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krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

Review: Black Magick, Vol. 1 by Rucka & Scott

June 25, 2016 by krisis

I am a contrary person and at times in my life I have totally given up on certain things that other, normal people find it totally okay to engage in with moderation. For example, I went through a period where I felt slow-dances were “boring, rotating hugs,” and used such time to rehydrate for the next uptempo set of songs.

There was a period in my life where I had completely given up on movies. They were necessarily assembled by committee and that meant they couldn’t be perfect. Who would want a story spoon fed to them visually for two hours when they could read the same material four times as fast?

Our movie collection makes obvious that I overcame my discrimination, though if you example that large library you’ll see that the films they largely fall into one of two camps. One is special-effects or period films like Star Wars or Braveheart, which present a reality I could not otherwise witness. The other are the finely coordinated works of auteurs like Wes Anderson. Some are both, like Primer and Donnie Darko, or most of Christopher Nolan’s films.

I still don’t see the point of watching a two hour comedy or drama that it took hundreds of people to produce unless I am watching it for some spectacle, whether that’s visual or in caliber of performance.

Yet, the sheer scope of film cannot be denied. That widescreen window on the world and its beautifully pushed colors – that is a thing to covet and convert to other mediums. It is why television shows and advertisements and comic books yearn for that stamp of cinematicism.

black-magick-vol-01That wasn’t always the case for comics. I’m not sure when it started – perhaps with David Finch’s widescreen take on The Ultimates, which ultimately informed Marvel’s The Avengers film. Now it has infected the entire medium. No more caption boxes or thought bubbles, because movies so rarely have narrators and voice-overs. Massive establishing shots with no text, despite the fact that each panel tells the geography of a scene in miniature. Glossy colors that cram in reflections and lens flares, because only movie magic can help you suspend your disbelief.

Every comic book wants to be its own film, but very few of them actually feel like one.

Black Magick, Vol. 1 4.0 stars Amazon Logo

Collects issues #1-5 by Greg Rucka and Nicola Scott, with color assistance from Chiara Arena.

Tweet-sized Review: Black Magick v1: spellbinding cop procedural w/dose of magical ritual, but only half of Act 1…I want the whole play!

CK Says: Buy it.

Black Magick is an entrancing, deliberately-paced dose of witchy mystery, like Homicide: Life On the Streets crossed with The Craft, by a pair creators at a newfound apex of their powers.

Not a word more can be said for this book without talking about artist Nicola Scott’s grayscale, ink-washed artwork. It is a sight to behold. Black and white major label comics are few and far between, but this isn’t true black and white – her flood of gray inks have tone and depth. They give her figures a sense of texture and weight that would be hard to replicate with typical digital coloring. Chiara Arena contributes only occasional splashes of color – a bloodshot eyeball, a burst of flames, or a green mist of spellwork.

Scott’s world is filled with so much detail and organic motion that panels seem to sweep from one to another like a strip of film passing across the bulb of a projector. At points, I honestly forgot I was reading a comic book with static pictures and tangible pages. Scott’s art transported me. [Read more…] about Review: Black Magick, Vol. 1 by Rucka & Scott

Filed Under: comic books, reviews Tagged With: Black Magick, Greg Rucka, Image Comics, Nicola Scott

a few small repairs

June 24, 2016 by krisis

"Broken Toilet" by Siobhan McKeown. Some rights reserved.

“Broken Toilet” by Siobhan McKeown. Some rights reserved.

Last week was the six year anniversary of our buying this house and I still don’t know how to do anything.

Seriously. I still haven’t replaced a single fixture in six years. I’m great at fixing electronics (ask me about that one time I baked our television) and cleaning, but my list of house projects goes something like, “get poster framed and then beg E to hang it for me.”

Meanwhile, E has hung many pictures, replaced fixtures, painted whole rooms, installed complex wall-hanging laundry systems, supervised the replacement of no less than four doors and fourteen windows, and personally sourced and laid a set of slate steps.

Yes, she is a badass.

As for me, I refer to my combination of reticence and inability as “renter’s mentality.” This is the first home I’ve ever owned. My mother and I lived in three different rented homes, including one house for almost fifteen years. The only thing we ever altered – and I mean the only thing – was paying someone to paint-and-popcorn-ceiling a back room for me in a vomitous seafoam green when I became a teenager so I didn’t have to have a tiny shoebox of a bedroom with a connecting door to her room.

