Crushing Krisis

Crushing Comics S01E32 – Unboxing my October haul of DC Super Hero Girls, Shutter, Epic Collections, and more!

December 5, 2017 by krisis

Today is a *true* unboxing, as I unpack the contents of my October comics order from the states! Still no spiders in the mysteriously ratty mail bag (whew), but a few books I was hotly anticipating, two new Epics, and a pair of odd Marvel trades.

Want to start from the beginning of this season of videos? Here’s the complete Season 1 playlist of Crushing Comics.

Episode 32 features DC Super Hero Girls, Vol. 4: Past Times At Super Hero High (Amazon), Shutter, Vol. 05: So Far Beyond (Amazon), Spider-Man: The Daily Bugle (Amazon), Bloodstone & The Legion Of Monsters (Amazon), Thor Epic Collection, Vol. 3 – The Wrath Of Odin (Amazon / Thor Guide), Doctor Strange Epic Collection, Vol. 13 – Afterlife (Amazon / Doctor Strange Guide), and Shang-Chi, Master Of Kung Fu Omnibus Vol. 4 (Amazon / Shang-Chi Guide)

Not a fan of watching videos – or just not able to watch right now? First, did you know you can speed up YouTube videos? Just click the little gear icon to change the speed settings. I know that makes me much more apt to watch.

Alternately, you can keep reading for the full transcript. Please keep in mind that this season of videos is shot off the cuff with no chance to review the books ahead of time, so I might occasionally fudge some facts (usually addressed in the video by subtitles).

Song of the Day: “Snowman” & “The Girl You Lost To Cocaine” – Sia

December 4, 2017 by krisis

I’m so happy that everyone now recognizes the staggering genius of Sia, and every happier to hear her back to her kooky ways beyond just wearing massive wigs on her new holiday album Everyday Is Christmas.

Yes, this is me blogging positively about a holiday album. Me, the O.G. Grinch, who doesn’t even accept presents during the month of December and has a daughter who thinks all the decorations are for Solstice. So you know I really love this LP.

I also really love Sia. I loved her before she was popular (again), and even slightly after she was cool (though I didn’t realize it at the time).

For many listeners, popular Sia starts with the bomb blast of the “Chandelier” music video in May of 2014, before which they were vaguely aware of her as a popular songwriter or as the singer of “Titanium” in 2011 with David Guetta. In either case, at that point she was already several albums deep into a string of unbelievably good releases starting from 2004’s Colour The Small One.

That’s where I picked her up, though I didn’t grab it until 2006 during a little binge on European-sounding trip hop albums (that also included Instinct by Mandalay). What I didn’t realize at the time was that her “Breathe Me” on Colour was the same song that my impeccable curator surrogate aunt Maggie (and the entire internet, in retrospect) had been raving about since it was prominently featured on the finale of Six Feet Under in the summer of 2005.

(I had thought she was talking about Anna Nalick’s “Breathe (2AM),” so I promptly picked up her Wreck of the Day and wasn’t disappointed in the slightest, so I never realized my mistake.)

I had no idea Sia was so cool, but I was in love with the unpredictable vibe of the record, which went from the icy piano of “Breathe Me” to something reminiscent of Dusty Springfield on the choruses “Where I Belong.” It turned out unpredictable was Sia’s strong point, as I learned from her neon-tinged Some People Have Real Problems with the bouncy “The Girl You Lost To Cocaine” and cartoonish, repetitive “Buttons.” She brought the same bounce and oddness to 2010’s We Are Born.

(That perception that was only enhanced by seeing her in concert, where all of her amps and equipment were completely covered in bright crochet, and she mimed along to her lyrics like some sort of demented marionette.)

Then, “Titanium” aside (which was released without her consent), Sia disappeared. Intentionally! She was done being a pop singer touring clubs and moving on to writing songs for other artists, which certainly came with a much bigger payday. Suddenly she was popping up on The Voice credited as a songwriter to Christina Aguilera rather than an artist in her own right.

I was so surprised and happy when 1,000 Forms of Fear appeared out of seemingly nowhere in 2014 and got massively huge on the back of “Chandelier” and “Elastic Heart” (and a lot of interpretive dance) it didn’t quite sound like the crazy, unpredictable Sia I knew.

That made sense, since Fear was written to finish out her publishing deal and the subsequent This Is Acting contained songs Sia had ostensibly written with others in mind. These were songs written as hits rather than a personal project. Still, their thumpy, radio-ready sound really started to wear on me over the past few years of listening. It wasn’t the crocheted cartoon character I loved.

