Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

krisis

Krisis has been creating Crushing Krisis since 2000, writing songs since 1996, and reading comics since 1991. He is a Customer Success and Digital Brand Strategy executive, serial organizer, parent, and feminist, among other things. Based in Philly through 2017, he now resides in Wellington, NZ.

#FollowFriday Interview: @brimil, Artist & Connector

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Britt amidst her Philly-themed paintings in 2010. © Steve Boyle

Today my suggested #FollowFriday is a woman who – with no exaggeration – has altered the course of my life.

Her name: Britt Miller, or @brimil.

I could list all of positive ways my life has changed with Britt’s influence and collaboration, but this one quote from her sums up our shared philosophy:

No one beamed down and made me an artist, or “successful,” or well-connected overnight. This wasn’t a gift, it took work. Make moves, do work, tell people.

Why follow Britt? She engages. She’s funny. She’s a painter whose work has appeared on everything from sneakers to television talk shows. She’s an athlete who has powered through a half-Iron Man. She’s a communications professional and a business student about to embark on a year of international travel.

Most importantly, Britt is a Connector. She’s always happy to make a random new acquaintance, because she understands the true value of a robust network lies not in the present, but in the future. Those seemingly meaningless connections have paid off for her and her followers again and again.

Enough from me – let’s hear from Britt, in her own words.

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@krisis: There is a fan-favorite CK post about my perspective on meeting you for the first time. What’s your side of the story?

Britt and I pose in 2009, a few hours post-skydive, as shot by @Mikeyil

@brimil: I met you while I was working at IBX in Philadelphia. I was very passionate about social media and kick-starting the business use of social media to connect with customers. You came to the first social media meeting, and the rest is history :)

@k: Yes, a history of jumping out of planes together and you being my personal digital life coach and partner in all things FAME. Can you explain this “FAME” thing we have? I can never quite articulate it when people ask me.

@b: Ah, FAME is very difficult to express in words. FAME is the act and feeling of constantly achieving your wildest dreams (they start small at first, then grow; FAME is never over), and having friends, family, and eventually strangers support you in your endeavors. It’s being recognized and praised by society over something that you poured your heart into. FAME.

@k: How do you use primarily Twitter?

@b: I use Twitter to promote my art, to stay in touch with and connect with new friends, to follow people/things I’m interested in – accounts that post about art, travel, social media, Philadelphia, etc.

@k: In the past few years your original art has gone from a regular hobby to an actual business. What was the decision point where you said, “this is something I’m serious about”?

@b: The switch from hobby to business certainly came when I made my website, held my first First Friday show, and sold my first piece to a stranger. Those three events happened over a period of time, but after all three happened I think I realized that I had something there, and with a ton of hard work, it’s gradually taken off since then. [Read more…] about #FollowFriday Interview: @brimil, Artist & Connector

30 for 30 Project, 1981: “Physical” – Olivia Newton John

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I’ve spent my life hating Olivia Newton John’s 1981 hit “Physical” for no good reason.

I had a reason, mind you. Just not a good one.

“Physical” held the longest run at number one on the Billboard chart for the majority of my childhood. Ten weeks, as Casey Casem would remind us on his countdown any time a song strung together multiple weeks at number one.

Not just any ten weeks. Ten weeks starting the year I was born.

(Watch me cover “Physical” on YouTube. For more info on my 30 for 30 Project, visit the intro post.)

I was eight or nine years old, and I hated this Olivia character. I had seen her weird Happy Days hair on the cover of the VHS of Grease. Why should her silly song with its antiquated video of prancing fat people hold the record when newer, more relevant luminaries like Michael Jackson or Madonna were clearly more deserving. [Read more…] about 30 for 30 Project, 1981: “Physical” – Olivia Newton John

DC New 52 Review: Justice League #1

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A schedule of all 52 debut issues due from DC Comics this month. Click through for a full-size version.

This month DC Comics is relaunching their entire line of comics – 52 issues #1s in a single month!

Not only is every series starting fresh, but the relaunch also represents a “soft reboot” of the DC comics universe. That means characters could have a new set of history as they re-debut, including breaking up iconic relationships or being suddenly de-aged back to a more-relatable 20-something.

I am not a DC comics fan, and have never been a regular reader of any of their titles aside than Wonder Woman – so why not try to read and review as many of their new 52 as I can in one month?

Sounds like a plan! The month starts with DC’s biggest gun – Justice League #1, with DC co-publisher and debateably best-penciler in the industry Jim Lee on art, and DC superstar Geoff Johns scripting.

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DC Comics Justice League #1, released August 31, 2011.

Justice League #1

Rating: 2.5 of 5 – Okay.

In a line: “You’re not just some guy in a BAT COSTUME, are you?”

140char Review: Justice League #1 – Solid art and interactions between Bats & GL, but the quick-to-read debut kinda falls flat. Not the big gun you’d expect

Plot & Script

DC’s reimagined Justice League are … The X-Men? The issue starts five years in the past when Green Lantern shows up to save Batman from a superhero kill squad in hot pursuit, and you’re hoping against hope the explanation will be something more deft than “because they hate and fear us.”

