consume

35-for-35: 2002 – “5 Minutes” by Garrison Starr

November 20, 2016 by krisis

garrison-starr-promo-shot [Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]We’re getting into double-jeopardy now that I’m blogging about music from the years I’ve been blogging. I keep searching my archives thinking, “surely I’ve said something about this one before?”

This story starts in 1998. I don’t think Garrison Starr had written “Five Minutes” back then, but that when I first saw her play a live acoustic set in HMV on Walnut Street the day of my Junior Prom with my friends Ayelet and Susan.

I had been listening to Starr’s Eighteen Over Me ever since hearing “Superhero” play once on a local record station. It loved its framework of acoustic guitars with a heaping of heavy, squalling electrics on top. It made me feel like the music I had begun to write on my own acoustic guitar could transform into something bigger.

I desperately hunted for any other songs by her, including her 24/7 disc of promotional songs, and her indie Stupid Girl EP that I had to beg Mother of Krisis to let me order from the internet. (It was 1998 ! We couldn’t use credit cards on the internet, heaven forbid!)

Then, one random day while I was sitting in my dorm room in the spring of 2000, Garrison’s name popped up on MP3.com (remember that?) next to new music. It was an EP called Something To Hold You Over [now only available on iTunes], filled with seven songs that showed a clear progression in her songwriting. Some, like “I Can’t Wait” and “Take It Back” were fully produced and hinted at another LP with a massive sound. Others were just acoustic guitar and voice.

One of those songs was “Five Minutes.” It hit me like a punch in the gut.

It feels like love
Not some rigged-up holiday
Where I believe in somebody who can bring me down again
It feels like love
Is this how you make me pay?
Branding me with deep cuts that will never go away
Never go away

To say that I wore out this EP (which was eventually available to buy in physical form) is an understatement. I have the rhythm of the pick scrapes from “5 Minutes” seared into my brain. It’s one of the first songs I ever made up my own harmony to sing along with! I saw her play it live a year later with my friend Hillary (the first time I did not have to bribe my mother or a family friend to take me to see her at a 21+ venue), and I remember thinking as she thunked that first chord on her Martin acoustic guitar, “That is what an F should sound like every time.”

I can’t find that initial acoustic version on the internet, but you can still hear it – which is what brings us to 2002. Garrison Star released her second proper full-length record, the slightly country-tinged Songs From Take-Off to Landing. “5 Minutes” was the only song from Hold You Over to graduate to this disc, and after ten nude seconds of the acoustic EP version a full band slams into motion tracked directly on top of the original performance.

(They remembered to leave some room for my harmony.)

I will always be a fan of Garrison Starr. I’ve seen her many times since that first Junior Prom Day show almost 20 years ago and beamed with pride as she’s placed songs in movies and co-written with some of my favorite songwriters. I admire that she is still a performing songwriter after all these years andI own every one of her records.

She has never once put out a bad one.

I highly encourage you to follow her on Twitter, check out her discography, and listen to her band, Silent War.

PS: Since I can’t find the chords anywhere on the internet, they are:
Capo 1
Verse: Am E F C G/B
Chorus: (Am) F Am G F C Am G F

New Warriors – Definitive Collecting Guide and Reading Order

Updated Dec 22, 2024! The New Warriors comic books definitive issue-by-issue collecting guide and trade reading order for omnibus, hardcover, and trade paperback collections. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics. Last updated December 2024 with titles scheduled for release through July 2025.

This guide covers every series titled New Warriors, plus acts as a complete reading order for all of the major New Warriors characters: Night Thrasher, Namorita (AKA Kymaera), Firestar, Marvel Boy / Justice, Speedball (AKA Penance), Rage, and Silhouette. Nova is covered in his own guide. [Read more…] about New Warriors – Definitive Collecting Guide and Reading Order

From The Beginning: WildStorm Universe – Backlash #1-5

November 19, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Backlash leaps to his own series after a brief supporting turn in Stormwatch and co-starring with Grifter in The Kindred.

(This clearly comes after WildCats #14 since Marlowe and Savage Dragon are on a first-name basis. It’s also after Wetworks #5, as we’ll see in Backlash #4. A brief scene with Diva seems as though it could fit between Stormwatch #11-12.)

backlash_v1_01 I’m not convinced anyone liked Backlash enough for him to merit his own series, but at this early stage in WildStorm’s life it seems they’re intent on playing out a certain set of plots and Backlash’s Daemonite hunt is one of them.