The wallpaper was uniquely hideous in every room, as if there was some sort of game of ugly oneupmanship going on when the house was initially decorated. The sole light source in the living room was a dilapidated chandelier missing several of its dangling crystals and bearing the tattered streamer of a long ago party. It had a certain Miss Havisham quality to it. The kitchen … it was the worst kitchen you can possibly imagine. I still have nightmares about it. It was carpeted, and that was the least-bad thing about it. We didn’t have much money, but I’m sure we could have done something about some of it.

Yet, we were paralyzed in the middle of the renter mentality triangle – decision-paralysis about changing something we didn’t own, lack of budget and hesitance to sink money into something we didn’t own, and lack of knowledge of how to do anything because we weren’t the owners who had to deal with it.

Even though E and I owning our house removes all of the “didn’t own” aspects of that vicious triangle, I’m still stuck inside its three walls, held hostage by the tiniest of options. We want a new faucet for our kitchen and the idea that I have to choose a semi-permanent fixture for our home and then see through its installation was paralyzing.

I kind of sort of committed to a style and then stalled. What if the finish didn’t exactly match the rest of the kitchen? How could I pick a new handle I’d be interacting with dozens of times a day without an intense, hands-on study of UI, UX, and ergonomics?

(Are you beginning to understand how hard it is to be married to me?)

This past Sunday, E looked me in the eye and spoke in the kind of calm, measured voice you use when you’re trying to approach a wild animal without spooking it.

“Peter,” she crooned, “we really need to replace the toilet in the master bathroom.” She saw the fear in my eyes. The toilet. That’s permanent porcelain piece of furniture!

“The tank does not fit into space between the bowl and the wall,” she continued, soothingly, “and so it has a bad seal to the floor. The plumber said he couldn’t fix it again with caulk. It’s time.”

I gulped and nodded imperceptibly. It was a perfectly good toilet! How could we throw it away? It would probably cost untold thousands of dollars to replace and could result in the demolition of the entire bathroom – we might have to knock down a wall in the back of the house and get a crane into the back yard to winch it out.

“You just have to talk to the plumber.” This is the part where you have locked eyes with the animal and are slowly backing it towards the cage in which you are trying to capture it, for its own safety and yours. “Just find out what we need to do.”

Today is Friday. I managed to be busy enough with car repairs and writing and hanging out with our little scamp that I avoided the call all week, but this morning I knew I had to bite the bullet and talk to our plumber – not the hardest call, since he is the most patient human being in the universe who once had to respond to my emergency call after I crashed our car into our house.

I made the call. I described the problem and braced for impact. Would we need to move out of the house for a week while he did the repairs?

“Oh, I could stop by with the toilet on Monday if you want,” he responded.

Did he mean, stop by with his team of burly men, fleet of construction equipment, and double-wide trailer for porcelain throne hauling?

“No, just me.”

I was in awe. How much would such a feat cost? Could we afford it and continue to feed EV her diet of copious fresh fruits and vegetables, or would she spend her fourth year of life eating ramen, exclusively.

Let’s just say, replacing a toilet costs less than my typical monthly order of new comic books.

I was so relieved, I followed up with, “Hey, do you replace faucets?”

Filed Under: elise, house, memories, stories, thoughts, Year 16

Review: The Private Eye by Vaughan, Martin, & Vicente

June 23, 2016 by krisis

Lately, I trust journalists less than ever before. Or, maybe I trust them, but I don’t trust the stories they’re telling.

filibuster-interactive-data

Last week during the gun control filibuster on the Senate floor I compiled the names and demographic information from all the participating Senators, and my friend Lauren created an interactive infographic with the information. I did not read a single media story that named all of the participants after the fact.

I know this is a theme in conservative American politics right now – the bias of the mass media. I’m not talking about bias. I’m talking about facts.

The past few weeks have been full of big new stories nationally (Orlando and gun control) and locally (sugary drink tax and the DNC), and the biggest of those stories have been missing so many facts. They’re all headlines and quick hits. Hot takes with no depth. No quoting from primary sources. Lots of people coming away with incomplete ideas and parroting them as reality.

