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Children’s Book Review: The Journey Trilogy by Aaron Becker

November 5, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]The first time I encountered a wordless picture book for children was Journey at my mother’s house nearly a year ago. Long before we had ventured to the library she was already cycling through books for EV every time she visited.

journey-aaron-becker-interior-01I gave it a cursory page through and didn’t quite get it. EV didn’t seem to love it, either. I took away that EV wasn’t excited about wordless picture books.

Over the summer, E bought EV a wordless book called Pool. I was skeptical of it at first, recalling EV’s disinterest in Journey. Then, I watched something magic begin to happen. E kept making up the story of Pool, and EV began to interact with the story. Sometimes she interjected to add something from a prior telling, others she inserted her own details.

I took a turn reading it to her, and I noticed different facets of it than E, so my telling was a shade different. If I asked nicely enough and didn’t make a big deal about it, EV would even “read” Pool to me.

Pool was one of our most-read books during the summer. When E was listing off books from her want-list for our request list for the library and mentioned Journey, my ears pricked up.

I wondered – how would EV like the book now that she was older and more engaged in the shared creation of a story? Would Journey include both enough narrative and enough ambiguity to make for as interesting a read as Pool?

What a difference a few months made!

The Journey Trilogy: Journey, Quest, and Return by Aaron Becker Amazon Logo

journey-aaron-becker

CK Says: 4.5 stars – Try them!

Gender Diversity: Female protagonist; most other characters are male, although background characters are sometimes agender.

Ethnic Diversity: None, unfortunately

Challenging Language: None!

Themes to Discuss: imagination, fantasy, canals, cooperation

Reading Time: Depends on the reader! Between 4-15 minutes each, for us.

The Journey Trilogy by Aaron Becker is a beautiful, brilliant, fantastical trio of wordless adventure books by with a capable little girl hero, each with plenty of room for interpretation and expansion in the retelling. Becker proves himself an ingenious storyteller with an eye for detail and a knack for tantalizing ambiguity.

Journey is the story of a young girl who uses a piece of red chalk to travel to a fantastic world by drawing a door on her bedroom walk. In that world, she learns that the chalk can draw anything out of thin air.

After sailing through a town built on a series of canals, she encounters a group of soldiers flying in zeppelins are trying to catch a vivid purple bird. The girl tries to save the bird, but she’s captured herself, and the two work together so she can get free. The bird leads her to a door just like her own, except it’s the same color as the bird! On the other side, she is back in the real world down the street from her house, where she meets a boy with purple chalk.

journey-aaron-becker-interiorI could add so many more details to that plot summary, but none of them are verifiably true and that’s the best part of Journey. The story told by the series of gorgeous illustrations is never proscriptive, but it includes many hints to act as hooks for your imagination. The colorful chalk creations pop off the watercolor backgrounds.

The easiest example is the red chalk itself. The girl finds it on the floor of her room. Is it the first time she has encountered it? The natural urge is to say yes, as that fits with how stories like this one are usually told. However, she already owns a matching red scooter and red ball which she has been carrying around the house with her. Is it a coincidence that red is her favorite color, or had she created with the chalk before?

These points of interpretation abound in Journey, and they’re part of what makes it so fun in the retelling. Does the girl mean to steer her little red boat to the top of the highest canal? Is it she or the the bird who engineers the magic carpet that will fit through the bars of her cage? Where do she and the boy find the body of a bike that they draw wheels for at the end of the book?

That’s what makes Journey perfect for a small reader who can interact with you while you read. The details that EV noticed and questions she asked shaped out version of the story. Sometimes it’s a very plain, descriptive version that simply explains the action on each page. Others it unfurls in the telling like a florid fairy tale, full of little asides and descriptions of the girl’s inner monologue.

Journey would already be a surefire recommendation if it stood alone, but Aaron Becker extended the story into two additional books – Quest and Return – that are somehow even more captivating than Journey itself! [Read more…] about Children’s Book Review: The Journey Trilogy by Aaron Becker

Filed Under: books, Crushing On Tagged With: Aaron Becker, children's books, Journey, Quest, Return

From The Beginning: WildStorm Universe – Stormwatch #4-5 & Special #1

November 5, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]stormwatch_v1_005Stormwatch wasn’t immune to the widespread Image delays, but it had them more managed – its initial three-issue sprint was effectively a bi-monthly comic.

