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krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

zoological perspectives

June 3, 2016 by krisis

On the topic of wild animals acting on basic instincts, those of you who have been reading for a long while know that the combination of my mother and I quickly gets riotous. This can be good or bad depending on which way the riot breaks and if either of us can exit the situation of our own free will.

Traveling with a pair of wild and wildly-compulsive hand-washers leads to a lot of consternation about if you are petting the goats too close to their butts even if it's already widely known that you will be washing your hands as soon as you are done.

Traveling with a pair of wild and wildly-compulsive hand-washers leads to a lot of consternation about if you are petting the goats too close to their butts even if it’s already a known constant that you will be washing your hands as soon as you are done petting the goats no matter how much butt-touching you elect to engage in.

Thus, a fitting backdrop to play out this drama would be an actual zoo. And, adding to our inability to escape each other, not only were we both there to enjoy the company of a certain toddler, but my mother has been recently only semi-mobile as she recovers from an operation and so spent the majority of our time confined to a small, motorized scooter.

(I don’t mean to imply that motorized scooters are themselves hilarious – they exist for a very good reason, and many people don’t have an option as to whether they can use them or not! Actually, I really appreciate that the zoo not only has them for rent but has found a way to make just about every exhibit physically accessible – both outdoor and indoor. The ableist privilege I enjoy in life that means I’ve never really noticed that before, but there was no other way I could have made this memory with both my toddler and my mother. It’s something I’ll now always see in a different way having experienced it.)

The Mother of Krisis is not the sort of person you want behind the handlebars of a small motorized conveyance that has a little knob to set its speed, no seatbelt, and beeps when you back it up. Drivers and bikers are so used to mitigating speed with their gas and brake that it’s a real shocker to have to use your hands to adjust. We almost experienced a rollover on an incline she took at too slow a speed! She looked to be constantly on the verge of tumbling out of it, and by the end of the day I think she was maliciously beeping it at children purely because the high frequency of it seemed to itch their ears more than any adults.

Honestly, I think they ought to have some kind of licensing exam before they hand over the keys. To her credit, she was great at parallel parking it next to strollers whenever she needed to stand up for a few minutes.

Talking about my mother hamming it up on her scooter buries the lede a bit, in that just a few days before a child not too much older than EV slipped into a gorilla enclosure at the Cincinnati Zoo, which ended in injuries for the child and the extremely unfortunate death of the gorilla.

It’s incredibly easy to be judgmental when you read a story like that and say something like, “Where were those parents?” or “They should have shot the kid!” especially considering the gorilla had done nothing wrong and was of an endangered species. The thoughts crossed my mind. It’s not like my mother ever let me fall into an animal’s lair.

Still, I was more vigilant than ever about hand-holding with EV than I typically am (which is already pretty darn vigilant).  Yet, I was also minding a doddering, scooter-bound, actual crisis of a Mother of Krisis. In the ensuing chaos, EV managed to slip away from me at an exhibit. It was the giraffes. I was juggling her at the railing while talking over my shoulder to my mother, who was trying to stand up to see better. I don’t recall exactly how it happened, but I think I set EV down to get a better grip on her and within the span of a second she slipped my grasp.

Quite suddenly was between the railing and the exhibit wall, which she was peering over for a better view. If she was a few inches taller she could have easily boosted herself up and then fallen over into the enclosure. It would have only taken another half second.

(And before you say, “Well, yeah, but they’re giraffes,” they have both a powerful kick and stomp that can shatter a skull in one blow. All wild animals can be dangerous.)

In a split second I had my arm around her chest to scoop her backwards and back to the other side of the railing, but in that moment I could have easily had a child being dragged around by a well-meaning gorilla. Instead, she giggled as I picked her up, and my mother stepped off the scooter to join us in watching the tallest of the giraffes amble across the enclosure to nuzzle his child.

I don’t actually like zoos. The animals are permanently captive. The people are temporarily captive. It’s likely either too hot or too cold for some percentage of the animals and some amount of the humans. Some of it probably smells bad to the humans, and the humans likely smell bad to the animals. It’s just not a place I associate with positive outcomes. That might not be a fair assessment, first because zoos are an important factor in conservation of all animals – not just the cute ones, and especially since the Philadelphia Zoo has a lot of positives that other zoos don’t have. But I cannot help but be depressed by a giraffe that cannot run at full speed or an ape with a jungle painted on its walls.

Yet, that opinion was formed by me as the protagonist of my own admittedly pessimistic story at the zoo. I had never experienced it through the eyes of a child, or a grandmother, or a disabled person. I keep going to the zoo to make memories with and for EV, but this week I got something totally else from the experience.

Filed Under: current events, memories Tagged With: Zoo

Review: Butterfly by Amel, Bennett, Fuso, & Simeone

June 2, 2016 by krisis

I’ve always loved the risk/reward of a blind buy.

I’m not talking about buying a new appliance sight unseen here. I’m talking about more subjectively judged products, like music you’ve never heard or heard of or a dish of unfamiliar food of which the only detail you are only certain it is not poison.

If we always seek out what we know and have been recommended, how can we ever be surprised? Some of my favorite albums came from picking something up purely because of a band’s name or their photo, and the vast majority of my indie comic collection came from trying something without knowing a thing about it other than the aesthetics of a cover image or a few lines of promotional copy.

(How sure can you be about art until you consume it, anyway? Did that dance about architecture really tell you how great the building would be?)

That’s nearly all I had to go by on Butterfly. I had read scripter Marguerite Bennett as a co-author with a major favorite, Kieron Gillen, but that didn’t speak much for her on her own. The cover image is stark – the shape of an olive butterfly on a black background formed by the silhouettes of dozens of guns.

Butterfly_HC_coverThere was something about it that made me want to own it.

Butterfly 2.5 stars Amazon Logo

Collects Butterfly #1-4. Story by Arash Amel, script by Marguerite Bennett, illustrated by Antonio Fuso and Stefano Simeone with colors by Adam Guzowski, lettering by Steve Wands.

#140char review: Butterfly: an icy spy tale that doesn’t bother to wash the blood from its hands. A less touchy Alias or a less fanciful Mind MGMT. Just okay

CK Says: Consider it.

Butterfly is not at all as delicate as its namesake. That goes for both the book on the whole and the main character, for whom its an alias.

We’re dropped into a mission already in progress with Rebecca Faulkner AKA Butterfly, and from the get she seems like more of a chameleon than a butterfly. She seamlessly slides into character for a dead drop and is just as facile in her initial exfiltration. However, when she discovers her routine contacts have all been disconnected she is forced to rely on a failsafe that puts her on a path to intersect her retired spy of a father, long since disappeared from her life. [Read more…] about Review: Butterfly by Amel, Bennett, Fuso, & Simeone

Filed Under: comic books, reviews Tagged With: Adam Guzowski, Antonio Fuso, Arash Amel, Archaia, Butterfly, indie comics, Marguerite Bennett, Stefano Simeone

Review: Wolf, Vol. 1 – Blood and magic, by Kot, Taylor, Loughridge, Cowles, & Muller

June 1, 2016 by krisis

I’m an increasing supporter of the idea of True Fans as Subscribed Patrons, a mass of individuals who band together to sponsor the work of an artist they trust rather than simply buying it after the fact.

That’s not only because of services like Kickstarter and Patreon taking root, but because it reflects how I actually consume art. Once I’ve decided your work speaks to me, I want it all. Don’t make me keep an eye on release calendars. Don’t let a middleman get a share of my dollar. Take my money whenever you’re feeling the artistic feels and I’ll gladly accept what you deliver as often as you’d like to deliver it.

The beauty (and, let it be said, gratification) of that concept has a single point of failure: editing. Artists who are free to deliver directly to their benefactors run the risk of no longer performing the “Will it float on its own?” evaluation of their artwork. That could lead to unbidden creativity, it could result in fan-pandering, or we could wind up with some half-baked dreck.

Which brings me to author Ales Kot. This is a guy whose brain I’d love to be permanently jacked into based on what I’ve read from him so far. Even if there have been a few duds along the way, the hits are very big hits with me. I’ve exchanged niceties with him on Twitter here and there and a huge part of me simply wants to say, “Look, would you like my $100-a-year up front, because I’m doubtlessly going to buy every damn thing you do.”

He’s doing the utter opposite of that – publishing his creator-owned work through Image, where there is little in the way of advances or guaranteed sales. Every issue he releases is in pure sink or swim mode; every new project must find its own fans until he has an army of auto-buyers like me.

Right now he’s swinging for the fences on every release. I get the impression he wouldn’t have it any other way.

Wolf, Vol. 1 – Blood and magic. 4 stars Amazon Logo

wolf-vol01-tpbCollects Wolf #1-4. Written by Ales Kot with art by Matt Taylor, color art by Lee Loughridge, lettering by Clayton Cowles, and design by Tom Muller.

#140char review: Wolf, v1: pure comics magic. @ales_kot knows the perfect amount of things not to say on the page. I re-read it one second after finishing.

CK Says: Buy it!

