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Comic Books, Drag Race, & Life in New Zealand
by krisis
The Pull List was slightly lighter this week than the past three, partially due to me not managing to pick up any additional ongoings from Marvel or DC. I made a heroic effort to catch all the way up with Doctor Strange, but fell an arc short.
This week’s comics felt a little ho-hum for me, with even typical standouts like Flash and Paradiso falling flat. However, it also brought not one but two near-perfect comics, plus one unexpectedly great debut.
Here’s The Pull List for the 14th of March, 2018. New adds to the pull list are marked with *; dropped titles are marked with #.
Before we begin, a reminder that 2.5 stars on my rating scale is an average comic book and my bell curve distribution peaks at 3/5 stars! Don’t freak out and assume a comic book is terrible because it has 2 stars. That means it’s just a hair below average (and there are a lot of those this week)
Dan Jurgens leaves us with a truly perfect, contemplative issue of Superman that puts a wrap on his stellar Rebirth run but also addresses his writing from over 25 years ago, as beautifully rendered by artist Will Conrad and colorist Ivan Nunes.
In Metropolis, Lois is newly reunited with her estranged Army General father after saving him from execution in the last arc. It’s his first time meeting Jon (sort of), but General Lane isn’t in on the Superman secret, so he thinks Jon is a regular kid. That makes it even more tense as Lois and her father square off across the dinner table about the philosophy of Superman. Jon has never been exposed to this kind of hatred and xenophobia about his father before – which is also, by extension, aimed at him.
Meanwhile, Superman is in space dealing with a routine chore of breaking up an asteroid that will stray a bit too close to Earth for STAR Labs liking. Superman is thinking about fathers – General Lane, his own father Jor-El, as well as Zod – all of whom were tangled in the cross-time plot he just wrapped with Booster Gold.
Superman can see the errors in the ways of each of those parents and they in turn reflect his errors back upon him. Clark Kent is good-natured to a fault, but he’s not always right. General Lane isn’t entirely wrong about him – sometimes his absolute power corrupts him, both in how he metes out justice and in how he isn’t accustomed to apologizing for his actions.
As a result, Superman decides to put right two wrongs. One is with Hank Henshaw, the Cyborg Superman, who he currently has imprisoned in the Phantom Zone. The other, eventually is General Lane. [Read more…] about The Pull List: Action Comics, Avengers, Eternity Girl, Infidel, Judas, Marvel Two-in-One, Vampironica, & more!
by krisis
The Pull List is holding strong as 33 issues this week thanks to a huge number of new pickups – including eleven new number one issues (plus two already-running series I finally caught up to reading)!
This was an intense Marvel Comics week on my pull list and a lighter DC week for me. Marvel had only two books out from titles I’m not up to speed on, where DC had a lot of comics out in lines I’m not yet caught up on and no “New Age of Heroes” books, plus only one new number one – a relaunch of Shade.
Meanwhile, it is a big week for new debuts from independent publishers – though a few of them weren’t to my tastes (and one was entirely unreadable!).
Here’s The Pull List for the 7th of March, 2018. New adds to the pull list are marked with *; dropped titles are marked with #.
Before we begin, a reminder that 2.5 stars on my rating scale is an average comic book! It should be my most-assigned score, but I tend to err on thinking average comics are good (confusing, I know), so 3 stars is the peak of my very distributed bell curve of ratings.
That means a 2/5 comic is not bad. That’s my rating for “uneven.” So, don’t freak out and assume a comic book is terrible because it has 2 stars. “Bad” and “Terrible” are 1/5 and .5/5, respectively, and I’ve only given those scores to 2.35% of the comics I’ve read so far this year.
This galaxy-spanning series is ecstatic – maybe the first time I’ve felt like the comics incarnation of Guardians of the Galaxy has resembled the tone of movie since the first film was released.
This book is built on a year of Guardians plot, but it could not possibly be more inviting to a new reader. All of the action is massive, all of the jokes land, and Aaron Kuder’s style of subtle figures paired with ultra detail is the perfect match for big space blowouts. It’s definitely the first time I’ve ever liked Drax, and the issue is full of amazing moments for Groot.
The Guardians have split their attention between a showdown with the murderous Gardener and defending a massive Infinity Stone along with the Nova Corps. Drax and the Corps start out faring better defending the stone than the rest of the assembled Guardians do agains The Gardener, but as both fights wear on the balance begins to tip.
