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Inhumans – Definitive Collecting Guide and Reading Order

The Inhumans comic books definitive issue-by-issue collecting guide and trade reading order for omnibus, hardcover, and trade paperback collections. Find every issue and appearance of all of the Inhumans Royal Family – like Black Bolt and Medusa – plus newer characters like Ms. Marvel and Moon Girl! Part of Crushing Krisis’s Crushing Comics. Last updated November 2023 with titles scheduled for release through January 2024.

inhumans

The Inhumans were a creation of the Stan Lee and Jack Kirby run on Fantastic Four, yet another uncanny spin on a common sci-fi tropes. They’ve stuck around for over 50 years due to the power of love, a well-timed re-launch, and an unparalleled space epic all paving the way for them to become one of Marvel’s marquee franchises.

inhumans

In their initial arc of Fantastic Four #45-48, the Inhuman Royal Family were presented as deposed rulers of a secret nation, currently resided in New York. That explained why their queen, Medusa, was a collaborator in The Frightful Four!

Inhumans_Vol_2_1_TextlessThe family’s true home was hidden in the depths of the Andes Mountains, where they had perfected the art of genetic engineering to grant superpowers to every member of their society. In contrast to this evolved race, their despotic current king Maximus employed a fleet of Alpha Primitives – a sort of devolved neanderthal – against the Royal Family.

That could have been the end of the Inhumans’ story – especially because the end of their arc happened to be the debut of Silver Surfer, a prohibitive Silver Age classic that could easily eclipse other solid stories.

Yet, the Inhumans hung on, largely due to their female cast members. Crystal became a love interest of Human Torch and a replacement member of the FF when Sue Storm was pregnant with Franklin. Medusa also continued to appear, as both friend and foe.

The Inhumans were a particular passion of Jack Kirby’s; he would return to both write and illustrate them in the anthology series Amazing Adventures in 1970. They even merited their own series in 1975, written by Doug Moench (of Moon Knight fame).

Past that, the Inhumans were relegated to guest star status – mostly with the Fantastic Four – through the 90s. Crystal became their breakout character, graduating from the FF and dating Human Torch to The Avengers and marrying Quicksilver.

The modern era of The Inhumans began in 1998 with a stellar 12-issue maxi-series from Paul Jenkins and Jae Lee. This series presaged the darker tone of early-2000s Marvel Knights titles, and focused on every aspect of the race’s embattled society. The series acted as a soft reboot of the Inhumans, who would star in a pair of additional mini-series through 2003. However, outside those series, their appearances were still scant.

That all changed in 2006 thanks to two developments.

First, Brian Bendis’s inclusion of Inhuman King Black Bolt in The Illuminati, would permanently raise the character’s profile and make him an essential tool for writer Jonathan Hickman in his run on Fantastic Four and Avengers from 2009-2015.

Second, the Inhumans’ Silent War during Civil War launched them onto a path that would intersect members of the X-Men and the Annihilation story that launched the modern Guardians of the Galaxy. The intersection, called War of Kings, is a seamlessly executed space epic that combines superheroes, palace intrigue, and massive space battles unlike anything else in Marvel’s history.

As a result of the combination of those eight years of  developments, The Inhumans were perfectly poised as a new franchise for Marvel in the wake of their Infinity event. In 2014, they received their own mini-event, “Inhumanity,” as well as their first ongoing series, Inhuman, and their first standalone spinoff hero, the new Ms. Marvel – Kamala Khan. Plus, Inhumans were highlighted in TV’s Agents of SHIELD, culminating in a major arc in 2015. 

In the wake of Hickman’s Secret Wars in 2015 their influence in the Marvel line expanded even further, with multiple books and a strong influence on major events in the Marvel Universe.

inhumans

The tricky thing about the Inhumans is that from their introduction in 1965 through 1998 they only had their own ongoing title two times (both in the 70s) plus a handful of one-shots. Their mythology frequently moved forward during their various guest appearances, especially in Fantastic Four.

This guide tracks the appearances of the Inhuman Royal Family from their introduction in 1965 through the beginnings of War of Kings in 2007. From 2007 on, it continues to track all major limited and ongoing Inhumans titles.

