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krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

I (Kirsten Dunst movie) do not care about (Katy Perry song title)

July 5, 2016 by krisis

Like a David Foster Wallace novel, this is only going to make sense if you read the footnotes.

Like a David Foster Wallace novel, this is only going to make sense if you read the footnotes.

There are some things in the world that I deeply, deeply1,do not give any shits about but I am begrudgingly willing to experience through the eyes of a toddler. Holiday fireworks are one of those things, which makes it cosmically Alanis Ironic that I watched them without EV.

Fireworks sparkle, which is plus, but they are loud and incredibly pointless, which is a minus. I’m all about enjoying excerpts of them from a vantage point that is far away from where they are exploding (but not from the comfort of my own home, because that means that they are too close to home). Like, maybe I would enjoy them from a roof deck party with some delicious catering. In the fall. Wearing a jacket.

I do not want to see them up close. I do not want to hear the blaring low-fi music. I do not want to feel sticky with perspiration while watching them.2 I especially do not want to interact with any of the people also watch them.

Yet, there we were, past EV’s bedtime in a crowd of people who were waiting to watch fireworks. Well, really, there were E and EV. I was still parking the car, largely because we were told to do so by two bored-looking police officers.

“But, there’s no signs saying we can’t park here,” E retorted, when they told us we weren’t allowed to park on the side of the street we just parked on, alongside several other cars and absolutely zero signage about not parking there.

“Yeah,” one of them replied, “there ought to be some signs. Last year we didn’t have signs, and it was just a mess out here with all the fire trucks and ambulances on the street. There really ought to be signs.”

As a result of that total non-answer, I was parking the car in part of downtown Landsdowne I had never before seen while E and EV walked to the local high school’s field to watch the fireworks show for a suggested donation, which is another aspect of fireworks you do not have to deal with when watching them from afar.4

I parked my car Bowie-knows-where at the asterisk intersection of three different streets. Luckily, I could still see the top of the high school and so, after reciting a mnemonic for the cross streets to myself5, I began to thread my way through a series of one-way side streets toward the school, following the ever-growing trickle of people funneling in from other adjacent streets.

As I turned a final corner to reach the side of the field, I noticed that a section of fence was broken open. It curled back on itself. No one was anywhere nearby. I could just duck under the fence with my water bottle and my laptop and avoid paying to watch the fireworks I planned to studiously ignore while writing a blog post on said laptop and stealing sideways glances at EV.

I considered it for only a moment, because I generally do not break any laws or ordinances regardless of if there will be consequences (thus the re-parking of car despite lack of enforceable signs). Anyway, the field wasn’t especially full, so it felt wrong to avoid the cover charge. The crowd was sparse enough that some kids were turning long peals of cartwheels down the middle of it. I texted E with one thumb: Where AR U?

She texted back: Middle bleachers.

Funny that; there were no bleachers on the field.

I paced back and forth down its length, trying to imagine if she would refer to a small copse of folding chairs as “bleachers” and also wondering where you paid to enter before it occurred to me that the high school must have two fields6. This field, I realized as the fireworks began exploding overhead, constituted the cheap seats – you didn’t have to pay to sit here.

I half-jogged off the field, adjusted my speed based on the amount of perspiring I was already doing, and ambled around the school as the glittering opening salvo exploded over my head to the strains of a John Williams march. As I turned the northeast corner of the building I discovered the throngs of people that the parking situation clearly indicated were in attendance. I picked through the crowd until I reached a thick knot of folks standing between me and the the gate to the second field. They could all see and hear the fireworks perfectly well; some of them were sitting on blankets in the middle of the street. Beyond them, there was a sole man in a “STAFF” shirt, ostensibly acting as a ticket-seller, ticket-taker, and bouncer all rolled up into one. Past him was a field of even more people, with a marginally better view of the fireworks than the knot I was tied up in.