Those same weeks have also been full of truth. I become deeply invested in last week’s filibuster from the floor of the Senate and did not consume a single pundit’s take on it. I watched it live and was my own pundit. Yesterday’s sit-in in the House circumvented pundits even further – it couldn’t even be broadcast by networks because the House was out of session and cameras were off, so representatives broadcast it directly to the public via Periscope, cutting all all possible middlemen.

Of course, the next day journalism swept in – but, as a first-hand witness to the events in question, I found the subsequent coverage lacking. Where were the names of the participants, the lengths of time they spoke, the information they shared? I put more information together about the filibuster with data visualization from my friend Lauren than I saw from any news site!

I don’t trust journalists or I don’t trust the stories they tell, but I can hardly blame them. After all, I have a journalism degree and I never set foot into that field. I went CorpComm because I wanted job security and a standard of living, and that was before online outlets were effectively subsidizing their print editions and running on pay-per-click ad units. But I still believe journalism should represent unfiltered truth with a neutral point of view, unless it professes itself as opinion. I had a lot to say about the filibuster, but none of it made its way into the data.

What if journalists didn’t have to worry about the funding and the hits, and could focus on terrific journalism? There are some outlets today that fit the bill, and I don’t think it’s coincidence they produce some of the most thorough reporting. I know it’s hard to picture state-run journalism, because so often it’s journalists who expose the flaws in the state, but that’s one version of what I’m talking about. Instead of asking journalists to make personal sacrifices to do what they love and write for maximum eyeballs, imagine a minimum number of reporters guaranteed on each beat, with job security, fair pay, and a retirement plan.

Do you think the journalism would get better or worse? Does it take sacrifice to want to dig as deep as journalists dig? Or, would the skill and commitment increase?

The-Private-Eye-hardcoverThe Private Eye 3.0 stars Amazon Logo

The Private Eye collects the 10 chapters of a complete web comic story by Brian K. Vaughan, Marcos Martin, and Muntsa Vicente.

Tweet-sized Review: The Private Eye finds Vaughan & Martin a bit too clever for their own good; I liked the world better than the story

CK Says: Consider it.

The Private Eye is a much more interesting world than it is an interesting story – and, it’s a pretty decent story.

Private Eye is an Eisner and Harvey Award Winning comic story conceptualized by Brian K. Vaughan and created in collaboration with Marcos Martin and his wife, colorist Muntsa Vicente. It was initially released beginning in March 2013 as a web-only comic via Panel Syndicate, with its 10 chapters released across 24 months. Each chapter was available as a DRM-free as a pay-what-you-will download.

You can still purchase it that way, or you can opt for a gorgeous $50 hardcover version released in December that includes the complete Vaughan/Martin email chain conceptualizing the story and their method of release (complete with fretting over what to call the website and how to make a profit from it).

The story of Private Eye depicts an America where the press has taken over peacekeeping for the police thanks to a landmark omni-leak of every possible piece of data. The event, called “The Cloudburst,” exposed everyone’s online information to everyone else. It wasn’t the leaked account balances or private nudes that did everyone in, but the search histories. It turns out that was as close as you could come to knowing what was going on inside someone else’s head – their deepest fears and desires. A lot of those heads were pretty dark places. [Read more…] about Review: The Private Eye by Vaughan, Martin, & Vicente

Filed Under: comic books, journalism, news, politics, reviews Tagged With: Brian K. Vaughan, data, filibuster, gun control, journalism, Marcos Martin, Muntsa Vicente, Panel Syndicate, Senate, The Private Eye

how do you know what sore is?

June 22, 2016 by krisis

2016-06-15 11.56.23

We saw a lot of beautiful animals at the Elmwood Park Zoo last week, but this was my favorite photo.

Hello! I am still a person under all of these tens of thousands of words of Marvel Comics content.

Or, at least, I think I am. It’s hard to tell, because my personhood is different than it was a few months ago.

We’re now in the eighth week of my stay-at-home parentage and life is definitely upside down from what I’m used to. I’ve done a lot of things that are totally uncharacteristic of me. I bake with EV regularly. (I hate baking.) We go grocery shopping multiple times a week (I prefer to order online.) We’ve visit the zoo every other week (I really hate zoos.)  I go out for long walks and hangouts at the playground. (I wither in weather above 80) We tend to the violets in our front yard. (I think gardening is pointless.)

There’s even a rumor I might spend a day next week at the shore. (I despise beaches. And people. And that pesky heat, again.)