With the [hugely shocking spoiler] scene on Earth that ends this issue, I understand why Duggan got this story upgraded from being just a Guardians story arc to a universe-wide event. He’s a writer who has been in Marvel’s big leagues for a few years now, and it’s terrific to see him writing an event that touches so many of Marvel’s big franchises without needlessly interfering with their ongoing titles.
I am absolutely subscribed to Infinite Countdown from this point forward, and it has moved Duggan’s Guardians run even further up my “to-read” list.
(Why in heaven’s name would you put a Nick Bradshaw cover on a book with interiors by Aaron Kuder and Mike Deodato? It makes no sense to me whatsoever.)
This is the first English translation of this work, originally released as three French graphic albums and here released by Humanoids as three digital issues or a single hardcover.
Exo is a sci-fi motion picture waiting to be optioned. It combines two seemingly separate plots into one perfectly tense story – one of a NASA scientist on Earth, the other of a military strike force on the moon.
John Koenig is a perfectly average scientist who happens to have located a potentially habitable planet in another solar system and tasked a probe to fly its way. His announcement makes for a sleepy press conference, since any potential findings from the probe are almost two years away. The discovery is just another day at the office for Koenig – he goes for a routine physical afterward, and the heads into LA to retrieve his adult daughter, who calls him John.
Meanwhile, a projectile arcs from the moon to Earth, shattering part of an International Space Station en route to crashing into a field in Colorado before it starts to… branch out. Unfortunately, one of its findings is a schizophrenia man named Charles, who it is unable to control.
As Charles’s new crew seeks John, the military responds to the projectile by putting boots on the lunar ground – but they aren’t ready for what they might find there.
That describes just a sliver of the first 40 pages of this 120 page graphic novel, and it doesn’t even include the drug trip!
Exo has the same third act struggles as any massive sci-fi plot, but the tension that proceeds it is makes it worth a read. Even if a lot of the story draws from familiar tropes, it has the brash inventiveness to combine them in a way that we all hope to see from sci-fi films (think: Arrival).
by krisis
This week The Pull List is holding steady at a still-staggering 32 comic books.
I’m not sure if I was being a moody reader or if every company shipped some bunk books this week, but the average rating for the week was 2.70 – a full third of a point lower than the past few weeks. While that means most of the books were still better than average, it’s not by a whole lot.
Here’s what I pulled this week, with *s on adds (whether I just caught up with them or started them fresh):
A great-looking, contemplative issue that brings together the members of the Bat-Family we don’t usually see in this book – Nightwing, Batgirl, Red Hood, and Damian.
Batman has pulled these trusted lieutenants together as an inner council to decide Batwoman’s fate as a member of the Bat-family, yet in some ways their conversation is also a litigation of Bruce and his methods as the head of this dysfunctional household. Meanwhile, Batwoman holds herself accountable for her own actions, with a surprising result.
This isn’t an issue that’s going to appeal to a more casual reader – it looks amazing, but it has hardly any conflict. However, for someone who has been reading from the start this pierces right to the heart of this title and the ideological divide between Batwoman and Batman that has been brewing all along.
Part of what makes it so power is that Batwoman also has an avowed “no kills” philosophy, but she is willing to make exceptions when other lives hang in the balance. Batman won’t make exceptions, so he gets to watches thousands of Gothamites die from his moral high ground.
It’s heartbreaking to think of this book writing by someone other than Tynion or with a cast other than this one. Everything about it works so incredibly well. Yet, we’re in the “disassembled” phase, and there’s certainly more conflict to come before Tynion moves on.
A strong and sombre new zombie comic, The Wilds is definitely a descendent of Walking Dead but with a completely different tone – due in no small part to its pair of woman creators, Vita Ayala and Emily Pearson.
We get the same old zombie-pocked landscape with isolated camps trading resources and doing their best to survive, except the zombies are walking plant life – humans who have turned into semi-sentient flower pots. It makes for strangely calming, beautiful zombies to see all of their typical goriest bits covered in blooming flowers.
Pearson’s art evokes such masters of the modern form as Allred and Noto, employing their same plain, truthful faces and uncomplicated backgrounds.
Beneath the flowery dressing, this is the familiar story of a single senior errand runner who thinks it might be time to get out of the game, and how an act of compassion on her last journey might spell the end of the safety of her heavily fortified compound. There’s no slam bang action beats in this one, but the strange stillness of it is pulling me towards reading more.