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Archives for November 2016

Book Notes: Fiction Friday Preamble

November 4, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]2012-02-27_01-04-47_524In an alarmingly short amount of time I will post the part of this Patreon launch I am both most-excited and most-anxious about – the first publicly-available material from my 2010 National Novel Writing Month (NaNoWriMo) novel, which has since been through several rounds of edits and expansion.

This superhero story has been with me since 1994, when I scrawled the title “Crisis Team” longhand on composition paper at seven in the morning before being picked up for Masterman to attend 8th grade. It became fodder for English class writing assignments, and later the first thing I rushed to type on my first Word Processor with a screen and memory. I used to carry a binder of it around with my school books, handing it to Gina for a read in Health Class.

After a few years of carrying it with me, its name became my email handle, which then morphed to Krisis with a K when I found that Crisis was often already taken.

Over the years I got in the habit of constantly rewriting the first chapter – updating it as a proof of concept. Of what, I’m not sure, since I never once would follow through with a second chapter or an outline. Perhaps it was just my way of keeping the story fresh for myself.

In 2010, two factors conspired to make me finally get past the first chapter. I had just read (and heard) Eric Smith’s Textual Healing and was suddenly inspired to write my own fiction. And, Gina had thrown down the gauntlet that she was attempting a NaNoWriMo book and that I should do the same.

Finally, I sat down to think about more than the first chapter. Who were these people? What was this world? How would it change as the result of people with super powers emerging? Were they just emerging, or had they been around for a long time.

I was energized by the questions and dashed the book out in 30 days. Yet, having finished the first draft, I sunk back into old habits – I’ve been revising it for six years rather than writing more.

There’s a start-up saying – “better shipped than perfect.”  It’s fine that the end goal of writing a book is publishing a book, physically or digitally, but publishing requires something resembling perfection – and perfection is my eternal foe. The way I got the novel out of my head was to give myself permission to write badly for a month just to get it on paper. The way I’m going to get the novel out into the world is to give myself permission to post my working draft here for you all to read, knowing there are still changes both small and large to be made before it reaches a final, printed state.

I am so anxious and excited for you to read it.

Filed Under: Fiction, memories Tagged With: Fiction, Krisis Novel

From The Beginning: WildStorm Universe – WildCATs Special & WildCATs Trilogy #1-3

November 4, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]After WildC.A.T.s managed to wrap up its intended three-issue mini-series in four issues and 10 months it was unclear what the more permanent version of the title would be.

wildcats-v01-special-01In the gap, WildStorm quickly thrust WildCATs Trilogy, a three-issue mini-series from newly-poached Marvel young gun Jae Lee. It took just six months to complete (that’s sarcasm, by the way), and was accompanied by a single-issue Special #1 from Lee’s remarkable feel-alike protegé Travis Charest (which explicitly states that it fits prior to Trilogy).

Both arrived in time to promote the continuation of the WildCATs mini-series to a full-time ongoing with #5 in fall of 1993. Both also wisely put a heavy focus on Grifter, Voodoo, and Zealot, quickly realizing that the rest of the team is a snoozefest.

The Special issue is an outstanding adventure that proves that the book, its concept, and its cast will have many stories to tell thanks to Voodoo’s status as the only proven Daemonite detector on Earth. Marvel vet Steve Gerber – the co-creator of Howard the Duck! – shows a deftness with set-up scenes that makes the long, slow build-up of this issue as interesting as the brief burst of action that ends it.

On art, Charest does Jim Lee as well (maybe sometimes better?) than Lee, especially with an assist from Lee’s habitual inker Scott Williams.

Trilogy has its gawky moments of art from Jae Lee, who was still a teenager without much experience. Its strength is as an early shot of origin for the magnetic Zealot. Serving that here was a wise choice, as her popularity and narrative power would go on to threaten the team balance of the main book. Spending so much time explaining the Coda in the ongoing title would tip the scales a bit too far away from the rest of the team, but it feels just right in a mini-series.

Want the play-by-play? Keep reading for a summary of this introductory story. Here’s the schedule for the rest of this month’s WildStorm re-read – tomorrow I tackle Stormwatch #4-5 & Special #1.

Need the issues? WildCATs Trilogy #1-3 was collected in a 1999 TPB as The Way of the Coda, but Special #1 has never been collected. For single issues try eBay or Amazon (Trilogy, Trilogy Alternative Search, & Special) [Read more…] about From The Beginning: WildStorm Universe – WildCATs Special & WildCATs Trilogy #1-3

Filed Under: comic books Tagged With: From The Beginning, From The Beginning: WildStorm Universe, Image Comics, Jae Lee, Scott Williams, Steve Gerber, Travis Charest, Voodoo, WildCATs, Wildstorm, Zealot

35-for-35: 1984 – “When Doves Cry” by Prince

November 4, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]prince-purple-rain1984 was a year that included a Madonna record – one of my favorite records of all time, actually – Like a Virgin. I could go on and on about that album. Yet, as with yesterday, I have to pluck out a different song to highlight. Unlike yesterday, this song as quite a pedigree.

