Crushing Krisis

Comic Books, Drag Race, & Life in New Zealand

35-for-35: 2009 – “Love Of Our Lives” by Indigo Girls

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indigo-girls-poseidon-and-the-bitter-bug[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]You don’t stop being an artist.

I haven’t written a new song in a few months, but that doesn’t mean I’ve stopped being a songwriter. I never stopped being a blogger in the months this page lay dormant. You might not write as frequently as you did when you were 20, and you might draw inspiration from different things, but that doesn’t stop you from being an artist.

Being an artist has other implications in the commercial world, partially because there are costs associated with artistry. You may be a songwriter, but are you writing enough material to release full-length albums regularly enough that you won’t be forgotten? And, even when you do, will a likely-dwindling audience of tens of thousands of people like it enough to pay for it?

I don’t know how mainstream artists contend with all of those questions and still find the courage to make the art that drives them. I suppose that’s why you surround yourself with a team of managers and lawyers (although that’s a catch-22, since you have to keep making the art to pay for them to enable you to make the art!).

Somehow, despite all those odds, The Indigo Girls have continued to release some of their most vital, engaging work over the course of four studio LPs and a live album in the past decade. The live LP, Staring Down The Brilliant Dream, takes it name from this song, “Love Of Our Lives.”


(This acoustic version is from three years after the LP, but I think being able to see Emily and Amy trading the often unison octave vocals adds a lot to your listen.)

E taught me songs like “Least Complicated” and “Power of Two” note by note from her memory of many prior sing-throughs on long card rides back and forth in her little Corolla from her parents houses in New Jersey, young and in love.

We’ve been wanting to be helped by binding ties
We’ve been fighting for the love of our lives

This song flips that oft-told harmony-singing narrative on its head. We first heard “Love Of Our Lives” together in 2009, newly married (to the tune of “Least Complicated”!) and driving in our own car back on that same route with one window down and the wind whipping through our hair. We were equals as partners and singers, each naturally taking our accustomed parts (E with Emily, me with Amy Ray) and getting tangled up in each other as the two vocal lines merge back into a unison melody.

Fire and water, oxygen
Scotch and soda, or any combination
Starts the reaction.

Is there no mastermind of modern day
Who can blueprint a plan to make love stay
Steady and weatherproof usher in a new revolution?

I don’t know how are these two women writing such stunning statements of words and melody over 20 years into their careers, but I’m incredibly thankful that they are. I have so many favorite songs that remind me of the early milestones of our relationships, but this one will always remind me of the strength of us together.

After trying more, the hopeful ones still try.
How can we help it when we’re fighting for the love of our live?

(Also, a fun fact: “Love of Our Lives” include both of my favorite little marks of songwriting, the word “communication” and a reference to chemistry. They’re like the sigils of my and Gina’s respective houses, and also map onto Nathan and Martina in my novel. In fact, I’d say this song is specific inspiration for it, but to explain that much further would be a spoiler ;)

From The Beginning: WildStorm Universe – Stormwatch #17-21 & Special #2 (plus, stories from WildStorm Rarities)

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Finally, we’re back to Stormwatch! This is the last batch of issues prior to WildStorm Rising – Stormwatch (1993) #17-21 & Special 02, plus a pair of stories in WildStorm Rarities I missed earlier in the month.

stormwatch_v1_021This run finds Stormwatch disintegrating without Battalion as the glue to hold it together. No one seems especially interested in obeying Synergy unless it suits them, and Diva has only marginally better luck. That lends an extra layer to Timespan’s egging Battalion on to his death – maybe the real goal was to destroy Stormwatch, and the only way to do it was to convince Battalion that he was fated to die?

Writer Ron Marz is still ably steering this ship towards certain doom and he’s now managed to differentiate the voices of the entire cast. Despite that, this run lacks the urgency of any prior portion of Stormwatch. It feels like a mismash of loose ends being tied up and chess pieces being maneuvered.