Yet there we are.

Yes, I suppose hating and fearing people with super-powers makes a lot of sense, but that schtick has been cornered and bludgeoned to death by Marvel. Also, it’s annoyingly dissonant to see these classic characters in that position. Sure, Batman is a wacko vigilante and Aquaman might have a bestiality problem, but is the government really going to chase after The Flash?

The conceit is that five years ago in the new DC universe was effectively year zero, with heroes meeting each other for the first time. Apparently they weren’t too popular with law enforcement (or, at least, Batman wasn’t). We’re treated to Batman’s introduction to and subsequent chafing at Green Lantern, who is as brash as Bats is brooding. GL gets one funny line after another. It’s clear that John’s is used to writing him, and that they’re playing up the Ryan Reynolds aspect of him as much as possible.

Both Batman and Green Lantern art scripted well, and the trickle of exposition from them is just enough to capture the imagination of a new fan. Yet, there is just barely enough plot here to call it an issue. Jim Lee isn’t exactly the fastest penciler in the world, you’d think Johns would write a little more script.

Instead, we get a brief tussle and several episodes of exposition, followed by a blah four pages with kid Cyborg. Also, note that the cast of characters are cynically the two heroes with the most recent movie, plus Superman – because, well… you know.

Artwork

Lee’s action is bold but always easy to follow. What is unexpected (for me, at least), is the wild sketchiness of his shadows. Maybe it’s the doing of inker Scott Williams leaving more of Lee’s original pencil work intact, but the effect reminds me of 70s comics (a good thing).

Lee relentlessly knocks the opening Batman scramble out of the park from the first, deliberately un-iconic shot of Batman. Note all of the random insanity he has Green Lantern creating – a fire truck and giant bats!?

The single page of Superman is intriguing. He’s definitely boyish, but not as much as on the cover. And, though he is lacking his red underpants, the underpants are still sketched on – just colored the same as his legs.

The primary Jim Lee cover is expected, if not classic. Unsurprisingly, his Batman is outstanding (he’s penciled him before). I immediately am annoyed whenever GL wields a gun. Lee’s posing of Superman is strange, so that his eyes are obscured and he looks very boyish. (The Finch alternate is creepy – Superman looks like he should be wielding puppet strings, and Wonder Woman’s head is too big for her shoulders.)

CK Says: Consider it.

Justice League #1 is too quick a read with too little happening along the way.

I don’t mean to grade a comic merely on expectations, but when the words “Justice League” and “Jim Lee” are connected you can’t help but hope for something on the scale of 1991’s all-time best-seller X-Men #1.

Instead, we’re building up the origin of the Justice League from square one – and you could do a lot worse than that! I’d argue that the first issue of your flagship team should either introduce everyone, be a huge blowout, or do both. This sort of expository story belongs in the individual character books, or – at least – explored after you’ve got your hooks in new readers.

The 30 for 30 Project

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When I hatched one of my typically insane musical project ideas – to record 30 songs from the 30 years of my life for my 30th birthday (maybe in the 30 days of September?) – I was working from the assumption it would stay an idea due to my perfectionism. The concept would be safely tucked away as an iTunes playlist with all of the other covers projects that I’d never started.

"Endless Love" by Diana Ross & Lionel Richie was the number one record in America the day I was born. While I won't say that I'll NEVER cover it, you definitely won't be hearing it later today as my pick from 1981.

Then, August happened. I kept posting every day, and really enjoying it. I finally found a blogging rhythm, eleven years into my experiment. I thought, maybe the idea isn’t so crazy after all. Maybe I should do it.

The issue is that I haven’t recorded any new solo music since we moved into the house last June. I have hatched half a dozen cool projects in my head, but I haven’t launched a single one.

This seems paradoxical. I have a studio now. Space to set up and stay set up without having to drape suit jackets over my microphone poles and check email from within a lattice of quarter-inch cables.

I mean that literally. At the old house my studio was my office was my dressing room. It was common to find a discarded microphone atop a pile of wireframe sketches and freshly laundered underwear. Gear shared a walk-in closet with board games and old copies of Rolling Stone. Switching to a different guitar meant risking sending up a tinker-tape parade of brightly colored Monopoly money in my hallway if I moved a box the wrong way.

And you know what? It didn’t stop me. I recorded two seasons of Trio, four Arcati Crisis Live @ Rehearsals, and over a dozen solo demos that became my Brown Bag Demos, Vol. 1. Now I have an entire attic committed solely to recording, and the well has suddenly run dry.

Actually, the well is quite wet. I have the best intentions. The new wrinkle is that with space to set up a perfect signal chain the issue is no longer my willingness, but my perfection. Everything has to be perfect. Perfectly planned, perfectly rehearsed, perfectly executed.

The Rolling Stones' 18th American LP, Tattoo You, held the top album spot when I was born. I won't be playing "Start Me Up" at any point in this project.