Why do we scream at each other
This is what it sounds like
When doves cry

“When Doves Cry” may have been the first time I noticed that songs imitated life. I was on the verge of my Madonna obsession that came the following year with endless spins of “Dress You Up” b/w “Shoo-BeeDoo” but it was also the period where my parents were moving towards their separation.

I don’t have a lot of memories from when they were together and together in the same place. There are only two that I can recall clearly, and one was standing on the landing of our staircase listening to them scream at each other.

I always wonder, is that memory so singular because it was the only time they fought in front of me, or because it was frequent?

(Please, mom and dad, don’t comment and ruin the mystery.)


(Due to Prince’s curious vendetta against any of his music appearing online, there are no embeds of the video of “When Doves Cry” to share! Instead, have this early rehearsal footage of him learning the song with his band.)

Despite the dirty electric guitar riffing in the intro and the jaunty piano chords of the refrain, “When Doves Cry” is a sparse song. Prince is singing to an unnamed partner, but to me the song plays out in a locked white room (“a world that’s so cold”) with several Princes, drums, a piano, and some phase effects. There is no bass. when-doves-cryNothing else will enter or depart.

Maybe it is the inside of Prince’s mind, him arguing maybes back and forth, the drum an echo of his heart beating from just below.

How can you just leave me standing?
Alone in a world that’s so cold? (So cold)
Maybe I’m just too demanding
Maybe I’m just like my father too bold
Maybe you’re just like my mother
She’s never satisfied (She’s never satisfied)

I think it says something about me that for over 30 years “When Doves Cry” has always been a song about parents when that amounts to only four lines alone in the context of the bottled lust of the rest of the song.

I have to consciously check in to hear anything else in the song as words other than noises. Like “animals strike curious poses” – I could recite the phrase to you phonetically, but every time I remind myself of the lyrics I quickly forget.

E said a thing to me last night to the effect of, “we’re all just machines executing code we wrote when we were eight years old.” We weren’t talking about “When Doves Cry,” but that’s absolutely what the song is about. At a point, all of the lust and heat in world can’t change your programming. You either add new functions to help correct the old code at the core, or you just keep executing the same mistakes again and again – either the mistakes of your parents or the mistakes you make in reaction to their actions.

All of that meaning is packaged in this hermetically sealed white room of a song with its sparse arrangement, three stanzas, and a chorus. Prince was a genius of both music and the human condition, and also of efficiency. Lines of musical code.

If he could have said it in any fewer words or notes he would have.

Filed Under: Crushing On, Song of the Day Tagged With: 35-for-35, Prince

Live @ Rehearsal Video Concert – November 1st, 2016

November 3, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]After a month of piloting Facebook Live lunch rehearsal concerts to my network of friends, this week I unveiled them on my Facebook page!

 

Setlist: Shake It Of w/Shake Your Body Down (to the ground), A Few Bars of Goodbye, Saving Grace, a totally off-the-cuff and unrehearsed cover of Lady Gaga’s Million Reasons, Bucket Seat, Saving Grace, and a special encore duet with EV on We Are The Crystal Gems (the theme from Steven Universe)

lar-20161101-status-quo-500pxPerformance Notes:

With my first solo performance in a LONG time under my belt two weekends ago, I’m starting to get a feel for my solo repertoire again.

For me the standout here is “Status Quo.” I invoked it in this year’s anniversary post, and this is one of the strongest versions of it I’ve performed. It has all sorts of extra ornamentation I’ve never done before. Definitely wish I had that one in studio quality!

“Shake It Off” was a decent rendition, and I’m starting to get the muscle back to pull off three whole minutes of those hammers (seriously, it’s a workout).

I was really focused on keeping “A Few Bars of Goodbye” on the slower side since I tend to gain speed on songs in 3, but the tempo focus distracted me from some of the lyrics. That said, it’s great to hear it at the right speed (and I got the final chord right)!

“Million Reasons” was a bit of a train-wreck, but that’s the fun of doing this live and not as some big studio project where such things would never sneak through. Early Trios featured plenty of beautiful wrecks. I need to take the key slightly up from there to get to a better place in my range for sustained notes – you can hear how much trouble I’m having with breath management. It’s a statement to how damn good the song is that the quality still shows through my shaky performance.