It’s hard to put a finger on why. Is it the lack of Battalion as our main point-of-view character leaving the book to feel adrift? Or, is it that with the future already glimpsed in #25 that the motion of the pieces to their appointed destinations feels too slow, and the side stories feel too unimportant? Diva’s encounter with Argos especially feels pointless, and Winter’s Russian adventure is a complete redux with little to improve upon the prior version. I suppose all will be revealed soon enough.

On the art side, this is also the weakest portion of the book so far. An amalgam of pencillers on Stormwatch #17 makes for the weakest art on the book to date, though they could afford the soft spot on an all-talking issue. #19 is back to all Mat Broome and looks strong.

Issue #21 is from fill-in from Terry Shoemaker, a Marvel fill-in artist, and it’s great! I always expect fill-in artists to leave us with an issue of big muscles and gawky faces, but he does a terrific job on keeping Winter, Cannon, and Bendix distinct in the midst of a lot of action. (I checked ahead, and he’s the artist of Zealot’s mini-series – I’m psyched!)

Stormwatch Special #2 plays out effectively as #20.5, showing what Stormwatch Prime is up to after their side mission in #20 – and addressing the subplot of their manipulation by Defile via their captor, Deathtrap. Of course, we all understood that was happening already, so this issue brings nothing new to the table with some wildly inconsistent art that’s far outside of the WildStorm house style. All you need to know is that Flashpoint may have finally shaken loose the subliminal programming that made him an effective mole (but it hasn’t stopped him from being an asshole), but Sunburst and Nautika are as deep as ever!

Also, in reading WildStorm Rarities yesterday, I realized it contained a pair of Stormwatch stories drawn by Jim Lee that I should have read earlier in the month! (Sadly, we never get more than a tiny glimpse of Lee’s Diva, but his Battalion is massive.)

Want the recap? Keep reading for the details of how our team is inching ever closer to their doom. Here’s the schedule for the rest of this month’s WildStorm re-read. I’m not looking forward to the next two days – another mercifully short trip through Backlash for #6-7 a new arc on Deathblow #13-15. Then we’re so close to WildStorm Rising!

Need the issues? You’ll need to purchase single issues – try eBay (#17-20 & Special #2) or Amazon (#17, 18, 19, 20, 21, Special #2). Since further series reached these same issue numbers, be sure to match your purchase to the cover images in this post (and, note that #21 was misnumbered simple as “1” on the cover). The two older stories were only ever reprinted in WildStorm Rarities (Amazon / eBay), a perfect-bound book with a spine.

And now, onto the story! [Read more…] about From The Beginning: WildStorm Universe – Stormwatch #17-21 & Special #2 (plus, stories from WildStorm Rarities)

Krisis, Issue #1, Chapter Three: Dissemblers (pt. 1)

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From last week…

“What if we stopped by to check on her?” Valerie said.

Suddenly, Danny’s face leaned into the picture. He had practically climbed across the table to insert himself between Nathan and Valerie.

“I’m sorry, did you say ‘we’?”

“Yes, Danny.” She said his name pointedly as though she was addressing a small child, “Nathan and I. I get to try a restaurant, he gets to say he was headed out to dinner with a work friend and decided to stop by.”

“You don’t have to do that,” Nathan said, feeling he ought to mount at least a weak protest.

“It doesn’t sound like Ella has any adults present in her life other than you, Nate.” Valarie uncrossed her arms and placed one hand on top of Nathan’s. This was shocking to him, as he had temporarily forgotten he had hands. “I know what it’s like to lose a family member when you’re young. If she got upset in front of you, maybe she’s too afraid, or embarrassed, or whatever to talk. But, you have to know if she’s okay. ”

Now it was Nathan’s turn to blush – not at her hand (still touching his!), or her offer to visit Ella with him (and the dinner date she effectively demanded), but at her calling him “Nate.” Nathan had always been impervious to nicknames – Martina’s family were the only people in the world to call him Nate. Or, at least, the only ones he appreciated.