From that opening arc, it launched into a quick two-issue story that would connect it more strongly to WildCATs by introducing Daemonites into the mix. A subsequent special tells a weirdly rushed magical tale and a critical piece of background on second-in-command, Diva.

Brett Booth delivers marvelous work on pencils, with a set of vivid, superheroic colors from Joe Chiodo. Booth’s Warguard are positively Liefeldian, with mouths overstuffed with teeth and creases on every part of their clothing not stretched taut over a muscle. In keeping with the Liefeld inspiration, Booth does sometimes skimp on backgrounds.

This quick hit story only serves to emphasize how solid Stormwatch is as a comic and a concept. The cast doubles in this pair of issues, canon is deepened, the book begins to tie-in with the wider universe – yet, it’s still a coherent plot that moves the Stormwatch story forward.

The first Stormwatch Special isn’t quite up to the par of the main book  even as it succeeds in upholding the strong continuity of Stormwatch.

stormwatch_v1-special_01Ron Marz’s story of a parallel dimension akin to He-Man’s Eternia would have been better suited across multiple issues. It’s difficult to understand Battalion’s actions as they occur over just a day, making it seem as though he was hypnotized or possessed by a sudden love interest. If that was Marz’s intent, I’d say the issue was great, but it’s unclear if we’re supposed to believe the relationship was on the up-and-up.

While traveling to a dimension of sword and sorcery seems somewhat out of left-field here, it’s consistent with Stormwatch’s upcoming appearing in Union that they are increasingly the team called upon to deal with dimensional breaches in the fabric of our reality. Dwayne Turner manages to keep up the title’s high standard of art (though he trends a little more Kubert-brothers here more than Lee/Booth), although some of the colors are a bit off (e.g., Diva’s outfit is more red than pink).

Marz and artist Richard Johnson turn in a second story that reveals Diva’s origin and takes a moment to humanize Cannon. It’s a well-crafted, heartbreaking little story of Diva encountering her former vocal instructor that’s completely unnecessary to the main narrative in Stormwatch, but it adds depth to Diva’s steely, no-nonsense leadership. Johnson’s pencils are more grounded in realism that typical Image work, and it makes for some genuinely great panels.

Want the play-by-play? Keep reading for a summary of the team’s first run-in with Daemonites.  Here’s the schedule for the rest of this month’s WildStorm re-read – tomorrow we’ll read the biggest blockbuster yet, the “Killer Instinct” crossover between WildCATs and Cyberforce. If you want to get a headstart, you can read Cyberforce’s original 4-issue mini-series as background.

Need the issues? Stormwatch #4-5 & Special #1 have never been included in a collected edition! You’ll need to purchase single issues – try eBay (#4-5 & Special) or Amazon (#4, 5, Special) [Read more…] about From The Beginning: WildStorm Universe – Stormwatch #4-5 & Special #1

Filed Under: comic books Tagged With: Brandon Choi, Brett Booth, Daemonites, Dwayne Turner, From The Beginning, From The Beginning: WildStorm Universe, Joe Chiodo, Richard Johnson, Ron Marz, Stormwatch, Wildstorm

35-for-35: 1985 – “Everybody Wants To Rule The World” by Tears For Fears

November 5, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]First of all, let me point out that the most memorable song of 1985 for me is clearly “These Dreams,” but I’ve already blogged about that, followed by “How Will I Know,” which I’ve already covered, and also “Crazy For You,” which I’ve covered, too.

What a year! That meant for this post I had to go fishing for favorites not by that triumvirate of excellent women. The pickings are a little slimmer on the XY side of the fence, unless I want to go with laughing at Bowie and Jagger on “Dancing In The Streets.”

As I sifted through my music collection, I kept returning to this song, the sound of which evokes “80s” for me more than nearly any other song.