Wolf is a powerful work of low fantasy, casting supernatural elements like vampires, ghostly winds, and a tentacle-faced man alongside the stars on Mulholland Drive and the streetwalkers on La Brea Boulevard in Los Angeles. Kot and his collaborators have conjured a bit of true magic with this ouroboros of a tale that forced me to pick it up for a re-read just seconds after I finished.

The book opens with a gut-punch image of a man on fire. Not a superhero or an immolator, but a burning man on a stroll rendered all in reds and oranges. This is Antoine Wolfe, an immortal weary of life who’d prefer not to be set on fire as much as he’d like to stay out of both spooky plots and police investigations – and, especially anything that synchronizes all of those things together.

This is not his story and we’re left in relative darkness about his history and the exact nature of his powers. All we know is that he’s the kind of death-proof, magical guy you hire to look into things that require looking into in a Los Angeles that borders directly on Hell. (Kot is vague on whether that’s figurative, literal, or both.) He’s also a magnet for supernatural trouble, whether that’s his half-Lovecraftian buddy who is late on rent or a strangely-calm teenager in the midst of a murder investigation with an X-Files sort of twist. [Read more…] about Review: Wolf, Vol. 1 – Blood and magic, by Kot, Taylor, Loughridge, Cowles, & Muller

Filed Under: comic books, reviews, Year 16 Tagged With: Ales Kot, Clayton Cowles, Cthulhu, Image, Lee Loughridge, Magic, Matt Taylor, Tom Muller, vampires, Wolf

Music Monday: “Springsteen” – Eric Church

May 23, 2016 by krisis

I don’t hate Country music.

I don’t think that I ever did. In fact, I had not consciously formed much of an opinion of it at all given my scant signposts of Patsy Cline, Garth Brooks, and Shania Twain.

However, a thing I’ve learned about being an adult is that sometimes the unconscious – both your own and the collective – decides something on your behalf, and that determination lingers in your mind in the place of an actual decision until you realize you’ve started making other decisions based on it.

Case and point: Country music. I don’t hate it. Yet, from absorbing a “my truck” here and a “my woman” there from songs playing in the background of life, I was passively assuming I hated country music. People at Smash Fantastic shows would request country songs from time to time and I would selectively ignore them. When Ashley gently suggested that it was finally time for us to learn a few country songs for the band, my reflexive response was, “UGH, NOT COUNTRY MUSIC.”

Despite that, I love to please a crowd, so I looked up a few of the artists that had been shouted in our direction. One was Eric Church. I fired up iTunes and YouTube to see what his most popular song was and they came back with a resounding answer of “Springsteen,” from Church’s third album, Chief.

Fast forward six months and “Springsteen” is AKA my favorite cover song to sing and my toddler’s bedtime song and generally just a fucking masterclass in songwriting.

(Advance to :24 to get to the beginning of the song.)

To get to that realization I had to stop hearing the twang in Church’s voice, because it was activating that unconscious bias of “UGH, NOT COUNTRY MUSIC.” Honestly, it’s a tiresome affectation on any singer, especially when it’s obscuring wonderful pop songs or gatekeeping them from the wider consciousness. You just have to hear past it to get to the performance and the lyrics. Singing it yourself aids in that, if you are able.

Somewhere between that setting sun, “I’m On Fire” and “Born to Run”
You looked at me and I was done. We were just getting started.

Beneath the twang and beyond the minimal band arrangement is the wonderful device of singing about how to find a person who doesn’t exist anymore. Not his long lost high school lover – she’s still walking around in the same town, skirting the edges of his life.

No, the person that no longer exists is his long lost high school self, and the only way to find him for a moment is to hear Bruce’s ragged baritone. [Read more…] about Music Monday: “Springsteen” – Eric Church

Filed Under: Crushing On, Year 16 Tagged With: Eric Church, songwriting, Springsteen

the new gig

May 22, 2016 by krisis

Tomorrow will mark the start of my fourth week spent at home with EV, which will be the longest consecutive amount of time I have not worked since I was seventeen.

2016-01-03 11.04.07

In January, headed to our post-X-Mas celebration with Drexel friends.

I am not on a vacation. Spending time at home with EV is currently my full-time gig.

It could have been a vacation. A sabbatical, if you prefer. I could have asked the execs at RJMetrics if I could take time off from leading the Customer Success team to hang out with my toddler and they would have said yes – not only because of the unlimited vacation policy but because it’s the sort of thing they all value and respect.

I considered that option for an agonizingly long while, because it would be insane to leave a job I enjoyed with a technology that delighted me and a team I personally recruited and loved dearly.

Right? [Read more…] about the new gig

Filed Under: thoughts, Year 16

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