Spider-Man

Review: Amazing Spider-Man, Vol. 4 – Graveyard Shift, by Slott, Gage, & Ramos

June 3, 2016 by krisis

Marvel Comics prides itself on the fact that its stories matter and always will – no major reset or reboots to maintain a set status quo.

If there’s one Marvel hero that doesn’t quite apply to it would seem to be Spider-Man. There’s a feeling among both fans and creators that Peter Parker works the best when he’s a young underdog whose life is full of mistakes and missed changes. Spider-Man is no fun as a perfect guy with a great life that’s protected by thick plot armor. It’s more fun to root for him because things go wrong so often in his life.

That feeling is why so many of Spidey’s cross-media appearances focus on him in high school and college. It’s why Marvel launched an Ultimate Spider-Man that replayed Parker’s origin in the context of the 2000s, and surely a part of him being eventually shuffled to the side for a younger model with Miles Morales.

Back in the main universe, that feeling eventually caused one of Marvel’s biggest retcons ever: erasing Parker’s longstanding marriage to Mary Jane to restore him as a romantic lead and youthen him as a character. Spider-Man definitely surged in popularity in the ensuing years, but many long-term fans never returned as readers.

ASMv04 - Vol04 I don’t really have a dog in that fight, but reading Dan Slott’s recent Spider-Man run has me thinking about Peter Parker the underdog, because Slott seems so intent on giving him his due. He’s the CEO of his own company! He’s approaching Tony Stark levels of outwardly expressed genius, and Stark is rarely an underdog.

How does that play out in the final Spider-Man collection before Secret Wars?

The Amazing Spider-Man, Vol. 4 – Graveyard Shift

Collects The Amazing Spider-Man (2014) #16-18 & Annual 1

#140char review: Spidey is tired in ASM Vol. 4: Graveyard Shift; it’s all reiterations & wheel-spinning with dodgy art as the pre-Secret Wars clock runs down

CK Says: Skip it!

Dan Slott is amazing at sticking the landing of the crazy concepts he puts Peter Parker through. Everyone turns to spiders! Doc Ock takes over! Every Spider-character ever is hunted down! Yet, here he’s not great at running down the clock on the verge of Secret Wars interrupting his run, even with the assistance of frequent co-writer Cristos Gage. [Read more…] about Review: Amazing Spider-Man, Vol. 4 – Graveyard Shift, by Slott, Gage, & Ramos

Spider-Man Collecting Guide & Reading Order (1963-2018)

Updated June 26, 2026! The Spider-Man comic books definitive issue-by-issue collecting guide and trade reading order for omnibus, hardcover, and trade paperback collections. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics. Last updated June 2025 with titles scheduled for release through December 2027.

Looking for Miles Morales, Spider-Man? He has his own guide!

There is no hero more synonymous with Marvel Comics than Spider-Man.

Ever since his debut in August of 1962, Peter Parker as Spider-Man has experienced more widespread recognition, popularity, and prolific appearances than any other Marvel hero debuted before or since. Even after he transformed from a scrawny nerd to a superhero, Peter Parker remained relatable thanks to his air of an underdog who somehow found a way to win. He’s also a fine role model, with the motto “With Great Power Comes Great Responsibility.”

Over fifty years of comic books focused on just one hero means there are many great Spidey stories out there to read – so many, in fact, that it is hard to know where to begin or what order they should be read in. Add to that the gradual appreciation of back issues, and for a new fan it might seem like enjoying Spider-Man is an insurmountable task.

Luckily, the vast majority of those comics have been collected into dozens of softcover graphic novels, called “trade paperbacks,” and the issues they contain fall into a discernible reading order. This page covers all of them – every issue, every collection – close to every appearance. If you want to figure out the best way to read Spidey, this page is your headquarters.

Looking for more Spider-Man series from 2018 to the present day? See Guide to Spider-Man – Peter Parker (2018 – Present).