As for the pair of Arcati Crisis songs, “Saving Grace” and “Bucket Seat,” I’ll simply say the transition to doing that material sans the incomparable Zina on drums hasn’t been the easiest.

##

FB Live presented an interesting technical challenge, because FB offers nary a means of broadcasting video from a desktop device. I tried for a few weeks by using my phone, but discovered that the cap on its WiFi upstreaming capabilities meant that live music just didn’t sound great.

After a bit of research, I found a magnificent walkthrough on JoelComm.com that explained desktop-based streaming and even included an applet to generate your streaming key! Once I installed the excellent open-source software OBS I was ready to stream (the next best solution is hundreds of dollars).

The next hurdle is achieving studio-quality sound. The sheer volume of me clips any standard cellphone or laptop mic, plus those mics aren’t great with dealing with reflections and echo and can make even the most pitch-conscious singer (which I am not) seem out of tune. Unfortunately, OBS doesn’t play very nicely with my studio setup, or else this would already be a solved problem. It’s a work in progress.

Filed Under: my music, performance, rehearsal Tagged With: Arcati Crisis, Lady Gaga, Live@Rehearsal, Video

From The Beginning: WildStorm Universe – Deathblow #0-4

November 3, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]deathblow_000Deathblow was the third book in Jim Lee’s trio of WildStorm launch titles, introducing his own analog to The Punisher – one of his famous runs as a penciller at Marvel in the late 80s.

(The character was first introduced in a brief tale in the anthology Darker Image, although that story doesn’t track directly to the beginning of the series and would  be completed in a #0 issue.)

Deathblow would later coalesce into a remarkably gripping story, but at its introduction the book was a mere footnote to WildStorm’s pair of flagship teams. That’s due to a staggered publishing schedule and four short, disconnected issues that don’t feel like they had Lee and scripter Brandon Choi’s full focus.

That’s puzzling, as Deathblow begins with the most traditional opening arc of all three of the initial WildStorm titles. We get time to linger on our anti-hero and his relationships before being plunged into action. Why isn’t it satisfying?

At this early stage of their independence, Lee and Choi didn’t know how to deliver information while keeping a story in motion. As a result, the first three chapters of the story feel like prologue, while the brief action sequence and bizarre twist in the fourth hardly pays off all the set-up.

While the story was a muddle, Deathblow remains notable as a rare example of Jim Lee inking himself. The style is striking. It retains all of the dynamics of Lee’s typical work, but drapes them in shadows and negative space. It’s a much more dark, rough-hewn look than his typically sharp pencils. It almost suggests Frank Miller or Jae Lee’s inky style. Jim Lee also plays with silhouettes and reversing out foreground details in a single color from the backdrop.

The unusual style is emphasized by a desaturated color palette of grays and greens. Most characters are colored as pale white ghosts or sickly yellow specters. Any hints of red are reserved for the lines under Deathblow’s eyes, religious imagery, and bursts of occasional violence. It’s a bold, memorable choice, but the early days of digital color don’t do it full justice. The high contrast looks smudged where colors meet, and inexact gradients swallow up Lee’s penwork.

Tim Sale takes over finishes duty over Lee’s layouts in the third issue. Sale isn’t as detail-obsessed as Lee, and as he settles into his simpler style the art begins to gel more with the early digital colors. This would coalesce into a beautiful, minimalist look that would last through issue #12, though Lee would continue providing misleading hyper-detailed covers

There’s little to recommend this early run, which reads like the worst of everything Image was accused of in its early days. Even if the between-issue delays are invisible to us now, the stories are short, incoherent, and try to push as many “cool” and” x-treme!” buttons as they can in their brief page count.

Want the play-by-play? I’ll get into the nitty-gritty of Dark Image, Deathblow #1-4, and #0 below. Here’s the schedule for the rest of this month’s WildStorm re-read – tomorrow I tackle WildC.A.T.s Special #1 and WildC.A.T.s Trilogy #1-3.

Need the issues? Deathblow #1-4 (and on through #12) was collected in a 1999 TPB titled “Sinners and Saints.” DC issued a revised, expanded, and re-ordered HC and TPB of #0-12 that are still readily available. For single issues try eBay (Darker Image & #0-4) or Amazon (Darker Image, #0, 1, 2, 3, 4)
[Read more…] about From The Beginning: WildStorm Universe – Deathblow #0-4

Filed Under: comic books Tagged With: Brandon Choi, Deathblow, From The Beginning: WildStorm Universe, Jim Lee, Tim Sale, Wildstorm

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