My main beef with Backlash to this point has been that his fearsome reputation doesn’t line up with what’s on the page. He’s supposed to be tough, but all we see is him getting the tar beat out of him. He’s supposed to be heartless and arrogant, and while he’s got the latter down to a tee he’s more tactical than he is cold-hearted.

This betrays a weak spot in WildStorm’s early scripting. Even when characters aren’t stereotypes, they’re a flat package of clearly labelled traits without much humanity. Backlash is a potentially rich enough character that he can actually portray these seemingly opposed traits, but no one with enough skill to balance it has written him yet – he slipped out of Stormwatch just before Ron Marz could get his hands on him.

Unfortunately, the writing that finally shows Backlash as the dynamic, serious threat he is rife with toxic masculinity that goes beyond any aspect of chauvinism in Backlash himself. In his five issue run, guards whine about their women and try to score with their female compatriots, Diva cries on Backlash’s shoulder, Backlash narrates about guarding his lover Diane even if she doesn’t want that from him (while calling her “kiddo” – super gross), a cop hopes to run into “a drunk starlet,” and Taboo is suddenly sex-crazed for Backlash.

Each taken on their own most of these would slip by me aside from the cop who wants to commit sexual assault, but they’re compounded by a particularly ugly one – Pike threatening Zealot with sexual violence. I think that’s a first so far in WildStorm.

Not only is the Zealot comment disgusting, but it’s the laziest of writing to take the toughest, most-dynamic character in your entire universe and decide the only way to weaken her is to threaten her sexual agency. It rings completely false on the panel, even if Pike is exactly that nasty of a guy.

This marks the first time a WildStorm title has kicked off without Brandon Choi having a hand in the proceedings. While Choi hasn’t exactly been the paragon of writing female characters not named Zealot, he’s been surprisingly even-handed when it comes to women as objects and women in peril. Not these writers – each issue is attributed to the crowd of artist Brett Booth, Jeff Mariotte, and Sean Ruffner. They’re giggling like maniacal pimpled teenage boys every time they can suggest one of their male characters might be able to seduce or assault a woman, and their version of agency for Taboo is her coercing Backlash into having sex.

Is Backlash any good if you can look past its misogyny? It might not be as weak as The Kindred, but it’s still just average tough guy fare, despite a killer first issue. [Read more…] about From The Beginning: WildStorm Universe – Backlash #1-5

35-for-35: 2001 – “Subdivision” by Ani DiFranco

November 19, 2016 by krisis

My second-favorite shot of Ani, shot by Danny Clinch.

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]As occasionally problematic and non-intersectional as Ani DiFranco can be, sometimes her willingness to just say stuff makes for compelling, provocative songs.

Case and point: her song “Subdivision” from 2001’s double-album Revelling/Reckoning, which starts with the line “White people are so scared of black people.”

Despite the bombshell opening line, “Subdivision” is not a song exclusively about racial divides, but about Ani’s beloved home town of Buffalo and her beloved country. Her city has seemingly been left behind by a march of modernity. Here, she wonders if that march is just about having the money and privilege to put more space between ourselves and our fears. Maybe if we’re far enough away we no longer have to confront them.

Except: when we’ve forgotten, buried, or sublimated all that we’ve been running away from, how will we know when it is stil driving our biases?

I had a sense of foreboding when I picked “Subdivision” as my song from 2001 as I prepared for this campaign last month. I’d be posting it just 10 days after the election. I wondered how its message would play in a post-election America, the same country we lived in the day before the election but potentially seen through a new lens. What would it say about a world where Hillary Clinton won the election? What about a world where Donald Trump won? Would it be equally true in both?

Now we know the outcome, and I ask that you simply listen and take from it whatever message you hear. That first line will always stand out for me, but in this redefined world it is teaching me something different than it was a few weeks ago.

Subdivision
by Ani DiFranco

White people are so scared of black people
They bulldoze out to the country
And put up houses on little loop-dee-loop streets
And while america gets its heart cut right out of its chest
The Berlin wall still runs down main street
Separating east side from west

And nothing is stirring, not even a mouse
In the boarded-up stores and the broken-down houses
So they hang colorful banners off all the street lamps
Just to prove they got no manners
No mercy and no sense

From The Beginning: WildStorm Universe – Stormwatch #14-16

November 18, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]Today we’re back to Stormwatch, and if I wasn’t adhering to a reading schedule this month you better believe I would be holed up in a corner reading nothing but Stormwatch because the suspense of reaching #25 is killing me.

Thanks to a brief tag with the time-traveling Timespan on issue #16 that loops back to his prologue in issue #9, it seems we’re meant to read this post’s issues and the prior one’s in a single self-affirming swath of doom.