Comic Book Review: Avengers Assemble – Science Bros (#9-13)

September 3, 2013 by krisis

If you are part of the entire population of the free world who kinda dug The Avengers movie, afterwards you may have been moved to consider, “Wow, can I read more high-action, high-drama, high-comedy stories like that in Avengers comic books?”

avengers-assemble-science-bros-tpb

Yes and no. There are certainly action-packed, drama-filled, laugh-inducing Avengers tories out of umpteen thousand different Avengers issues Marvel has released over the decades, but few come close to the glossy sheen of the film. It’s a big challenge for Marvel, which frequently finds itself flat-footed when it comes to delivering the right comic into the hands of an inspired movie-goer.

Enter Avengers Assemble – a comic Marvel pulled together in 2012 with the specific mandate of being friendly to the movie-loving audience headed from cinemas straight to their local comic book store.

The first collection of issues #1-8 was a highly-enjoyable intergalactic romp written by Brian Bendis, but the universal scope of the adventure did more for capitalizing on Thanos’s split-second reveal in the credits of the movie than it did for matching the tone of the film.

Enjoyable comics, but not exactly a sequel.

Then there is the proceeding run of issues #9-13, by Marvel writer and Manga-adaptation vet Kellie Sue DeConnick, just released as a trade paperback called Avengers Assemble: Science Bros. It features the entire movie cast and the ever-awesome Captain Marvel and Spider-Woman – plus, a brief appearance from a peanut gallery of perennial favs, Spider-Man and Wolverine.

AvgAs - 0009 - pg10 The first story features a science squabble between big brains Tony Stark and Bruce Banner that could have easily occurred in the car they drove away in at the end of The Avengers. When a science-y mystery arises, they each pick one teammate to see who can solve it first. Stark, ever the competitor, picks Thor. Banner, knowing his Hulk persona might need some minding, picks the beguiling Spider-Woman. The Captains America and Marvel wind up as team three, doing the fist-fighting dirty-work while the science bros embark on (and ultimately bungle) their initial mission.

The second story finds a former victim of Black Widow calling in a marker – a chance for her to repay a bit of the red in her ledger. Against her wishes, both Hawkeye and Spider-Woman accompany her on the mission as an ongoing part of their ex-lovers’ spat. It starts as a simple search and rescue, but becomes more complex when the person the Avengers are rescuing turns out to have a different repayment in mind for Natasha’s sins of the past.

This comic feels just like the movie, splitting it neatly in two halves between the super-powered members of the team and its more human side. From the pointed banter between Stark and Banner, to Spider-Woman both taming and sympathizing with Hulk, to Captains America and Marvel shouldering the hard part of the mission, the first story reads like a natural extension of the film so perfectly that you can play it in your head as a direct sequel. The second story does that beautiful thing that comics can do – expanding a minor plot point of the movie to its own tale that deepens the backstory of a character.

DeConnick navigates both stories with ease, proving that comics can be fun and funny, and entertaining while being appropriate for readers of all ages. The artwork isn’t the cinematic, lifelike stuff of some of Marvel’s go-to talents, but it’s bold and engaging throughout. That’s especially true of Stefano Caselli on the first story – he needs a regular Marvel gig, pronto!

CK Says: Buy it! 4.5 out of 5 stars.

Does the past matter after a reboot?

July 10, 2012 by krisis

To be fair, I don’t know if any of us really wanted to see a fourth film of Maguire’s puffy prematurely-balding version of Peter Parker.

We are living in the age of the reboot.

Last week, Amazing Spider-Man relaunched the webhead’s cinematic universe while the body of the old Tobey Maguire series was still warm. There’s a new Dallas series on TV. Sherlock Holmes revisionist history movies are being released alongside a present-day version of the detective on BBC TV.

So do those older, original versions matter?

Alternate Future History

Think about your favorite TV show or series of books. It’s a serialized, ongoing story that builds with every installment and references its past. You love it. You watch every episode and buy every volume. You are a super-fan.