I was reaching for my wallet to pay just as another salvo launched. The fireworks were so loud. My head was already thrumming from the repeated booms. I think they were nearly as loud as my drummer Zina, and I won’t go anywhere near her without ear plugs or in-ear monitors. I took another look past the seller/taker/bouncer at the field. It was teeming with people and it was closer to where the fireworks were exploding. I don’t like either of those things. Yet, somewhere in the teeming mass was my wife and child, the latter of whom was either gaping in wonder at the man-made marvel of fireworks or sobbing inconsolably about how loud they were7.

I did some mental calculations. We were at least two Williams movements into the show. It would take me at least another three minutes to pick my way across the field in the darkness to the middle bleachers. How long could a fireworks show be? 10 minutes? 12? I wanted to experience EV experiencing the fireworks, but it seemed like I’d only make it in for a minute of them, tops. I texted E: Staying outside fence at this point.

There was a terrifically gnarled old tree across from the entrance to the field. I sat on its grasping roots at the fireworks continued overhead, now to the strains of “The Raiders March” from Indiana Jones. The march came and went. Fireworks were still exploding. I pressed a pinky into my ear and texted E: Kind of long, no? How is she holding up.

No answer. We were onto some other Williams now, but not Star Wars, although I cannot imagine why not. Certainly it’s not any more of a fireworks choreography cliche than Indiana Jones?

Long story moderately long, the fireworks went on for 30 minutes all throughout which I kept thinking, “surely that must be the finale, it cannot possibly get louder than that,” and then for another rogue minute after the music stopped that was either a dangerous misfire or an encore. Despite all the throngs of people, it wasn’t hard to spot E and EV afterwards to lead them back through the series of sides streets back to the car.

“Did you like the fireworks?” I asked EV, who looked blessedly un-tear-stained.

“THERE WERE EXTRA!” she answered. “EXTRA FIREWORKS!”

“At the end?” I said.

“YES, EXTRA FIREWORKS AT THE END AND I ATE A LOT OF SNACKS AND THERE WAS A MAN HE MADE A ‘V’ WITH THE LIGHT UP SWORDS LIKE THE ‘V’ IN MY NAME, ‘EV’!”

“Do you think she’s yelling because she was deafened?” I asked E.

“No, I think she’s just excited.”

I smiled. I might have missed the fireworks, but I definitely did not miss her reaction.8

Endnotes:

1. One time E and I bought the Kirsten Dunst movie Deeply for $5 at a grocery store and it was every bit as bad as that suggests and every time we refer to it (which is with surprising frequency) we say it in this lusty, throaty voice, like “deeeEEEEEEply,” and that is the voice with which you should read the italicized word above.

2. I’m sorry, I tried to make this into a green eggs and ham3 joke, but the meter never gelled.

3. I have yet to read Green Eggs and Ham to EV because all of the eggs we eat are green (either with spinach or pesto) and I do not want to put her off of them.

4. E has informed me that it is common to charge for premium seating for fireworks displays in the suburbs and I was like “For real for real?” Philly is so flat and the buildings are so low south of Chestnut that you can more or less see waterfront or sports complex fireworks from any rooftop and most back windows. Come to think of it, one of the big differences between city life and suburb life is that I no longer have a back window to climb out of onto a roof BUT ALSO that suspected burglars cannot flee across my roof either.

5. “Favorite pizza in college, a small and typically shortrun paperback booklet yet not a booklet but a man, marriage of those two concepts.” Or, Powelton, Chapman, and Union avenues.

6. Consider that I attended a city high school where the only two outdoor spaces were a caged-in roof and a tiny parking lot that you had to circle nine times to run a mile, vaulting trash bags along the way.

7. She is not much of a cryer and she totally hangs at rehearsal with Zina (while wearing ear protection, of course), but she is terrified of loud noises she can’t really get away from, like hand dryers in small public restrooms. A few weeks ago we were in a stall toilet in a tiny bathroom at the zoo when a gaggle of kids decided to play with the hand dryer, and that was maybe my second worst five minutes of parenting so far since I’ve been parenting full time (and the first worst was on that day, too).

8. Just a reminder that you don’t have to read every italicized work on my blog like”deeeEEEEEEply.” It was just that one time. I don’t want to leave you with the wrong idea. That’s not what I mean every time I use italics.