There’s something about the galloping bass and the plaintive melody of the chorus of “Everybody Wants to Rule the World” that still brings a positive swirl of butterflies to my stomach every time it begins. (Unlike their ponderous “Head Over Heels,” which still makes me sweat like a fever dream (seriously, I’m getting queasy just thinking about it).)

Maybe that’s because of the swirl of a two-note arpeggiated electric guitar riff that starts the song off fluttering in a major key before it settles into its two chord verse. everybody-wants-to-rule-the-worldWhatever the reason, I’m always giddy and than the steady gallop of the bass brings me back to earth as Chris Hughes tells me, “Welcome to your life…”

There’s no turning back
Even while we sleep
We will find you

Acting on your best behavior
Turn your back on mother nature
Everybody wants to rule the world

There’s a dissonance between the cheerful D-major key of the verses and the ominous lyrics that suggest an ever-watchful big-brother. Only two phrases in the song begin minor – the start of each refrain, and the title of the song. Each time the line begins with Em, the minor second chord, rather than G, the major fourth (which is Em’s relative major).

(In fact, the bridge is approximately what an all-major chorus would sound like, replacing Ems and F#ms with Gs and As. That’s part of what gives it such an explosive, anthemic quality as it bursts from a chorus.)

I love that it’s a memorable song for a baritone-voiced man (and 1985 was a good year for them – it also gave us “Don’t You (Forget About Me).”) I also love its unmemorable guitar solo. There’s really nothing distinct or melodic about it that you might sing along to, but it’s a perfect amount of frantic rising action to create tension leading to the final refrain.

tears-for-fears-songs-from-the-big-chairThen there is the simplistic melody of the chorus, sketching little wedges across the stave on the minor lines as it leaps over and steps down across the tonic, b/ e \b \a, only treating us to a walk across the D on the single major line.

Taken altogether these elements give the song a haunting, almost melancholic quality. The chorus feels like a sudden, paranoid rant cast against the big break to minor. The title has always suggested to me something more sinister about everyone wanting to the rule the world. (The original title was “Everybody Wants to Go To War,” which definitely merited the minor chord!)

“Everybody Wants to Rule The World” was Tears for Fears biggest hit. While it has the same looming dread quality of their other tunes like “Shout” and “Mad World,” all of those songs were methodical and rigid where “Rule The World” shuffles and gallops.

It’s all the dissonance that makes the song memorable – major vs. minor, looseness paired with dread. Rather than plod or hammer, the song is filled with dozens of tiny moments of resolution – something none of the bands other hits can promise.

I think that’s why I still get butterflies.

Filed Under: Song of the Day Tagged With: 35-for-35, Tears For Fears

From The Beginning: WildStorm Universe – WildCATs Special & WildCATs Trilogy #1-3

November 4, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]After WildC.A.T.s managed to wrap up its intended three-issue mini-series in four issues and 10 months it was unclear what the more permanent version of the title would be.

wildcats-v01-special-01In the gap, WildStorm quickly thrust WildCATs Trilogy, a three-issue mini-series from newly-poached Marvel young gun Jae Lee. It took just six months to complete (that’s sarcasm, by the way), and was accompanied by a single-issue Special #1 from Lee’s remarkable feel-alike protegé Travis Charest (which explicitly states that it fits prior to Trilogy).

Both arrived in time to promote the continuation of the WildCATs mini-series to a full-time ongoing with #5 in fall of 1993. Both also wisely put a heavy focus on Grifter, Voodoo, and Zealot, quickly realizing that the rest of the team is a snoozefest.

The Special issue is an outstanding adventure that proves that the book, its concept, and its cast will have many stories to tell thanks to Voodoo’s status as the only proven Daemonite detector on Earth. Marvel vet Steve Gerber – the co-creator of Howard the Duck! – shows a deftness with set-up scenes that makes the long, slow build-up of this issue as interesting as the brief burst of action that ends it.

On art, Charest does Jim Lee as well (maybe sometimes better?) than Lee, especially with an assist from Lee’s habitual inker Scott Williams.