What if there was some prior series with the same characters and concepts, but it was not a part of the current story you love? Would you buy it? This is increasingly common in our age of reboots. If you loved the new JJ Abrams Star Trek movie – which departs from the traditional Trek timeline post-Enterprise – are the other TV series and films automatically a must-watch? What about past Spider-Man movies, original Dallas, Sherlock Holmes books, Charlie’s Angels, G.I. Joe, Inspector Gadget, or Battlestar Galactica?

To me, Garfield is the perfect embodiment of Peter Parker – thin, gangly, awkward, and genuine.

Probably not. All those past series are just an alternate reality to the present ones. You don’t need to watch both.

Case Study: DC’s Crisis of Collected Editions

DC Comics is one year into their successful line-wide New 52 reboot. Now they’re faced with a major crisis: they have a huge back catalog of trade paperbacks and hardcovers that might not matter.

DC’s rich history of iconic characters stretches back to 1938. Superman, Batman, Wonder Woman – these heroes emerged as pure archetypes and over many decades evolved into the rounder, more dynamic characters they are today. There are many hundreds of older issues of their exploits available to reprint and press into the hands of eager young fans of today.

Action Comics #1, 1938

Except, today’s characters are not the same people – and I don’t just mean their personalities. DC’s Crisis On Infinite Earths rebooted everyone back in 1984, making post-1984 books the equivalent of new-Trek. Some of the characters beneath the masks of Flash and Green Lantern weren’t even the same as before! Then, after many years of tweaking, DC rebooted again last fall – creating a new-new-Trek.

What wasn’t immediately evident from those #1 issues was that some characters survived more intact than others. Batman’s corner of the DC Universe? Seemingly mostly the same, even if Bruce is younger than before. Superman? Origin retold from scratch, parents now dead, never in a relationship with Lois. Wonder Woman? Major changes in the Amazonian status quo, right down to her parentage.

Which brings me to my titular question: do DC Comics Collections matter? Yes, there are the Watchmen and the Killing Joke, the indisputable evergreen classics of the comics medium that will move units regardless of if their stories still count for anything.

But what about DC Archives, their premium hardcover reprints of Golden and Silver Age comics? What about Wonder Woman #205? Action Comics #527? The 70s Green Arrow / Green Lantern series?

Action Comics #1, 2011

None of it counts in continuity, so does it matter anymore? These classic stories have little to nothing to do with the current state of my favorite heroine. They aren’t all prohibitive classics. So, is there any point in reprinting them?

(Marvel doesn’t have this problem. Aside from some isolated soft reboots of certain characters, everything still counts, all the way back to the 40s. Every issue of X-Men is acknowledged and in continuity.)

Does the alternate past matter? You decide.

I want to know what you think. Do older stories still have a place post-reboot? If you loved JJ Abrams’s Star Trek did you immediately jump back to rewatch the original series?

And, on our case study: Should DC even bother to reprint non-seminal stories of characters other than Batman if they don’t matter in current continuity?

What do you think?

Top 12 X-Men Collections of 2011 – New Material

January 10, 2012 by krisis

Uncanny X-Men issue #534.1, from Uncanny X-Men: Breaking Point

Today I bring you a list of the best collections of new X-Men material released in 2011, which collect stories originally published over the last 18 months of comics.

Occasionally I wonder if comic collecting as an adult is merely a shameless attempt at recapturing our youth now that we have the budget to appreciate it properly – especially as I and many other fans (let’s be honest) fetishize premiere format reprints of the comics we coveted as a kids. (Last week’s post covered the best of those from 2011.)

Is there anything to this hobby other than rewarding our inner teenage geeks?

If there’s an answer to be found in X-Men comics, it must be on this list. These are the twelve new X-Men stories that captured my imagination like those old issues I still obsess over, and I categorize “the wonder of feeling like a kid again” separately from “trying to recapture youthful feelings with a dose of well-preserved nostalgia.” [Read more…] about Top 12 X-Men Collections of 2011 – New Material