Filed Under: thoughts

Marvel Collected Editions Solicits – March, 2017

July 4, 2016 by krisis

Marvel_logoHere’s a holiday surprise for you – another month of Marvel solicitations just arrived on Amazon! These books take us though the Amazon release date of March 28, which means these books will hit the direct market on March 14. I covered the January and February solicits last month.

I’ve broken out the books below. They don’t yet list their contents, so I’ve made a few educated guesses until we can fill in the final contents. If you pre-order with Amazon, please keep in mind that Amazon releases dates are two weeks later that Direct Market release dates.

  • Marvel Masterworks
  • Oversized Hardcover & Omnibus Collections
  • Epic Collections
  • Pre-Premiere TPB Era Material (through 1999)
  • Premiere TPB Era Material Recollections (from 2000)
  • All-New, All-Different Marvel Collections
  • Other Releases

Please note: This post will not be updated with corrected dates, titles, or issue ranges for these titles. For the most up-to-date information, visit the accompanying collection guide pages.

Marvel Masterworks

There’s only one of these books released each month, so this big reveal is a guaranteed feature of each new month of solicits. [Read more…] about Marvel Collected Editions Solicits – March, 2017

Filed Under: comic books Tagged With: Avengers, Chris Claremont, Cloak and Dagger, Collected Editions, Comic Solicits, Daredevil, Deadpool, Elektra, Excalibur, Gene Colan, Guardians of the Galaxy, Inhumans, Jim Valentino, Mark Waid, Marvel Comics, New Mutants, Shang-Chi, Solicits, Star Wars, Steve Gerber

Review: Unfollow, Vol. 1 by Williams & Dowling

July 3, 2016 by krisis

No one can ever own or end a concept.

I think about that a lot in my constant state of creator’s decision paralysis, stemming all the way back to when I first starting writing my novel as an eighth-grader and then that summer a comic with almost the exact same concept came out.

I was young then, and I thought, “Oh no! Now they own that concept! They’ve done it so well that no one can do it again. They ended it.”

I’ve thought that many times about a lot of my creative endeavors. People have owned being a boy/girl duet band, blogging about Philly, the theme of my novel again, and many other things. Heck, it’s no so different in the start-up world, where at RJMetrics we saw dozens of other companies with similar concepts get funded and join the fray.

Here’s the thing – concepts are very rarely a zero sum game. There’s room in a single theme for many different variations.

The case and point for me is an actual zero sum game – the “many people enter, one person leaves” theme in fiction. Highlander might be the best example of this for us children of the 80s. There can be only one! Many film fans thought Battle Royale was such an innovative, transgressive take on it that no one else ought to bother. Then, of course, came Hunger Games. Some people called it a Battle Royale rip-off, while others thought it was such an innovative, transgressive take on it that one one else should bother. I loved a comic called Avengers Arena, which many people called a Battle Royale and Hunger Games rip-off, and by that point I knew better than to think it should prevent anyone else from trying the same thing.

Unfollow-tpb-vol01People keep bothering. There is something elemental about concept of a zero sum game where the sum is both power and life. No one owns zero sum games, or superheroes, or zombie apocalypses, and no single work on any of those is so prohibitive a mic drop that no one else ought to make an attempt.

All that matters is that your story is good – that your creation is compelling.

Unfollow, Vol. 1 – 140 Characters 4.0 stars Amazon Logo

Collects Unfollow #1-6 written by Rob Williams and drawn by Mike Dowling with Pahek and R.M. Guerra, with lettering by Clem Robins and color art by Quinton Weaver and Giula Brusco

Tweet-sized Review: Unfollow: a comic for tweeters who’d love a real-world Hunger Games about wealth’s abundance rather than its lack

CK Says: Buy it.

Unfollow, Vol. 1 contains the first six issues of a maddeningly intriguing comic that breathes fresh life into the concept of a zero sum game where there can be only one winner, which we’ve seen used to such great success in Highlander, Battle Royale, and Hunger Games.

