 (1995) #0-1

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]After the amazing Gen13 mini-series I (and many other comic fans!) were rabid for more, which arrived in the form of the team’s first ongoing series in March 1995.

gen13-1994-000The series would go on to be WildStorm’s longest-running book, and it debuted in memorable fashion with thirteen variant covers, which might not sound impressive today in the world of 50-states covers from both Marvel and DC but at the time was unheard of. (Here’s the best recap of the covers I’ve ever seen!)

Gen13 #1 lacks the special magic that imbued each issue of the team’s mini-series – even the gratuitous cameo from Pitt. Yet, despite not enjoying it in 1995 or 21 years later in 2016, I can appreciate that Brandon Choi and J. Scott Campbell made a wise move in their pivot away from the tone of the mini-series.

There are a few key differences between this relaunch and the team’s mini-series., other than the obvious one of the team not being under pressure in life-or-death circumstances the entire time.

First, Fairchild is relegated to the background in favor of breakout stars Roxy and Grunge, with Burnout barely appearing and Rainmaker purely used for titilation. It’s nearly the reverse of the line-up of the mini-series, where Roxy and Grunge broke up the drama with occasional comic relief while the remaining trio handled all the heavy lifting.

Second, the plot. There’s no IO or government intrigue about the team’s origins in sight. Instead, we get a mismatched pair of interdimension assassins hunting down a ridiclous green alien rodent.

Less tangible than those developments is that newcomer J. Scott Campbell’s art has already begun to tip from comic book exaggeration to ridiculous deformity. His long-legged women are nothing different from his prior five issues, but his proportions here are not as consistent, as on Grunge’s once-massive chest. Faces suffer, in particular. This is exacerbated by a lack of backgrounds and a bright, almost-neon color pallette from Wendy Stouts, which strips characters of the muscular heft they had in the miniseries.

Also, what was a depiction of playful teen sexuality in the mini-series is now deliberate pandering, as with the nude Rainmaker (suddenly a sexbomb with long hair) and upskirt shots of Roxy’s underwear.

Those details quickly drove me away from the book back in the 90s, but in retrospect I can see the reason for all of them.

gen13-1995-001Fairchild was intentionally the most generic character in the original series – a bookworm turned she-hulk – but fans responded more to the other four characters, each a familiar archetype. To force the young team’s new life to be seen exclusively through the eyes of Caitlin the all-night studier would stunt the growth of the book and the cast.

Every character needs her or his spotlight issues, and this is Roxy’s. We still get signs hints that Fairchild’s journey will be as a tactician and leader, and that’s not going to happen overnight.

To make Gen13 all about bashing heads with IO from the first issue would have been foolish. Jim Lee and Brandon Choi had already learned their lesson on WildCATs and Stormwatch, which were each so thick with continuity that they hardly seemed to be about anything other than re-connecting with long-lost enemies.

Also, without a youthful book in the mix at WildStorm they line was missing the chance to do these sorts of stories – stories with cartoonish extra-dimension villains and the annoying green space rats they’re hunting. Gen13 mining this territory is no different than Chris Claremont inserting Kitty Pryde into the X-Men and giving her a pet purple dragon.

As for Campbell? This is only his sixth full-length issue, and he was under enormous pressure. On the whole it has the same high-gloss look of his pencils on the mini-series, just with slightly more room for error in the looser constraints of real world California rather than the tech-festooned hallways of IO’s Death Valley base.

(I have no rationale to offer for the amped up sexuality of the art. I have a lot of affection for this cast based almost exlusively on the mini-series, and I’d hate to see them quickly devolve into a group of sex mannequins. I’ll have to read more to see what fate holds for them.)

Brandon Choi and company also broke up the wait for the big debut with a #0 issue (technically part of the 1994 mini-series) to explain the team’s separate road trips after Wizard #1/2. This issue hits all the great notes of Choi’s mini-series script, comprised of four stories, each with a different artist – Jim Lee on Caitlin Fairchild, Richard Johnson on Burnout and Rainmaker, J. Scott Campbell, and Travis Charest on Lynch. (It’s telling that of the four vignettes Campbell’s with Roxy and Grunge that is the weakest spot.)

Want a recap? Keep reading for a recap of both #0 and #1 Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we go back in time again with Team 7: Objective Hell #1-3, which act as a prologue to Wednesday’s WildStorm Rising – the line’s first multi-book crossover!

Need the issues? Early Gen13 is some of the most reprinted of WildStorm’s first three years of comics.

  • The 1998 Gen13 Archives (ISBN 978-1887279918) is a comprehensive collection that includes all of debut mini-series and pushes through #13 of their ongoing series; it isn’t too hard to track down (Amazon / eBay).
  • A Gen13: Complete Collection is due in spring of 2017 that covers both the mini-series and through #7 of this ongoing, plus the special Gen13: Rave issue not in Archives (Amazon pre-order).