Trilogy has its gawky moments of art from Jae Lee, who was still a teenager without much experience. Its strength is as an early shot of origin for the magnetic Zealot. Serving that here was a wise choice, as her popularity and narrative power would go on to threaten the team balance of the main book. Spending so much time explaining the Coda in the ongoing title would tip the scales a bit too far away from the rest of the team, but it feels just right in a mini-series.

Want the play-by-play? Keep reading for a summary of this introductory story. Here’s the schedule for the rest of this month’s WildStorm re-read – tomorrow I tackle Stormwatch #4-5 & Special #1.

Need the issues? WildCATs Trilogy #1-3 was collected in a 1999 TPB as The Way of the Coda, but Special #1 has never been collected. For single issues try eBay or Amazon (Trilogy, Trilogy Alternative Search, & Special) [Read more…] about From The Beginning: WildStorm Universe – WildCATs Special & WildCATs Trilogy #1-3

Filed Under: comic books Tagged With: From The Beginning, From The Beginning: WildStorm Universe, Image Comics, Jae Lee, Scott Williams, Steve Gerber, Travis Charest, Voodoo, WildCATs, Wildstorm, Zealot

35-for-35: 1984 – “When Doves Cry” by Prince

November 4, 2016 by krisis

[Patreon-Nov16-Post-Bug][/Patreon-Nov16-Post-Bug]prince-purple-rain1984 was a year that included a Madonna record – one of my favorite records of all time, actually – Like a Virgin. I could go on and on about that album. Yet, as with yesterday, I have to pluck out a different song to highlight. Unlike yesterday, this song as quite a pedigree.

Why do we scream at each other
This is what it sounds like
When doves cry

“When Doves Cry” may have been the first time I noticed that songs imitated life. I was on the verge of my Madonna obsession that came the following year with endless spins of “Dress You Up” b/w “Shoo-BeeDoo” but it was also the period where my parents were moving towards their separation.

I don’t have a lot of memories from when they were together and together in the same place. There are only two that I can recall clearly, and one was standing on the landing of our staircase listening to them scream at each other.

I always wonder, is that memory so singular because it was the only time they fought in front of me, or because it was frequent?

(Please, mom and dad, don’t comment and ruin the mystery.)


(Due to Prince’s curious vendetta against any of his music appearing online, there are no embeds of the video of “When Doves Cry” to share! Instead, have this early rehearsal footage of him learning the song with his band.)

Despite the dirty electric guitar riffing in the intro and the jaunty piano chords of the refrain, “When Doves Cry” is a sparse song. Prince is singing to an unnamed partner, but to me the song plays out in a locked white room (“a world that’s so cold”) with several Princes, drums, a piano, and some phase effects. There is no bass. when-doves-cryNothing else will enter or depart.

Maybe it is the inside of Prince’s mind, him arguing maybes back and forth, the drum an echo of his heart beating from just below.

How can you just leave me standing?
Alone in a world that’s so cold? (So cold)
Maybe I’m just too demanding
Maybe I’m just like my father too bold
Maybe you’re just like my mother
She’s never satisfied (She’s never satisfied)

I think it says something about me that for over 30 years “When Doves Cry” has always been a song about parents when that amounts to only four lines alone in the context of the bottled lust of the rest of the song.

I have to consciously check in to hear anything else in the song as words other than noises. Like “animals strike curious poses” – I could recite the phrase to you phonetically, but every time I remind myself of the lyrics I quickly forget.

E said a thing to me last night to the effect of, “we’re all just machines executing code we wrote when we were eight years old.” We weren’t talking about “When Doves Cry,” but that’s absolutely what the song is about. At a point, all of the lust and heat in world can’t change your programming. You either add new functions to help correct the old code at the core, or you just keep executing the same mistakes again and again – either the mistakes of your parents or the mistakes you make in reaction to their actions.

All of that meaning is packaged in this hermetically sealed white room of a song with its sparse arrangement, three stanzas, and a chorus. Prince was a genius of both music and the human condition, and also of efficiency. Lines of musical code.

If he could have said it in any fewer words or notes he would have.

Filed Under: Crushing On, Song of the Day Tagged With: 35-for-35, Prince

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