Part of its delightful conceit is that there really can be more than one. Larry Ferrell, a Zuckerbergian figure, is facing imminent death and has decided to dispense his $17 billion fortune between 140 people. Their selection isn’t entirely random nor is it perfectly deliberate, and it is extremely public. Some of them are potential future CEOs and world-altering documentarians, while others are bored rich kids and god-fearing one-man militias.

There’s a catch: for every one of them who dies, the remainder of the 140 get to split that person’s inheritance of $120 million. That’s less than an extra million each, so there’s not a lot of incentive for assassination – unless, of course, you plan to slim down the ranks considerably. [Read more…] about Review: Unfollow, Vol. 1 by Williams & Dowling

Filed Under: comic books, reviews Tagged With: Battle Royale, Giula Brusco, Hunger Games, Mike Dowling, Quinton Weaver, Rob Williams, Unfollow, Vertigo, zero sum game

your princess is in another castle

July 2, 2016 by krisis

Without realizing it, each Wednesday for our weekly adventure I have gotten in the habit of dressing EV in her “This is what a programmer looks like” t-shirt from Django Girls, a non-profit that helps women learn to code. I hadn’t even realized the pattern until I scanned through our recent photos and saw the shirt again and again in the shots from Wednesdays.

I really love when EV wears that shirt. It’s awesome seeing examples of diversity of gender and race in the tech community, and there’s something even more powerful for me to see children implicated in that. That programmer woman you so desperately wish you could add to your team isn’t a magical unicorn who you could easily identify out of a lineup of women. She’s a person. She started out as a little girl. That is what a programmer looks like.

EV a few seconds after this week's "princess" incident.

EV a few seconds after this week’s “princess” incident.

However, this week I discovered an extra layer to adventuring in our “programmer” shirt when someone repeatedly referred to EV as “princess.”

We do not use the word “princess” in this household.

It was one of my early edicts of parenting even before a little girl emerged in the delivery room. I don’t like princess culture. Yes, they’re lovely and the stories are classic. It’s wonderful that princesses are increasingly portrayed as active, adventurous, and empowered.

However, even the most well-intended princess is still a princess. They’ve either won their status via a birth lottery that blessed them with royalty even as it cursed them with the prick of a spinning wheel or they romanced a prince who won a birth lottery and have now gained elevated status all thanks to love.

Neither is a message I feel needs encoding on a toddler whose brain is a sponge. Do we insist that every hero a little boy idolizes be a prince? No – more often the heroes presented to boys have earned their status through their actions, even if they are frequently working from the same book of “chosen one” tropes.

I see how EV absorbs every little input. She will reference minuscule details of events from weeks or months ago out of the blue with perfect recollection. It’s not special – it’s what toddlers do. What happens when you feed that spongey brain the message about birth lottery and marrying into status over and over and over again as the underpinnings of an otherwise innocuous and delightful story before they even understand how to consume stories?

Maybe nothing. Maybe just the pathological need to dress up in fancy dresses. That’s fine. It’s the other implications I dislike. Glam knows that plenty of today’s most successful women consumed these stories as kids, but why sandbag a little brain with confusing messages? I don’t think it’s ever too early to teach a doctrine of free will, nondeterminism, and consent, and princess culture can undermine all three.

I try not to get the claws out over a stray “princess” from someone speaking to EV the way I did at first (especially when it’s from a woman, because it lacks a leering aspect of condescension isn’t as present when it’s from someone of the same gender). This week I let the first mention from a man slide by. Then there was a second, and I bit my tongue. The third, delivered with him crouched down at eye level with EV, set me off.

“I think you meant ‘programmer’,” I said.

“Hmm? What?”

“You keep calling her ‘princess.’ She’s not a princess. Stop saying that.”

What I should have added was, “She’s not a princess now and she’s not aspiring to be one, either. So, you might as well call her ‘programmer.’ Or ‘doctor’ or ‘director’ or ‘engineer’ or ‘professor’ or anything, really, but certainly not the one thing she will almost certainly never be, because Kate Middleton is an extreme outlier. At the very least, can we settle on, ‘big girl’?”

“Or ‘president’.”