I’m not hating those things as we do them. Well, maybe the parts that are hot. My point is, all of those things would be miserable wastes of time to me if I wasn’t spending them with EV, but they all make her deliriously happy. So I do them.

I hope EV is having fun. I can’t tell. That’s the thing about toddlers – they’re very opinionated and they crave freedom, but they’re not really good at describing the state of their world subjectively. Last week EV took a big spill out of our rocking chair on the same day she did a ton of pull-ups on the monkey bars at the playground, and she seemed to be pretty sore all over the next day. We asked her, “Are you sore?” We got blank stares in return. EV doesn’t know what “sore” actually describes, and there’s no way to show her. We have to wait until she’s sore and squawks like a chicken about soreness, and then tell her, “That’s what it feels like to be sore.”

Despite that, usually when I ask her, “How’s it going?” she replies, “Good,” and keeps on fussing whatever she’s fussing at the moment while I explain the different between “good” and “well.”

2016-06-22 12.17.03

EV supervising my copyediting earlier today.

I’m not sure how it’s going. Last month was more unbridled fun, but that was at least in part due to the weirdness of not going to work every day. Spending every day hanging out with a toddler is a pretty big shift after years of interacting with whip-smart coworkers daily and being under constant deadline pressure.

This month I’m a little more intent on getting some writing and planning done (love those deadlines) while EV is becoming more independent every day. Today was the first time I’ve been met with a chorus of “I can do that myself.” It’s thrilling, but also a little sad. I was just getting good at doing a lot of these things for her.

We won’t find a balance because she’ll keep changing. I get that. The best thing I can do is keeping challenging myself in different ways to keep my promise that staying at home doesn’t become a routine. That’s why I’m so happy to have shipped over 60,000 words of CK so far this month It was a massive undertaking, but I’m so happy I did it. I like to do big projects here at CK, whether that’s a song a day for a month (OMG, that was ten years ago), writing a book in one month, or intensely recapping and ranking a season of Ru Paul’s Drag Race.

The fun of it is that they’re always different. I don’t tend to enjoy doing the same challenge the same way a second time.

Luckily, being a full-time parent to a toddler is pretty similar in scope. It’s also like being a toddler. I’m not sure if I’m sore or worn out. I don’t know if it’s going well, and by the time I do “well” could be something totally different.

All I know is that I should probably start figuring out what I’m going to write tomorrow.

Filed Under: thoughts

50 More Marvel Runs That Deserve An Omnibus

June 21, 2016 by krisis

Marvel_logoWelcome to the epilogue to my epic two-week series of dissecting Marvel’s Most-Wanted Omnibuses.

Really, in comic terms, it’s more of an Aftermath – the messy ensuing action after a lengthy tale.

After weeks of going through a list of books that are largely old and generally already-collected, I found myself wondering if they really were the 59 runs most deserving of oversize treatment from Marvel.

Dazzler - 0001Let’s face it – a lot of comic collecting is focused on recapturing the magic of our youth (or, finally owning the things we couldn’t afford back then – which I suppose is the same thing). The Marvel’s Most-Wanted Secret Ballot is pretty reflective of this. If we were to exclude all of Marvel’s original Big 9 Silver Age 1960s titles (Fantastic Four, Avengers, X-Men, Cap, Iron Man, Thor, Hulk, Daredevil, & Spider-Man) and do a recount we’d be down to 37 books; if we excluded everything mostly composed of pre-1991 material, it would be a scant 21 volumes.

What about everything else? What about littler known pre-1991 runs and modern stuff that’s deserving of massive tomes?

That’s the list I bring to you today: For your consideration, 50 major Marvel runs that obviously fit well into an Omnibus edition without relying on the classic runs of those original nine titles and with flipping the ratio of pre-1991 books. Maybe not all of these runs fit into the “most-wanted adjective,” but none of them are duds.

In all seriousness, I’d probably buy every one. To help temper that enthusiasm, I’ve also argued the con side of each potential book – why should this content not be omnibused?

Think of this as your extended ballot for the 2017 survey, or your nearly inexhaustible rainy-day reading list (especially if you have Marvel Unlimited, where many of these runs are available in their entirety). [Read more…] about 50 More Marvel Runs That Deserve An Omnibus

Filed Under: comic books Tagged With: Captain America, Collected Editions, Iron Man, Marvel Comics, Omnibus, Thor

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