[Patreon03][/Patreon03]

[Read more…] about Inhumans – Definitive Collecting Guide and Reading Order

Shang-Chi, Master of Kung Fu – The Definitive Collecting Guide and Reading Order

Shang-Chi, Master of Kung Fu in a definitive issue-by-issue collecting guide and trade reading order via omnibus, hardcover, and trade paperback collections. Find every issue and appearance! Part of Crushing Krisis’s Crushing Comics. Last updated November 2024 with titles scheduled for release through February 2025.

Who is Shang-Chi? To figure out the answer, we need to travel back in time over 40 years to 1974.

Similar to Marvel 70s horror titles Tomb of Dracula and Werewolf by Night that emerged in 1972, Master of Kung Fu (MoKF) both featured a major non-Marvel character and was built to serve a public craze.

shang-chi-3596575-avengers_world_3_alessio_variantIn this case, the craze was the titular Kung Fu. It was blowing up in the summer of 1973 thanks to a culmination of factors including the television show Kung Fu, a number of successful movies imported from China’s booming cinema, and one man: Bruce Lee.

Marvel wanted to license the popular Kung Fu to take advantage of the nationwide interest in martial arts (which also yielded Iron Fist), but they failed to obtain the rights. Instead, they turned to another pre-existing mythology: the story behind villain Fu Manchu, a fictional criminal mastermind who coined the mustache of the same name. He was created by author Sax Rohmer in 1912 in a serialized novel, The Mystery of Dr. Fu-Manchu.

Fu Manchu was popular enough to merit an initial trilogy of serialized books in the 1910s and even more starting in the 1930s, plus a number of film adaptions ranging from 1929 to 1980. The character can be a controversial one – even in the 1930s he was seen as a racist caricature representing the “Yellow Peril” of an East-Asian threat to the wider, whiter world.

Enter Marvel Comics. They licensed the Fu Manchu universe from Rohmer’s estate, which was mostly focused on film adaptations in the 60s after Rohmer’s death and final book in 1959.

Instead of keeping it isolated in its own continuity, they created Shang-Chi as a part of the Marvel Universe and made him the son of Fu Manchu! What used to be Special Marvel Edition introduced Shang-Chi and then quickly made him the headliner of the book, swapping the title to Master of Kung Fu with issue #17.

Unlike Dracula, who has always been in the public domain in the US and who entered that status in the 1960s in Britain, Fu Manchu has remained the intellectual property of the Rohmer estate. While all Dracula stories are fair game to tell, print, and reprint, Fu Manchu requires a licensing agreement to use.

At some point after MoKF ended in 1983, Marvel let their rights to the Fu Manchu universe lapse. While they still retained Shang-Chi as a character, they could no longer name his villainous father in print. Further, Marvel could not reproduce or reprint those Fu Manchu stories in print and digital collections until reaching a new arrangement with the Rohmer estate in 2015.

Marvel moved forward with bringing Shang-Chi back to prominence before they re-secured his reprint rights. After appearing in the mid-00s Heroes for Hire, he became a member of the Secret Avengers in 2010 and Jonathan Hickman’s Avengers in 2013. Then, starting in 2017, he starred in a string of his own solo series, written by award-winning superstar Gene Luen Yang and Alyssa Wong.

[Read more…] about Shang-Chi, Master of Kung Fu – The Definitive Collecting Guide and Reading Order

Wonder Woman Comic-Con Trailer!

July 23, 2016 by krisis

I’ve already recently covered my lifelong love of Wonder Woman, so I don’t think I need to explain that I found this trailer to be heart-stoppingly good. I gasped out loud the first time Diana used the lasso of truth.

I also appreciated that Chris Pine is playing the same mouthy handsome guy he always plays, but that every one of his little pieces of pith in the trailer was undermined by the somber score. While this still has a little too much “defining Wonder Woman as the inverse of a man” to it for my liking, it never once gives the illusion that Pine is the star or that the camera mirrors his gaze.

Oh, and: Etta Candy is wonderful.

Filed Under: comic books, flicks Tagged With: trailers, Wonder Woman

This is not a review of Ghostbusters and I don’t like things that are funny

July 20, 2016 by krisis

Last night Jake, Ashley, and I enjoyed an acoustic rehearsal on Ashley’s roof deck (sans Zina, whose drums would never make it up the four flights of stairs) followed by a band trip to see Ghostbusters!