Filed Under: thoughts, Year 16 Tagged With: parenting, princesses

Review: Savage Hulk, Vol. 1: The Man Within by Davis, Farmer, & Hollingsworth

July 1, 2016 by krisis

Lately, I’ve been thinking a lot about audiences and about screaming into the void.

One of my earliest ongoing creative endeavors was writing fan fiction inside the Final Fantasy II (Japan IV) universe. I was writing it just to write it, but then I discovered a few other like-minded folks on the internet and we had a small, shared universe of fiction. Honestly, I have no idea how 14-year-old me put it all together – the details are a blur. It was mostly just that same handful of people who were reading it. No one was writing for attention or exposure. We were all writing for the joy of writing.

The same is true for my songwriting. I spent years writing songs for no one to hear before I started pushing to play them for more people. Even after being in a gigging band for years, to this day the vast majority of my catalog has never been heard outside of our house or this website because I write so darn many songs. I’d have to put out an album a year to keep up and tour constantly.

I have the luxury of doing those things for fun. My fanfic was niche and so is my music, but it doesn’t really matter. I am happy to cast that art out into the void knowing no response would echo back at me.

The problem with doing art for the love of it comes once you’ve actually earned some attention. What happens when more than a handful of people like your writing or your music? Now you have an audience. If you were making art for the love of it, their eyeballs and ears shouldn’t make any difference to you. Yet, it’s hard to avoid their influence, even if you aren’t performing craven acts of fan service to keep them all pleased. Once you’ve seen an indicator that your art is actually being consumed it’s hard to ignore it completely.

Let’s advance that to it’s end state: a popular artist who has followed their own path and pleased fans along the way now wants to do something inherently less popular – or simply something different. I’m not thinking about the dangers inherent in each new release. Instead, consider an independent artist experimenting with a new genre or a big money director wanting to make a decidedly non-mainstream film. J.K. Rowling is a terrific example; after Harry Potter, she didn’t want to write another young readers opus, but that’s what everyone wanted!

It’s a risk. Do they trust fans enough to compartmentalize this work of otherness away from their main oeuvre? You might not be able to afford the detour if it turns too many people off. In Rowling’s case, she released one novel under her own name (The Casual Vacancy) and then another under a pseudonym (The Cuckoo’s Calling by Robert Galbraith). Neither detracted from the fervor for Potter, but the latter earned higher marks from fans and critics, called “a brilliant debut.”

Was it the quality of the Galbraith book that made it more successful, or that it was free of baggage? How would you enjoy the new album from your favorite artist if you didn’t know it was by them?

Savage_Hulk_Vol_1_1_TextlessThese questions occur to me with every subsequent piece of art I purchase or consume from a known artist.

Savage Hulk, Vol. 1 – The Man Within 3.5 stars Amazon Logo

Collects Savage Hulk issues #1-4 written and penciled by Alan Davis, with inks by Mark Farmer and colors by Matt Hollingsworth. Also includes X-Men (1963) #66 written by Stan Lee with pencils by Sal Buscema.

Tweet-sized Review: Alan Davis writes/draws a lovely, clever sequel to X-Men #66, a face-off w/Hulk, in this ode to early-70s Marvel.

CK Says: Consider it.

This Alan Davis Hulk and X-Men story is a love letter to early-70s comic books and it’s possible you simply won’t care. His tale in The Savage Hulk, Vol. 1 – The Man Within branches off from a bash-em-up encounter between the heroes in X-Men #66, the last comic before the hiatus ended by their Giant-Size comeback in 1974.

In a follow-up to that orphaned story, a recovered Professor Charles Xavier feels compelled to design a device that could help Bruce Banner control the Hulk as repayment for Banner’s cure for his mental exhaustion. However, the Hulk is being hunted by the military after causing serious damage in Las Vegas, while Xavier has unwittingly attracted the attention of Hulk’s foe The Leader. [Read more…] about Review: Savage Hulk, Vol. 1: The Man Within by Davis, Farmer, & Hollingsworth

Filed Under: comic books, reviews Tagged With: Alan Davis, Hulk, Mark Farmer, Matt Hollingsworth, Sal Buscema, Stan Lee, X-Men

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