Perfect makes things hard. Bobbling that one chord change? Delay it. Tickle in my throat? Cancel it.

30 for 30 is different. I am not promising perfection. I am not promising that I’m going to get it done in 30 days. I am not promising you will know all the songs. I am not promising polished studio cuts. I am not promising all of the covers will be perfectly played.

And, I am certainly not representing it as a collection of my favorite, most-cherished songs.

No. All of that leads to perfectionism paralysis.

What I am promising is a single take video play-through of a song from every year from 1981 to 2010, with some commentary along the way. No cherished favorites. No multi-track demos. No perfection.

Just me and the music.

30 for 30 starts later today, in 1981.

Things to Do In Philly, 8/31 Edition

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The CK extended family is rocking so many high quality shows of their own in the next week that I probably can’t get out to much else. While I might selfishly hope that you’re going to come out just to the fam events, thanks to the Philly Fringe Fest you have plenty of other choices.

This is my version of the highlight reel, the sole criteria for inclusion being: do I dig it?

Filmstar playing the Blame-a-Thon, as shot by me.

First, here’s the family affairs:

Thursday, 9/8
Who: Filmstar, featuring your author and the lovely E
Details: 8p, $10, North Star Bar, 2639 Poplar St., Philly
Why? This will be my first time on stage at North Star Bar, though pre-me Filmstar rocked it at the now-legendary #blamedrewscancer marathon. We’ll whip out a few newer tunes, plus have copies of The Desperate Times EP to place in your hot little hands. We’ll share the stage with Mean, Secret Music, and Kyle Andrews.

Friday 9/2 & Saturday 9/3
What: The Gray Area, an original Fringe play produced by Gina!
Details: 8:30p, $10, The Walking Fish Theatre, 2509 Frankford Ave, Philly
Why? Gina & the rest of Ocelot On a Leash Theatre Company (of which I am a proud alum) have yet to produce a dud, and this is definitely not going to be the first. The company commissioned a series of Twilight Zone-esque short plays from local author Mark Wolverton and wrote some of their own pieces. To enforce the retro sci-fi Zone vibe, they’ll present the works in simulated black & white – including costumes, sets, props, and even the actors! If you miss it this week, the plays run again next Friday through Sunday at the Rotunda.

Wednesday, 9/7 through Sunday, 9/11
What: Checkers, an original one-man Fringe show
Details: various times, $15, The Fleisher Art Memorial Sanctuary, 719 Catharine Street, Philly
Why? Producer Mary Stewart is a longtime partner in crime of mine, and she acts as one of my major barometers of what’s good in the local arts scene. If she produces a show, I’m there. This year her choice is this one-man show developed by Mark Kennedy. In the spirit of Rosencrantz & Guildenstern Are Dead, Mark explores the life of a minor character from Witold Gombrowicz’s already-absurd fairytale Ivona, Princess of Burgundiam. In the original play, the royal family has it in for Ivona because she’s too ugly to contribute to their gene pool. Here, Checkers the servant turns out to be hopelessly smitten with the decidedly un-fair Ivona. I’ve already bought into the show via their Kickstarter campaign, mostly on the strength of their oddball Tumblr featuring posts from Kennedy in-character as Checkers.

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What’s in store for the next week from the rest of my favorites? Behold:

Thursday 9/1
Who: Venice Sunlight & Stonethrown
Details: 8p, $8, North Star Bar, 2639 Poplar St., Philly
Why? Venice Sunlight is an awesome pop/rock band packed with slick riffs that puts on a high-energy show. Stonethrown is as close to Muse as you can get in the Philly scene – squalling rock with high-wire male vocals. They play first on a bill with Modern Suits and I Am Lightning.

Friday 9/2
Who: An Acoustic Evening with The Weepies
Details: 8p, $26, TLA, 4th & South, Philly
Why? The Weepies turned in one of the best albums of 2010, which I called “Cloying, cheerful pop-folk melodies so distinct that it’s often easy to forget that a band is playing beneath them.” The chance to see them reproduce those tunes in a stripped down show is hard to pass up.

Sunday 9/4
Who: Adrien Reju w/Pete Donnelly
Details: 7:30p, $10, Tin Angel, 20 S. 2nd St., Philly
Why? We’ve established I have a ton of local favorites, which maybe devalues my favorites currency – but not only do I adore songwriter Adrien Reju – E loves her. And E’s a hard one to crack when it comes to local music. With that double endorsement in mind, check out Adrien co-headlining a special birthday show with her producer from standout LP A Million Hearts. Last time we saw her she wielded a slew of unbelievably great new songs, which have now had nearly a year to simmer.

Thursday 9/8
Who: Brian Flanagan Band
 Details: Noon, FREE! @ Love Park, 15th & Arch
Why? Brian Flanagan graduated from covers at open mics to originals to fronting a band that plays sure, 70s-style singer-songwriter acoustic rock in the vein of Jackson Browne and Brian’s influencers Ray Davies and the Kinks. If you’re a Center City worker, spend your lunch break with the tasty gourmet food carts in Love Park and enjoy a free serenade.