That is why I am quite suddenly obsessed with Everyday Is Christmas. It is Sia at peak weirdness, totally unpredictable, singing about damage and codependency over a melange of bright new plastic sounds in what feels like an immediate sequel to We Are Born.

It also happens to be about a vaguely sinister Santa and and how “Puppies Are Forever.” Deal with it. [Read more…] about Song of the Day: “Snowman” & “The Girl You Lost To Cocaine” – Sia

Crushing Comics S01E31 – Tithing Your Time To Your Hobbies and Absolute Sandman, Vol. 3

December 4, 2017 by krisis

I’m back for more unwrapping with new episodes every weekday!

Today I pull out my first Absolute Edition (of a scant few), but before I unwrap it I share my thoughts on how our hobbies grow to own our time. After that, I share some… let’s say, “vague” thoughts on the one Sandman Absolute from which I’ve never read any material.

Want to start from the beginning of this season of videos? Here’s the complete Season 1 playlist of Crushing Comics.

Episode 31 features The Absolute Sandman, Vol. 3.

Crushing On: Mini Metro

December 3, 2017 by krisis

What do you do when you want to turn off your brain?

For me, it turns out the answer is “use it.”

I know, we’ve been over it before and it doesn’t make any sense. What I mean is that my favorite brain downtime is playing with inane little logic games. Some people like button mashers. Me, I like things with numbers and lines of best fit. I grew up on Final Fantasy. I want to get lost in a forest of meaningless logic and arbitrary rules where fast reactions are not a factor.

Recently, my obsession has been Mini Metro, which you can get on App Stores or Steam, but you can also play for free right in your browser.

The concept is dead simple: connect the subway stops of a quickly-growing city using a limited number of lines, trains, and tunnels, but unlimited tracks.

Doesn’t sound so hard, right? Well, when you have no control over where those stations pop up or where their commuters want to go things get tricky.

It’s a terrific game for brief downtime (like commuting!) and you can play it care-free or with great exactitude. It’s the sort of thing that fits into the little spaces in your life when your brain simply isn’t up for anything else. I love the simple iconography, although I will say that the lack of explanation of how the game works might make your first thirty minutes pretty maddening – especially when it comes to the dragging and dropping of lines and trains.

I played the browser version for a few days and (despite my initial frustrations) eventually broke down and actually downloaded Steam so I could have a full version where I could select cities and track achievements. I might not hesitate to pay for things I like, but getting me to download something is really hard.

Plus: it was made right here in New Zealand by developer DinoPoloClub!

The Boulet Brothers’ Dragula Power Rankings – Season 2, Episode 5

December 2, 2017 by krisis

It’s week five of Dragula, the search for a Drag Super-Monster who is equally gifted in the areas of glamour, horror, and filth.

This week’s episode went totally girly and campy by challenging the queens to be in a horror movie. They weren’t starring as a scary monster, but as the typical slutty girl who makes for an obvious first victim.

While a few of Dragula’s Exterminations have been hard to watch, this episode marked the first time I was unsettled by the main challenge of an episode – and I think that might have been part of the point.

There was something particularly shocking in watching a man act out these purposefully-exaggerated, somewhat sexualized acts of violence against someone doing her best to present as a woman but who we know to be a man.

Seeing the violence play-acted by two men really drove home the amount of degradation we put female characters through just for having the temerity to walk alone at night or dress provocatively.

With that realization comes the ultimate chicken-or-egg question: is this violence in our movies because being a woman is an inherently dangerous act, or do we expect and accept violence against women because the media normalizes it constantly in trope after trope, from the slutty girl dying first to the love interest getting fridged?

So far this season we have seen drag as torture and death, been reminded that rock’n’roll is simple socially-acceptable drag, and seen the queens in their most outlandish outfits while giving birth. The Boulet Brothers have unquestionably amped up the unspoken commentary in their challenges compared to the zombies and sea monsters of the first Season. I think that’s a big part of why the show is so much more compelling this time around.

Clever commentary aside, it’s shocking to see all six of the remaining queens deliver straight-up feminine performances for the first time this season. It emphasizes just how strong the remaining half of these girls are. This week’s weakest queens are weak for choices rather than faults.

Enough talk – watch Dragula’s fifth episode, and then see if you agree with how I’ve ranked the queens below.