.

Krisis, Book 1

Issue #1: Girl Disappearing
Chapter Three: Dissemblers (pt. 1)

To say it had been a long afternoon at work would be a vast understatement. After his lunch with Danny and Valerie, the end of the day seemed to recede to a vanishing point in the far flung future while Nathan worried himself to complete distraction.

Most of his worry was about Ella. She had been on his mind since the tenth, but unloading his concerns onto Danny proved to be the utter opposite of helpful. Now he was just more concerned. Had he been wrong to leave her alone in her apartment? He texted Ella to say he would drop by later with a friend in tow, but she sent no reply.

The remainder of his worry was about the dropping by.

With Valerie.

Nathan could still hardly believe that she had taken an interest in his life long enough to actually propose they go on a date.

Not really a date. An intervention, possibly followed by dinner.

Amidst his worrying, Nathan tried to convince himself that their unexpected arrangement was far better than an actual date, because it was real – not some manufactured situation meant to keep two people in close proximity for the evening. They were getting together to discuss a common interest.

Dead family members and the resulting emotional trauma. Much more romantic than an actual date. [Read more…] about Krisis, Issue #1, Chapter Three: Dissemblers (pt. 1)

35-for-35: 2008 – “Dying Is Fine” by Ra Ra Riot

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Sometimes songs can see the future.

Yes, I know that the interpretation of art is in the eye of the beholder, and just as we look to coincidences in the world as the sign of supernatural guidance we can also believe in the kismet of a song that perfectly describes a situation in our lives. A good song should do and be that.

Yet, I think some songs – the best songs – are something more, because they so perfectly describe a future they have not yet glimpsed.

I have a song called “A Few Bars of Goodbye” that has maintained its favorite over the past fifteen years, with E, Gina, and now EV counting themselves as fans. I wrote the song as a project for a songwriting class at Drexel. It wasn’t based in life at all, but on trying to tell a complete narrative through imagery. It’s the story of a young couple – a career girl and a cool rock boy, who is blithe to the fact that she’s isn’t getting anything she needs from their relationship.

This is the third verse:

Yes it’s hard! You know it’s hard for her to do it
And she wishes she didn’t have a 9-to-5 grind
But while she’s out there in the real world
She wonders where he’s been spending his time
Wrapped up in his chords? Trying to write the next killer line?

Now she’s humming a few bars of goodbye

I’ve never identified with the song before this year, because E and I have always had a (more than) 9-to-5 grind plus our own passion projects. Being at home with EV focused solely on the twin passion projects of this blog and my music makes those lyrics uncomfortably close to home. Now I am the one spending the day wrapped up in my chords and trying to write the next killer line, and I expend so much time, effort, and communication trying to ensure E and I don’t share the same fate as the couple in this song.

“Dying Is Fine” was one of the earliest songs written by Ra Ra Riot, and it’s among their best. An insectile frenzy of strings dissipates to reveal a disco backbeat and a simple four-note guitar line, backed by a swirling liquid bed of violin and cello.

I love that juxtaposition of elements, along with Wes Miles’s slightly stuffy-nosed baritone vocals. Every aspect of the song fights against the others, creating a push-pulling against your ears until a bridge unifies all the instruments into a building crescendo. Afterwards, the chorus comes off completely different – a summation rather than a frantic cry. The song is a magic trick of exuding both joy and grief at the same time.

Ra Ra Riot formed in 2006 at parties at their alma mater Syracuse University and quickly exploded into indie-rock notability thanks to positive reactions from tastemakers and festival cords.  They recorded “Dying Is Fine” with their original drummer, John Ryan Pike, for their debut EP, released in July 2007.

John Ryan Pike drowned after a show in June of 2007.

ra-ra-riot-the-rhumb-lineCan you imagine – not only continuing as a band after one of your best friends and bandmates had died, but still playing his songs, and having your breakthrough come from a song you wrote with him that had this chorus?