Alternately, you can purchase single issues – try eBay (#0 & 1) or Amazon (#0 & 1 and alt search #0 & 1) [Read more…] about From The Beginning: WildStorm Universe – Gen13 (1995) #0-1

35-for-35: 2012 – “Madness” by Muse

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]EV is a very musical child.

I know, shocking.

muse-the-2nd-lawShe not only pretends that she fronts a band, but actually writes songs for that band, rehearses them, and then sings them to us. She’s also got pretty solid pitch, can memorize most lyrics after two practice runs, and has started singing harmony to my originals when I play them for her.

She has a pair of musical parents, and has already sat in on dozens of rehearsals, but I like to think all of her musical interest and acumen is down to one song: “Madness” by Muse.

I’ve enjoyed Muse ever since I first heard an a cappella group sing “Time Is Running Out” back in college. There’s something about Matthew Bellamy’s rangy voice and the Queen-like bombast of their biggest songs that draws me in.

As with Kings of Leon, I continued to follow Muse’s releases oblivious to the fact that they were turning into the most popular band in the land. Their sixth studio album, The 2nd Law, came out on September 28th and I was already sure that I liked it when I heard “Madness” on the radio for the first time on Sunday, November 18th, on its way to being the longest-running Alternative Rock number one song of all time.

I remember the day, because that was the day we learned we were pregnant with EV. We were driving back home from seeing our friend Gina (not that one, the other one) in a play and the song came on the radio. We both sang along and traded the vocal percussion back and forth, smiled giddily at the “some kind of madness” that was about to take control of our lives.

After that car ride, Muse’s omnipresent “Madness” became the secret anthem of our pregnancy.

When we arrived at the hospital to deliver EV nine months later, we were met by one of the older midwives from the group of six we had been seeing. She was an authoritarian hippy, easy-going and new age-y but able and ready to command us at a moment’s notice. I know I wasn’t the pregnant one, but that’s pretty much everything I was looking for in a midwife.

Unfortunately, her hours of coverage were up midway through E’s labor. Just as we were getting comfortable with her, she was replaced with a young midwife who we’d only met once before. We were a bit bummed. How had we spent all these months forging relationships with a group of women who would deliver our child and missed getting to know the one who’d actually do the delivering.

The bummedness didn’t last long.

The midwife’s name was Erin, another E-name in a room with E and an nurse named Elizabeth and, potentially, a little E-named baby, if our baby turned out to be a girl.

Erin shared E’s birthday – not just the day, but the year as well.

Finally – and to this day, I find this last coincidental detail utterly insane – like E, Erin sang in a semi-professional a capella group.

Erin was meant to delivery EV. It was all part of the madness.

The first image of her I recorded somewhere other than in my gray matter. She is about 15 minutes old.

The first image of her I recorded somewhere other than in my gray matter. She is about 15 minutes old.

E and I had joked for a long time that she wanted the rocking soundtrack to Supernatural Season One playing throughout the entirety of her labor, but as the evening progressed I noticed she simply wasn’t getting into a good zone listening to all that classic rock.

The first time “Madness” came on she went into a sort of trance. I played it again and reflexively began singing the “mm-mm-mm-ma madness” part under my breath. Then, Erin began to sing along in harmony. Then, to our surprise, E began to sing too, quietly, between her contractions.

Almost every other moment of the labor process is a blur of details to me until EV emerged, but that moment remains frozen in time in that way all of my most significant memories are – where I can see it happen as an omniscient 3rd-person narrator looking in on the scene over my own shoulder.

Music. “Madness.” EV incubated in it for nine months, us singing along to it in the kitchen, trading the vocal percussion back and forth, and it summoned her into this world.

From The Beginning: WildStorm Universe – Union (1995) #1-3

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Union is back with an ongoing series after a terrific and surprisingly human mini-series by co-creator Michael Heisler and artist Mark Texeira.

union_v2_001Will this inter-dimensional alien be as interesting without his introductory mystery and with the much more polished art of Ryan Benjamin?

To answer the latter half of that question, I’ll direct you at the cover over there to the left.

That is a glorious superhero cover, and it’s not too different from the quality of the interiors of these three issues. Ryan Benjamin was okay on 1994’s Union #0, but that issue was so packed with plot there wasn’t much room for Benjamin to stretch out and tell a story with his pencils.

He’s fantastic here with more space in the narrative and a bright, primary color superhero color palette from Steve Buccellato and Wendy Fouts. His Ohmen is large and well-muscled, but not so much that Benjamin can’t make an extreme caricature out of his foil Crusade in the opening issue.

