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Ron Marz

From The Beginning: WildStorm Universe – Stormwatch #4-5 & Special #1

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[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]stormwatch_v1_005Stormwatch wasn’t immune to the widespread Image delays, but it had them more managed – its initial three-issue sprint was effectively a bi-monthly comic.

From that opening arc, it launched into a quick two-issue story that would connect it more strongly to WildCATs by introducing Daemonites into the mix. A subsequent special tells a weirdly rushed magical tale and a critical piece of background on second-in-command, Diva.

Brett Booth delivers marvelous work on pencils, with a set of vivid, superheroic colors from Joe Chiodo. Booth’s Warguard are positively Liefeldian, with mouths overstuffed with teeth and creases on every part of their clothing not stretched taut over a muscle. In keeping with the Liefeld inspiration, Booth does sometimes skimp on backgrounds.

This quick hit story only serves to emphasize how solid Stormwatch is as a comic and a concept. The cast doubles in this pair of issues, canon is deepened, the book begins to tie-in with the wider universe – yet, it’s still a coherent plot that moves the Stormwatch story forward.

The first Stormwatch Special isn’t quite up to the par of the main book  even as it succeeds in upholding the strong continuity of Stormwatch.

stormwatch_v1-special_01Ron Marz’s story of a parallel dimension akin to He-Man’s Eternia would have been better suited across multiple issues. It’s difficult to understand Battalion’s actions as they occur over just a day, making it seem as though he was hypnotized or possessed by a sudden love interest. If that was Marz’s intent, I’d say the issue was great, but it’s unclear if we’re supposed to believe the relationship was on the up-and-up.

While traveling to a dimension of sword and sorcery seems somewhat out of left-field here, it’s consistent with Stormwatch’s upcoming appearing in Union that they are increasingly the team called upon to deal with dimensional breaches in the fabric of our reality. Dwayne Turner manages to keep up the title’s high standard of art (though he trends a little more Kubert-brothers here more than Lee/Booth), although some of the colors are a bit off (e.g., Diva’s outfit is more red than pink).

Marz and artist Richard Johnson turn in a second story that reveals Diva’s origin and takes a moment to humanize Cannon. It’s a well-crafted, heartbreaking little story of Diva encountering her former vocal instructor that’s completely unnecessary to the main narrative in Stormwatch, but it adds depth to Diva’s steely, no-nonsense leadership. Johnson’s pencils are more grounded in realism that typical Image work, and it makes for some genuinely great panels.

Want the play-by-play? Keep reading for a summary of the team’s first run-in with Daemonites.  Here’s the schedule for the rest of this month’s WildStorm re-read – tomorrow we’ll read the biggest blockbuster yet, the “Killer Instinct” crossover between WildCATs and Cyberforce. If you want to get a headstart, you can read Cyberforce’s original 4-issue mini-series as background.

Need the issues? Stormwatch #4-5 & Special #1 have never been included in a collected edition! You’ll need to purchase single issues – try eBay (#4-5 & Special) or Amazon (#4, 5, Special) [Read more…] about From The Beginning: WildStorm Universe – Stormwatch #4-5 & Special #1

DC New 52 Review: Voodoo #1

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Busty woman have always been a part of the draw of comics, but in the late 80s and 80s it went completely overboard.

Already attractive female characters has their breast sizes increased to the point of physical impossibility as their waists collapsed and costumes became increasingly skin-tight (or, just skin). This trend was perpetrated hugely by Image’s superstar artists, so of course when they launched their own line of books they featured a bevy of those scantily dressed females.

The problem (beyond the obvious objectification) is that when female characters are babes from the concept stage, their origin stories become intertwined with their curves. Voodoo was originally conceived as a regular girl with the super gift of seeing aliens in human bodies … who happened to be an exotic dancer. Her tight outfits, slick figure, and crazy boots were part of her identity.

When a female hero was conceived as a vapid sex symbol, does she really merit their own titles? Like anything else, it has to do with good writing. DC’s relaunch already pilfered a large part of Voodoo’s prior origin – they handed her ability to see aliens walking around in human skin to the rebooted Grifter.

Art previews of the issue revealed many scenes set in a strip club. Did scribe Ron Marz find any other aspects of Voodoo to write about, or are we getting a book about a stripper who … strips?

Voodoo #1

Written by Ron Marz, art by Sami Basri

Rating: 1.5 of 5 – Weak

In a Line: “We don’t need to be doing it from a ringside seat.”

#140char Review: Voodoo #1 wastes intriguing setup & capabilities of Sami Basri art on too many pages lingering in a strip joint. Embarrassing to read. Gross

CK Says: Skip it.

Voodoo #1 is an embarrassing waste of an interesting character concept and an artist who is clearly capable of so much more than nudie pinup pics.

The blame rests mostly on writer Ron Marz’s shoulders. Yes, we get that part-alien Voodoo is a stripper because men can’t resist her and she wants to study their behavior. That doesn’t mean we need to spend an entire issue in a strip club with panels so revealing that I was terrified of reading this comic on the bus.

I choose not to implicate artist Sam Basri too much – he’s just drawing what he’s told. There are only so many non-lascivious ways you can draw a piece of script that must have read, “Voodoo crawls forward on the stage, her bosom practically escaping her skimpy bikini top.” Although, I guess when the background of a panel has a man waving a dollar bill at the ass of a woman hanging from a stripper pole that’s mostly the artist’s prerogative – so I suppose he’s complicit.

When Basri gets a break from drawing cheesecake, his clothed figures are really super – they have the illustrated-from-life effect of the art of Buffy without looking traced from photo references.

There is a story beneath the grossness here, and it’s potentially interesting. A pair of secret agents have been tapped to keep an eye on the clearly otherworldly Voodoo, but one of them is a little impatient to get to the bottom of her mystery.

Unfortunately, the getting to the bottom takes the literal form of a pages long lapdance.

That’s the entire problem with this issue. You can set a story in a strip club without it being disgusting and exploitative. There are panels here that never needed to be seen, even with the script staying entirely intact.

I can’t call this terrible, because of Masri’s engaging artwork and the interesting core concept of Voodoo as a character. I’ll probably check back in for a second issue based solely on that and hope that Marz and Basri have cleaned up their act, but based on this introduction I don’t have a lot of hope for their take on Voodoo.