Ghostbusters-2016-posterLong story short: Ghostbusters was a slightly better-than-average summer blockbuster.

Almost entire unrelated to that fact: I loved it. I think all four lead actresses were phenomenal and I am now obsessed with Kate McKinnon.

Before you all say, “Duh, Peter, you are a feminist fanboy, this was bound to happen,” let me tell you the longer story about how I legitimately had no reason to like this movie yet still managed not to be a total tantrum-throwing child about it.

The original Ghostbusters is one of a group of sacrosanct films from my youth that I loved not just for the kid-friendly silliness, but for the references and adult themes that would continue to reveal themselves to me as a grew older. It’s also probably my most-quoted movie of all time thanks to “There is no Dana, only Zuul” and “Don’t cross the streams!”

Despite that, and being a white male in my 30s, I didn’t see the coming of a new, all-female Ghostbusters flick as some sort of threat to my precious and beloved film or my childhood memories. I saw it as what it seemed to be – a cash-in on ripe intellectual property by a relatively hot director and his major star.

That I find Paul Feig and his entire cast to be completely and totally unfunny just meant I assumed this movie wouldn’t be for me.  [Read more…] about This is not a review of Ghostbusters and I don’t like things that are funny

Filed Under: flicks Tagged With: Chris Hemsworth, Ghostbusters, Kate McKinnon, Kristen Wiig, Leslie Jones, Melissa McCarthy, Paul Feig

Review: Netflix’s Stranger Things, Season One

July 19, 2016 by krisis

As with the release of any of Netflix’s “bing it all at once” television seasons, this weekend my social feed went from a stray mention of Stranger Things on Friday to a steady stream on Saturday as more and more people began to sample the eight-episode thriller.

I didn’t want to be a late adopter this time around (or: be spoiled!), so I jumped onto the bandwagon on Saturday night – and wound up finishing the entire show within 48hrs!

That’s not just because I love to binge on TV. In many ways, Stranger Things is Neflix’s most cohesive and successful original work yet. While the performances might not be of the raw caliber of acting as those in House of Cards or Orange Is The New Black, they all work perfecting in the unflinching service of this period 1980s thriller.

Stranger Things, Season 1 4.5 stars 

There are very light, “this is the concept, these are the characters, this happens in the beginning of Ep1” spoilers in the first section; a more spoiler-filled take for those who’ve already seen the show follows, below.

CK Says: Watch it!

Stranger Things is a Netflix original that’s obsessed with the 80s work of Steven Spielberg, Stephen King, and Amblin Entertainment. It’s about a hidden horror, a terrifying secret, and how a group of kids bear the burden of both on the behalf of an entire sleepy town.

While Stranger Things is reverent of those influences, the show rarely feels derivative as it unfurls a sci-fi plot that is as human as it is creepy. The focus is always on the characters and rarely on the fantasy, even though the fantastical element are a seamlessly-executed success.

The opening frames introduce us to Hawkins, Indiana in November of 1983. We briefly glimpse a terrified scientist fleeing through the abandoned, flickering halls of a research facility on the outskirts of town before he is captured by an unseen creature.

The rest of Hawkins seems none the wiser to these events – it could not be more average. The geeky kids play Dungeons & Dragons and are obsessed with Star Wars. The teens are shot-gunning beers and talking about sex without consequence. The parents are stringing together jobs and cooking dinner without worrying too much about where their kids are hanging out and with whom. A surly sheriff hasn’t had to deal with any major crime – the last notable one was in the 20s!

Anything past idle teenage vandalism would be notable in this tiny ville. Yet, it’s also idyllic enough that a missing child can be chalked up to a wrong turn on a hike or deciding to take a Greyhound for an adventure to the city. That disappearance is accompanied by the appearance of a seemingly-mute young girl with a shaved head. She’s desperate to escape an anonymous group of men and women in black who want to haul her back to that same mysterious lab. When she encounters a trio of nerdy kids searching for their missing friend, it acts as a flashpoint that begins to unveil the horror that’s been unleashed on the small town. [Read more…] about Review: Netflix’s Stranger Things, Season One

Filed Under: reviews, teevee Tagged With: Amblin Entertainment, Netflix, Stephen King, Steven Spielberg, Stranger Things, Winona Ryder

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