With less exposition about Ohmen’s background to work through, Michael Heisler delivers three strong issues of WildStorm’s most straight forward superhero tale yet. It’s puzzling that he hasn’t been tapped by Lee and Choi to script any other series. Ohmen comes off as a very serious puppy dog, obsessed with doing right so much that he cannot help but get involved in every conflict in earshot.

Heisler continues to impress with his grounded take on Ohmen’s companion Jill Munroe, a regular women unintentionally wrapped up in superhero drama. Despite feeling faithful to Ohmen, she’s conflicted about repeatedly putting her life on hold for him.

But why should she be putting her life on hold? Ohmen moves them to New York and has some designs on adventuring with Stormwatch inspired by Battalion’s recent hero’s death, but that’s not a solid goal (nor is it a business plan).

Heisler does a clever thing in issue #1, confronting Ohmen with another stranger-from-a-strange-world in the Liefeld-esque Jim Lee creation Crusade. Ohmen is like an adolescent that grows up fast when they have to take care of a younger sibling in trying to wrangle the holy space knight, seeming to sheepishly realize how much of a handful he was just a few months before.

union_v2_002-0203They briefly tangle with the egg-headed Mnemo from the mini-series, but the villain is less the focus than Ohmen’s interaction with Crusade and old friend Serren. He just as easily flips back to puppy mode beside a veteran hero like Savage Dragon in issue #3.

There are two stories you can read to get ready for this run – Union’s tangle with an insane Supreme in Supreme #14, and Crusade’s brief introduction from WildStorm Rarities.

Want a recap? Read on for the details of Union’s first ongoing adventures. Here’s the schedule for the rest of this month’s WildStorm re-read. Later today, I’ll take a quick jaunt through Gen13 #0-1, then we’ll read Team 7: Objective Hell tomorrow before wrapping up with WildStorm Rising on Wednesday.

Need the issues? These issues have never before been collected! For single issues – try eBay (#1-3) or Amazon (#1, 2, 3). Since the prior Union series hit these same issue numbers, be sure to match your purchase to the cover images in this post. You can also pick up Supreme #14 (eBay / Amazon). The Crusade story originally appeared in the Killer Instinct Tourbook and is reprinted in WildStorm Rarities (eBay / Amazon), a perfect-bound book with a spine. [Read more…] about From The Beginning: WildStorm Universe – Union (1995) #1-3

35-for-35: 2011 – “The Valley” & “Ambulance” by Eisley

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]I have handed E a lot of her favorite records while speaking the words, “I don’t like this, but you should give it a try.”

eisley-fire-kite-epIt started passively in our first shared apartment in 2014. Even then I had a massive CD collection, most of which E hadn’t heard (this was still pre-iPod for us both). Sometimes she’d sample a record without me even realizing, which is how she came to love The Yeah Yeah Yeah’s Fever To Tell.

Another thing that happens a lot is that E hands me back one of her favorite records and says, “I think you might need to listen to this one again.”

I’m telling you this not to try to take credit for E’s largely phenomenal taste in music (which would be a paradox to take credit for, since the contents of her old-school CD binder are one of the many reasons I love her), but to emphasize how she completely took me by surprise with Eisley.

I vaguely knew them as a “twee indie pop sibling band” and even after falling in love with them I think that remains a fair appraisal. Thus, I was relatively cool to their follow-up, Combinations, even after E had begun spinning it. It took our friend Amanda physically cornering me and placing headphones on my head to listen to “Sight To Behold” for me to finally come around to the band. She lifted one earphone halfway and mouthed, “is that eight voice parts?” when I hit the stunning bridge.

I still needed E to hand me their 2010 Fire Kites EP and say, “You need to hear this.” The pair of “They Valley” and “Ambulance” debuted on that EP and went on to bookend the band’s 2011 full-length The Valley.

“The Valley” takes the choral elements of Combinations and pushes them further, marrying an echoing chorus of voices to a see-sawing string section and warm vintage keys beneath. Part of the draw of the song for me is the riddle-like first stanza. It sounds like it’s own secret code, packed with packed with internal rhymes and off-balance stresses (bolded for emphasis):

Realheart-breaker come and take me
To the real heart ache that everyone is
Talking ’bout. You see me then you don’t,
But get it right, I don’t believe in magic.

From there it’s easy to get lost in a song that lives at an allegorical level, maintaining that air of mystery through the end, when she insists, “Take me home. I walk the night in the valley ’til everything is fine.” Is she asking for a ride to get to the valley, or because she has already walked off all of her worries?

I need an ambulance. I took,
I took the worst of the blow.
Send me a redeemer. Let me know

If I’m gonna be alright.
Am I gonna be alright?
‘Cause i know how it usually goes.
I know how it usually goes.