Death, oh baby
You know that dying is fine but maybe
I wouldn’t like death if death were good
Not even if death were good

You might think that the unique push-pull of the song came from its increased resonance after Pike’s death, but you can hear all the same elements on the version he recorded with the band. It still had the grief and the joy. That disco backbeat is Pike’s, present on that original recording. The liquid waves of strings were always there. The bridge that braids the elements together into resolution is intact.

Is this it
Maundering about and
All I have is too much time to understand

That one can only love
Life until its ending
Oh, and I can’t forget

“Dying Is Fine” was complete already, a perfect picture of the grief it would be release into on that EP, and then the band’s full-length followup, The Rhumb Line. Part of those lyrics are cribbed (with acknowledgment) from an e e cummings poem of the same name: [Read more…] about 35-for-35: 2008 – “Dying Is Fine” by Ra Ra Riot

From The Beginning: WildStorm Universe – Warblade: Endangered Species #1-4, Grifter: One Shot (1995), and Maul in “Thinking Big”

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Today I’ll tackle the three WildCAT spinoffs published to date – Warblade’s mini-series, a Grifter One-Shot, and a Maul solo story in Image Rarities.

warblade-endangered-species-0001While Grifter eventually getting his own title was fait accompli, at this point it feels like Warblade is the least deserving of all the WildCATs who merited their own sideline series. At least Maul has the dichotomy of being a modern art loving nerd by day and a massive purple hulk on the battlefield. Maybe that’s why Warblade needed his own series so badly – because his narrative arc had been treading water ever since Killer Instinct.

Hearing Warblade’s internal monologue across four issues helps to solidify his character. He isn’t ruled by rage at all times as we’ve seen in the heat of so many battles. He can be cool and analytical, but he’s also not the best tactician, which leads him into unfortunate situations when his rage takes over and he prepares to strike.

Steven Seagle delivers solid workmanship and well-structured issues, which is exactly what WildStorm needs in growing out its cast of characters. Scott Clark’s name is welcome sight on pencils, having disappeared for several months after his stellar work launching Stormwatch. His output isn’t quite up to that par, with his figures getting increasingly gawky starting in issue #3.

By contrast, Grifter has been the breakout star of WildCATs from their first issue, which makes his flaccid one-shot a puzzler. Steven Seagle spends as much time having Grifter think about women as objects as he does having him show any kind of charm or expertise. The story adds a useless layer of backstory in addition to Zealot’s training and Team 7. It feels like the worst sort of Marvel book, that adds in layers of complicated history just because it can and then is quickly ignored (usually because, like this one, it kills all of its interesting new characters).

Finally, we come to Maul, the art-loving romantic who is also the WildCATs’ biggest bruiser. He was highlighted in an original story by Mark Waid called “Thinking Big” in Wildstorm Rarities. It’s a quick tossaway tale about Maul catching a runaway jet in his hands, but it makes clear that even in his smaller iterations as Maul the intelligence he has as Jeremy is inaccessible. It’s these little human moments that WildCATs had been missing – but, it also didn’t have a master like Mark Waid writing it.

Want the full details? Keep reading for a deeper breakdown of the plot. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow, finally, it’s back to Stormwatch with#17-21 & Special 02! Plus, while I’ve got a copy of WildStorm Rarities handy, I’ll cover the other stories from that issue – which occurred quite some time ago in continuity.

Need the issues? None of these issues have been collected, so you’ll need to hunt them down as singles (though Grifter and Rarities are actually both perfect-bound books): Warblade: Endangered Species (Amazon / eBay), Grifter: One Shot (Amazon / eBay), and WildStorm Rarities (Amazon / eBay), which is a perfect-bound book with a spine.

[Read more…] about From The Beginning: WildStorm Universe – Warblade: Endangered Species #1-4, Grifter: One Shot (1995), and Maul in “Thinking Big”