[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Gen13 was a massive bombshell when it struck in 1994, a comic about college-aged kids that actually looked and felt like it was about real college-aged kids because it was being drawn by one while also revealing a ton of backstory and connective tissue about the two-year-old WildStorm Universe.
And you know what? It’s still every bit as great today – even moreso after spending the past two weeks reading all of the comics that lead up to it.
The cast of Gen13 were some of Jim Lee’s final creations in the early years of WildStorm. In an interview in Gen13 #1/2, he discusses being motivated to move away from the gear-laden extreme look (and the violence that accompanies it) that many classic characters at Marvel and DC were moving towards. (The irony of the entire team wielding guns on the cover from Lee is not lost on me). He also intentionally created Caitlin Fairchild as a literal strong female who was also super-smart – an obvious choice to lead the team.
It’s Lee’s focus on creating a different book rather than an imitation of something familiar that makes Gen13 so memorable. Caitlin Fairchild may not yet be a Tony Stark level genius, but her hairpin turn from ingénue to terrorist and leader never seems rushed given the breadth of her intellect and depth of her drive. It’s the same way almost all of Marvel’s original generation of male heroes are depicted as super-brains of some sort to explain their mastery of all things. Marvel has scant women who fit the same mold (at the time, just Mockingbird and Kitty Pryde), and none who also lead a team.
(Lee also included a buff, masculine, hyper-sexual Asian male with Grunge (a rarity even today) and an indigenous woman with Rainmaker who… well, we’ll get to that later.)
If we’re going to talk about the unique touches that make this book stand out, we have to discuss artist J. Scott Campbell. Campbell was discovered at age 19 in the talent search advertised in WildC.A.T.s #2! Prior to Gen13, his only published comics work was portions of Stormwatch #0, Deathmate Black, and pin-ups.
That’s it!
To go from obscurity to co-creating one of the most popular mini-series of the 90s is unbelievable. His achievement is made more incredible by the fact that he’s not specifically aping any single Image founder. Campbell draws distended, hyper-tall figures like Liefeld, he details muscles and clothes like Lee, and he has the fussy sketch lines of Silvestri. Campbell’s characters are all visually distinct and exciting as regular people wearing clothes, and his backgrounds and buildings are bristling with detail.
To have a 19-year-old designing 19-year-olds is part of the kinetic magic of Gen13. In fact, Lee reveals that Campbell designed Roxy AKA Freefall, who is by far the most visually distinct of all the Gen13 kids. Yes, Campbell errs on the side of some egregious T&A at points, but he’s seemingly just as eager to show nearly-nude men as he is women – he’s a kid who just wants to draw hot kids being hot. Also, the present-day fashion aspect of his pencils is powerful – Roxy the club kid, Caitlin’s mousy Princeton get-up, Bliss’s S&M dresses, Grunge’s early-90s flannels.
Yet, great art alone does not make for a good Image title – or else I’d be head over heels in love with WildCATs instead of constantly dissing it. The script here is wonderful. Brandon Choi was great on Stormwatch, but he was never better on early Image than on this initial run of Gen13 collaborating with Campbell (who picks up a story credit by the third issue). Characters all have distinct voices, details make sense, and each issue has its own rising and falling action. Caitlin Fairchild as our point-of-view character is so analytical that it makes perfect sense for her to issue a recap via narration at the beginning of each issue.
It’s not just the Gen13 kids who make this story interesting, but I.O director John Lynch finally being fleshed out into a dynamic character instead of just a conniving government villain. If you’ve read any WildStorm up to this point, he hasn’t exactly been a sympathetic character (except for maybe in WildCATs #2 when he doesn’t arrest the team). That’s especially true coming from reading Kindred, where he seemed as hugely unsympathetic as ever!
Here we see another side of him. It’s not a sudden turn, but a transformation that makes sense for his character. For all of his heartless decisions over the years, he does have regrets – chief amongst them the raw deal many of his Team 7 teammates got if they didn’t go underground or let I.O. control their lives. That guilt means he cannot in good conscience support a renewed Genesis program – especially one that preys on the children of his teammates!
As I re-read this mini-series, I repeatedly asked myself: Are you seeing this through rose-colored glasses? Is this the joy of nostalgia talking?
I’ll admit a little buzz of returning to these characters, but given the sheer volume of comics I read, I don’t think my delight in Gen13 can be purely attributed to huffing the fumes of the 90s.
This is a good comic book that’s a perfect artifact of the times – even the gratuitous mid-mini-series guest appearance by Pitt.
Want the play-by-play? Keep reading for an extensive summary of this book, a major influence on me and an early inspiration to my 8th Grade version of Krisis. Here’s the schedule for the rest of this month’s WildStorm re-read. Tomorrow we’ll finally make it back around to Deathblow, now with Tim Sale in control of art duties. Will I like it better this time around?
Need the issues? Gen13 was such a massive, game-changing hit that it’s the rare WildStorm book that’s been through several reprints. Here are the three you should focus on:
- The 1998 Gen13 Archives (ISBN 978-1887279918) is a great, comprehensive collection that includes all of these issues and pushes through #13 of their ongoing series and isn’t too hard to track down all these years later (Amazon / eBay).
- Gen13: Who They Are and How They Came to Be (978-1401211493) is a 1996 collection of just this mini-series (not including #1/2) (Amazon / eBay). If you go that route, also pick up Gen13 Backlist (ISBN 1-887279-41-5), which includes #1/2 and some other one-shots (Amazon / eBay).
- A Gen13: Complete Collection is due in spring of 2017 that covers through #7 of the ongoing, but includes the special Gen13: Rave issue not in Archives (Amazon pre-order).
Alternately, you can purchase single issues – try eBay (#1-5 & 1/2, AKA #-1) or Amazon (#1, 2, 3, 4, 5, 1/2 AKA #-1 and alternative search #1, 2, 3, 4, 5, 1/2 AKA #-1) – and note that Amazon offers these issues digitally(!) through Comixology.
Keep in mind that as a key issue #1 can be pricey on its own but there were plenty of these printed, so you’ll probably be better served buying a lot of the entire mini-series. Since several future Gen13 series hit these same issue numbers, be sure to match your purchase to the images in this post (note that #5 has two different covers). The Gen13 #1 with 13 different covers is not this #1 – it’s the first issue of their subsequent ongoing. [Read more…] about From The Beginning: WildStorm Universe – Gen13 #1-5 & 1/2
This new guide goes beyond listing the collections that include Jessica Jones’s major appearances. It’s a reading order for every issue she’s ever appeared and recaps the action from her guest appearances so you can follow her complete story from Alias to today without reading dozens of comic books.
While the official answer is “no,” Bendis definitely did his homework in finding moments that could suggest that Jessica existed in the past. He also lent more credence to his creation by combined her with actual marginal heroes like Luke Cage and Spider-Woman, who hadn’t been put to good use for a few years and made perfect sense kicking around beneath notice with Jessica Jones.
Jessica Jones went from a random adults-only non-hero made up from the whole cloth of spaces between superhero bash-ups to one of Marvel’s biggest screen stars.
(Yes, funk – go and listen to the synth bass on verse and tell me that’s not influenced by funk. It’s a totally 70s bassline. Then close your eyes and let your booty shake to that chorus and try to tell me this isn’t a totally queer disco cut.)
He sounds desperate. Not desperate to fuck – just desperate for anything he can get, and he’ll offer everything he has – all the good and bad:
The Incredible Book Eating Boy: CK Says: 
– Read it 
– Skip it 
The Incredible Book Eating Boy