Ron Marz spends this trio of issues delivering two of the kind of globe-trotting adventures we expect from the team, but the international action will be the farthest thing from your mind. That’s because he not only turns up the pressure on Battalion’s impending doom, but takes the time to finally make the equally doomed Diva a more round character (albiet with a lame “I’ll make you a better person” romance with Cannon).

stormwatch_v1_014 Penciller Mat Broome is joined by Joe Phillips on Stormwatch #14, and combined with a totally new crew on colors it has some awkward moments. It’s a fine issue to work out those kinks, since despite containing some action Ron Marz’s script mostly focused on relationships and mercy.

We quickly learn why Battalion was so eager to take a leave of absence in the last arc. It wasn’t for peace and quiet – it was so he could infiltrate Skywatch and murder his father in his cryo-sleep! As he lurks in the so-called “Ice Box,” we get a glimpse of past foes like Talos, future ones like Stricture, and even some non-threatening figures who must be more than meets the eye. However, he can’t bring himself to kill his father.

We also learn more about the Diva and Cannon romance that has apparently been bubbling under ever since Ron Marz first hinted at it in Stormwatch Special. Their private moment is interrupted when Synergy as Weatherman inserts Stormwatch One into Northern Rwanda to protect refugees from the country’s civil war with strict instructions to engage the enemy only in self defense. stormwatch_v1_014_23 When the team (Cannon, leading Diva, the reconstituted Hellstrike, Fahrenheit, and Strafe) finds that all but one of the refugees have already been slaughtered, Cannon takes it upon himself to hunt down the perpetrators and only Diva can stop him (both with reason and ass-kicking) from killing them in revenge.

The issue ends with a brief stinger in Defiles sanctum, where he’s seemingly threatened by Warblade only to discover it’s a shapeshifter named White. Curiously, he plans to deploy White to disrupt the WildCATs, not Stormwatch.

Stormwatch #15 opens with us still in Defile’s lair, and here we learn what he has in store for Stormwatch – a massive genetically engineered creature incubating in a tank.

Synergy the Weatherman (whose hair is already grown out since last issue) has met with all of Stormwatch One to reprimand them for their actions in the last issue – they’re more of the sort of rogue decisions that got her an unwanted promotion. When she gets to Diva, she has only thanks for her leadership, which leads Diva to confront Cannon about his behavior.

Battalion is starting to lose his cool (and his mind?) about his impending death, but his quiet tinkering time in the workshop is interrupted by the always awful Flashpoint. The brash Stormwatch Prime member goals Battalion into a fight and gets thoroughly whupped.

Their confrontation is interrupted by an all-hands on deck notice from Weatherman. A massive humanoid bearing a device that looks like a bomb is in the process of King Kong-ing its way up Mauna Loa in Hawaii – the largest active volcano in the world. Stormwatch One heads in, lead by Battalion and comprised of everyone except the unstable trio of Stormwatch Prime.

stormwatch_v1_16 Mat Broome and colorist Steve Firchow have settled in on Stormwatch #16, which makes for a crackling climactic issue. (Weirdly, there is a single page colored flatly without digital gradients, and it looks amazing. It goes to show that Broome’s talent isn’t all in the digital trickery of the coloring.)
The assembled Stormwatch One is unable to dent the massive purple creature sent by Defile despite multiple attacks. Battalion distracts it long enough to get in close and rip the bomb away from where it’s grafted on the creature’s back.

We’ve seen both Hellstrike and Winter contend with massive explosions in recent issues, but Battalion takes it upon himself to absorb this detonation within a bubble of psychic power. Timespan drops by to witness him doing the deed just long enough to stop Diva from interfering. Battalion contains the blast, but his body is left limp and lifeless in its wake.

Artist Trevor Scott stops by to render an epilogue in the past, as Timespan returns to to the unlikely 12th century Normandy for a breather. Despite his seemingly random choice, the fellow traveller we glimpsed back in Gen13 #1/2 catches up to him and says she’ll end his “tampering.”

Ah, is Timestream not as benevolent as he lead us to believe? He slips away after a punishing blast from Nadia to return to his Prologue scene from Stormwatch #9 – which means he whisked Battalion to the future straight from overseeing his death!

Here’s the schedule for the rest of this month’s WildStorm re-read. It’s going to be another tortuous week before we’re back to Stormwatch to see what happens in the wake of Battalion’s death. Tomorrow we break ground on a new series, Backlash #1-4!

Need the issues? You’ll need to purchase single issues – try eBay (#14-16) or Amazon (#14, 15, 16). Since further series reached these same issue numbers, be sure to match your purchase to the cover images in this post.