It’s a strange process to start any record with a song as resolved as “The Valley” and to end with one as shattered as “Ambulance.” From the first lines it conveys the trembling reaction to the worst kind of emotional wound. The repeated “I took, I took” that so subtle I missed it for years, even though it is followed by the pair of repeated lines in the second half.

4PAN1TSPBAnd Stacy DuPree King’s voice – had it been as supple and full as this on past efforts? On “Ambulance” her alto is rich like dark chocolate. Paired with acoustic piano and strings, the song is a near neighbor to Fiona Apple’s voice on her earliest pair of records. You’d never expect the next section to explode from with a ponderous and sizzling electric lead line.

‘Cause I was told to get out, told to leave
Told I have my things in the parking lot.
No no no, no no no no no no, baby yeah
Just send me that ambulance

By the end of a repeat of the “ambulance” line what started out a precious singer-songwriter tune has grown in scope to sound more like Radiohead’s “Karma Police” than anything off of Apple’s When The Pawn. Part of its strength is in the clever implication therein: if it’s really over, then she doesn’t need a ride to pick up her things, she needs an ambulance.

This pair of songs were tracked next to each other on Fire Kites but they accordioned open to reveal a whole album of a similar depth and playfulness on The Valley. It’s a shame that DuPree King has left the band since then (for her own fantastic act, Sucre), but E and I were smart enough to catch them on the tour behind this record and I’ll always have the memory of their crackling live performances of these songs stored in my brain.

From The Beginning: WildStorm Universe – Deathblow #13-15

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]It’s time to return to Deathblow without Tim Sale and after the epic tale of the Black Angel, and I had no idea what to expect.

What I do know is that Brandon Choi is now down to scripting just this and Gen13, and I miss the guy! Not only for his consistency, but for the way the entire WildStorm Universe gelled under his pen.

deathblow_013As great as Choi was on the global intrigue of Stormwatch and the teen angst of Gen13, something about this pair of procedural tales makes me think his heart remains in these gun-for-hire stories. These three issues are by far the best of Deathblow yet, despite them having nothing to do with his mega-arc with the Black Angel.

Choi imports of a noirish the vampires and werewolves from Wetworks for a noirish tale in issues #13-14. It works perfectly to establish Michael Cray’s new status quo nine months after his battle with the Black Angel. Now he’s a gun for hire who can’t help but step into supernatural affairs.

The story is tense, bloody, and maybe the first true mystery tale we’ve seen from WildStorm. It also feels an issue or two longer than it actually is (in a good way) thanks to being packed with plenty of rising action and fine details.

Similarly, the Navy Seals one-shot that follows is a satisfying standalone story that fleshes out the mysterious Gamorra mission where Michael Cray met Mr. Waering. It also ties in some plot threads from as early as Deathblow #0, with the Seals-in-training on the base all gunning for Cray’s head due to the spectacular bloodbath of Costa Mesa. It’s a thrilling little mystery with no easy resolution that leaves us as confused as Cray.

On art, original Stormwatch inker Trevor Scott has made the leap to penciller and his work is perfect for Deathblow! He’s nowhere near Sale’s look – and more like Whilce Portacio than Jim Lee. As amazing as Sale’s approach was, there is something deeply satisfying about seeing Deathblow drawn in Image’s house style. There’s nary a bad page here, and some truly interesting panel work. Scott isn’t addicted to splash pages like most Image artists, and he delivers a lot of interesting framing, smaller sequential panels, and silhouetted bodies.

At the start we’re back to the sickly gray and green palette from colorist Ben Fernandez, which will give you whiplash if you’re coming directly from Linda Medley’s warm limited palette on the last arc. Fernandez warms things up when Cray touches down in LA. It’s such a relief to see some saturated reds that aren’t blood (although, there is still plenty of blood). Issue #15 has downright normal colors as we see Cray driving the I-5 by day.

The Choi/Scott synergy on this trio of issues is remarkable. These are two of the first totally throwaway, fill-in types of stories we’ve seen on any WildStorm book, yet they both are gripping reads that only serve to make what came before more interesting.

Want the recap? Keep reading for the full plots of this trio of awesome issues. Here’s the schedule for the rest of this month’s WildStorm re-read. We’re in the home stretch! Tomorrow brings us Union (1995) #1-3 & Gen13 (1995) #0-1 (in two separate posts), followed by Team 7: Objective: Hell (1995) #1-3 on Tuesday, and then we’ve reached the main event – WildStorm Rising!

Need the issues? These issues have never been collected. For single issues try eBay (#10-12) or Amazon (#13, 14, 15). [Read more…] about From The Beginning: WildStorm Universe – Deathblow #13-15