[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Strap in for a story, folks. In fact, both songs today come with lengthy stories, but that makes sense – we’re really into my formative years at this point.
This isn’t necessarily my favorite song from 1995, but sometimes art reflects life, and when it comes to the songs of 1995 this is the one I wound up with all those years ago.
My burgeoning rock fandom really exploded in my Freshman year of high school as Gina and my loose cadre of middle school nerds coalesced into a group of rocking teenagers. Though I had the claim to fame of having seen Madonna as my first rock concert, I was growing jealous of our peers and their live music escapades.
I remember seeing Gina in her first play at Masterman sitting behind an entire row of kids from our class who had just been to an Offspring concert – the height of cool.
After what I’m sure was some amount of campaigning to my mother, she lamented and for my birthday purchased me a pair of concert tickets (one for me and one for Gina, of course – we weren’t quite inseparable yet, but quite a music-loving pair). Since my prohibitive favorite LP of 1995 was Garbage, my new favorite band, and since Garbage would be in Philly playing one block from Gina’s house, obviously that would be my mother’s selection.
Right?
Well, apparently I sang “Lump” at the top of my lungs out the car window one too many times, because the tickets were to see Presidents of the United States of America one night before Garbage.
I begged. I pleaded. I would find someone to buy the PUSA tickets. I would pay for the Garbage tickets, too! Please, for the love of Bowie, would she relent and let me see Garbage.
The Mother of Krisis was unyielding. She had done me a solid and not only granted me permission to go to a concert but bought the darn tickets and there were no takesies backsies going to happen. I would go and see “Lump” and like it.
(Let it be known that Mother of Krisis has never lived this down and still is reminded at least annually (plus whenever Garbage releases an album or I see them live, again) that it was her biggest parenting mistake of all time.)
(Which, credit where due, if this is your parent’s worst mistake of all time they are probably a slightly better than average parent, at minimum.)
I might have looked that gift horse in the mouth when offered the tickets, but when it came to the show – my first rock show – I was fully committed. We were in line early and in the second row of bodies from the stage. Gina and I still talk about the insane opening act, Supernova, and their gum-chewing, pogoing set that included the ridiculous tune “Chewbacca,” which we can still shout at you on command.
The Presidents were great. Honestly, as first rock shows go, you couldn’t do much better. It was a group of young, energetic dudes who played their instruments well and wrote inane songs about kitties and peaches – yes, another early influence on our totally weirdball songwriting.
As for “Lump” – what is she? A dead body? A stupid girl? A Gen Xer sleeping her way through life in more ways than one unless there’s an awesome band on stage? I tend to subscribe to that last one – Lump as a metaphor for someone stuck in the mud of life, circled by piranhas of bad decisions.
(“Totally emotionless except for her heart,” is the right answer, by the way.)
The cast of Gen13 were some of Jim Lee’s final creations in the early years of WildStorm. In an interview in Gen13 #1/2, he discusses being motivated to move away from the gear-laden extreme look (and the violence that accompanies it) that many classic characters at Marvel and DC were moving towards. (The irony of the entire team wielding guns on the cover from Lee is not lost on me). He also intentionally created Caitlin Fairchild as a literal strong female who was also super-smart – an obvious choice to lead the team.
It’s not just the Gen13 kids who make this story interesting, but I.O director John Lynch finally being fleshed out into a dynamic character instead of just a conniving government villain. If you’ve read any WildStorm up to this point, he hasn’t exactly been a sympathetic character (except for maybe in WildCATs #2 when he doesn’t arrest the team). That’s especially true coming from reading Kindred, where he seemed as hugely unsympathetic as ever!
This new guide goes beyond listing the collections that include Jessica Jones’s major appearances. It’s a reading order for every issue she’s ever appeared and recaps the action from her guest appearances so you can follow her complete story from Alias to today without reading dozens of comic books.
While the official answer is “no,” Bendis definitely did his homework in finding moments that could suggest that Jessica existed in the past. He also lent more credence to his creation by combined her with actual marginal heroes like Luke Cage and Spider-Woman, who hadn’t been put to good use for a few years and made perfect sense kicking around beneath notice with Jessica Jones.
Jessica Jones went from a random adults-only non-hero made up from the whole cloth of spaces between superhero bash-ups to one of Marvel’s biggest screen stars.
(Yes, funk – go and listen to the synth bass on verse and tell me that’s not influenced by funk. It’s a totally 70s bassline. Then close your eyes and let your booty shake to that chorus and try to tell me this isn’t a totally queer disco cut.)
He sounds desperate. Not desperate to fuck – just desperate for anything he can get, and he’ll offer everything he has – all the good and bad: